Having successfully secured the Cro-Mags name after a year-long court battle with former members John Joseph and Mackie Jayson, frontman and general hardcore legend Harley Flanagan follows up last year’s From the Grave and Don’t Give In EP’s (Victory Records) with In the Beginning (Mission Two Entertainment/Arising Empire), the first full-length release from the celebrated New York act in twenty long years. Continue reading
New York Hardcore legends Sick of It All have shared a new video for their song ‘Bull’s Anthem”!” The clip features fans and some famous faces from fellow punk bands. The track comes from their last album Wake The Sleeping Dragon!, which they dropped in 2018 via Century Media Records and Fat Wreck Chords, who put out the CD and vinyl version in the US. The album is available to stream and purchase now.
“Getting all our fans and friends involved in the making of this video for ‘Bull’s Anthem’ was an absolute blast. We had so much fun going through all the submissions, piecing it together, and being able to bring some much needed laughter into all of our lives during these crazy times. It’s amazing to see so many people united via our music, from all over the world, and joining us in spreading a good responsible message. We want to thank Tim from Rise Against, Chuck from Hot Water Music and the hundreds of participants, for making this happen, and we want to thank you for watching and sharing this video. It’s US vs Them and the time for revolution has come! Support, love and take care of each other,” states SICK OF IT ALL about the music video.
Have you ever heard a debut album from a band and wondered how they will, if possible, top their material in a follow-up record? Lesser Glow provides us an excellent example of consistency and development in their sophomore record Nullity (Pelagic Records), full of heavy, melodic, and huge wall of sounds that will keep you wanting more. The band, originated in Boston, Massachusetts, brings a different perspective to the Doom Metal world, adding the different influences of other sub-genres of Metal like Hardcore, Post-Hardcore, Post Rock, and more. Coming up from their amazing debut Ruined (Pelagic Records) Lesser Glow keeps bringing a fresh and new perspective in a genre that arguably has a lot of bands sounding the same. Continue reading
Success has a way of messing with a good band. First world problems compared to the millions of bands that never make it, sure. However, so often when an emerging band that has fast become a genre leader, big corporate record labels can foul up the flow. This was almost the case of White Pony by Deftones, and the case where the hype was lived up to by pencil pushers, bean counters, and greed almost wrecked the game. White Pony is the band’s pivotal third album, where they built off the stylistic changes that came in with Around The Fur (Maverick) and pushed their sound further than before. In the process, they severed themselves far from the Nu-Metal wave that was exploding at the time and firmly created a new camp of “Deftones Music” as a category. That is, until, the label got in their business later on. Continue reading
Ghost Cult is bringing you the fiery new video from San Diego’s two-piece hardcore and metal band Latex Grenade for their track ‘The Cage’! The anthemic track and emotional video highlights the unrest in America that has driven the entire globe to action. The band may look like chill skater dudes who like to party, the but song and the clip tap into the current state of unbridled outrage and heartache over the current systematic failures by our country. Watch the video here! Continue reading
Despite the intense hostility of Californian Death / Hardcore bruisers Xibalba, the Hispanic heritage of most of its members, coupled with predominantly Latin lyrics, give a sense of mystique – some may say fatal romanticism – to the music that adds to the magnetism. Fourth album Años en Infierno (Southern Lord Recordings) sees the band delve further into its more brutal side for what is rumoured to be its last album for some time, if not ever. Continue reading
The first time I saw Between the Buried and Me live was at The Gramercy Theatre in New York City, during a tour for their then-newly released Colors (Victory Records) album; it was a pivotal period for the group who had, at that time, seen a series of lineup changes in short order. Five drummers, four guitarists, and three bassists later, the band was shaping their sound to dull the edges from the ever-aggressive Silent Circus (Victory Records) and Alaska (Victory Records) albums to an arguably more technically complex, albeit at times mellower, Jazzy era that would set the tone for the rest of their musical trajectory as we know it today. Continue reading
Ghost Cult’s chief editor Keefy caught up with Tommy Rogers of Between the Buried and Me recently to discuss their upcoming remastered and remixed version of their debut album, due out on May 15th via Craft Recordings. We chatted with Tommy about the formation of the band, the post-hardcore, metalcore, and Death Metal scene the band came from in Raleigh North Carolina in their previous band Prayer for Cleansing and peers such as Code 7, Undying, Day of Suffering, recording with Jamie King on his first significant release and Jamie’s impact on the band, how the debut telegraphs elements of music the band would incorporate later, the process of remixing and remastering, what shaped Tommy as a singer and lyricist on the first album, taking “creative risks” as an artist, how the lineup change for the Alaska release shaped the future, how the band looked like nerds in their first photos, being a “keyboard” act in heavy music, his favorite song now from back then, and much more. You can order the album in several different bundles here https://found.ee/btbam-st-r and listen to our chat now.
Propaganda (Pelagic Records) is the first full length I’ve gotten my hands on from Belgian exports, BEAR. In description to their sound I see lots of online chatter about it being labeled as Progressive Hardcore which to me sounds very appealing as it conjures up thought of Botch or early Between the Buried and Me. And while there are moments of zonked out Prog on Propaganda, I’d say it was akin to Groove Metal even though I’ve never been particularly jazzed about that as a genre moniker. Continue reading
Ghost Cult was honored to chat with musician and artist Jacob Bannon of Converge, Wear Your Wounds, and his new band Umbra Vitae. That group just released their debut album, Shadow of Life, (read our review here), a brutal, OSDM flavored album created by Jacob and a group of master musicians and friends such as Mike McKenzie (The Red Chord, WYW) and Sean Martin (Twitching Tongues, ex Hatebreed, WYW) Greg Weeks (The Red Chord, Labor Hex) and Jon Rice (Uncle Acid and the Deadbeats, Job For A Cowboy). In a frank discussion with our editor Keefy, Jacob discussed the impact coronavirus has had on the music world and more specifically his bands and his label Deathwish Inc., what are the Death Metal inspirations of the group, how Umbra Vitae came together, how this is a full band and not side-project, the poem that inspired the band name and the entire album, an update on new Converge and WYW music, and much more. Jacob is working to stay focused and creative during the pandemic to keep his bands and Deathwish Inc. alive in all of this and if you can, please support his music, art activities at these links.
Buy the album here https://orcd.co/umbravitae
Support all of Jacob here: