Ghost Cult has teamed up with Faith And Scars for the debut of their new single – “Long way Home”! This incredible video tells a narrative story, giving deeper meaning to the lyrics. The bands blend of outlaw country vibes, hard rock and heavy metal is sure to bring the feels the fans of Black Label Society, Brand New Sin, Down, Jason Charles Miller, and more! Watch the clip now! Continue reading →
Having successfully reinvented themselves as a power trio on 2018’s What Was And What Shall Be,Brimstone Coven, doubles down on the template with The Woes Of A Mortal Earth (Ripple Music). The style remains rooted in Seventies-flavored Occult Rock with the songs largely being driven by simple guitar/bass grooves and wafting vocal harmonies. The atmosphere and drawn-out pacing further reinforce a trancelike mood that is relaxing, yet esoteric. Continue reading →
Massive Wagons‘ fifth album House of Noise (Earache Records) delivers unabashedly old fashioned Rock n Roll with lashings of riffs, hooks, and humour that will put a smile on anyone’s face. It builds on their fourth album, and Earache debut, Full Nelson by doing more of the same, but bigger and better. If it ain’t broke, don’t fix.
Butterfly’s full-length debut isn’t the least bit shy about its Seventies Rock inspirations. That is made immediately apparent with the cover art contrasting Vikings and a mystical title with an innocuous band name, but the music plays out like a grab-bag of Montrose, Uriah Heep, and Budgie among others. Its free-spirited attitude is comparable to their contemporaries in Freeways and one can occasionally detect hints of otherworldly haziness in line with Tanith and Brimstone Coven.Continue reading →
While a self-titled album often serves as a summary of an artist’s particular style, Vestal Claret’s third full-length is unlike anything else they’ve done before. The Doom Metal that defined the occult collective’s past efforts has been completely phased out in favor of a subdued presentation that is somewhere between Folk and introspective Psych Rock. An esoteric aura still wafts with vocalist Phil Swanson (Hour of 13, Sumerlands) offering his signature mournful, nasally wail, but the vibe has more in common with Hexvessel or Sabbath Assembly than Pagan Altar.Continue reading →
Looking past the rather gaudy artwork, the third album from Mike Lepond’s Silent Assassins sees the group continuing to thrive on an over the top presentation. As with previous albums, Lepond’s bass playing leads the charge with intense flurries accompanied by surging power metal rhythms and Alan Tecchio’s flamboyant wails detailing history and legend. However, Whore of Babylon sets itself as the group’s most eclectic effort so far.
We caught up recently with Hyro The Hero from his home, on lockdown, keeping safe from the pandemic. Sadly, his spring tour plans opening for Asking Alexandria have been canceled. In the meantime, Hyro is keeping that PMA (positive mental attitude) and keeping his spirits up during trying time by staying busy, working on music, catching up on his gaming, and trying to eat right. He is also checking out all kinds of other musicians and rappers plying their game on Soundcloud and other mediums who are respect-worthy. He’s got a good message for fans too, as Hyro has new music coming soon, the follow up to his acclaimed album Flagged Channel, via his label Better Noise, that he is really excited about, and we are too! Follow Hyro and get ready for new sounds later this year. Continue reading →
Los Angeles-based act Æges is a genre-defying group of guys that are turning heads in multiple music scenes. This budding band has flourished in the last few years because they have a remarkable ability to avoid being pigeonholed. Now, this ear-catching gang is ready to independently release their fourth full-length album, Drømmen (Self-Released). The animation and spirit presented on their last release, Weightless (Another Century), which came out in 2016, is taken to a deeper level on this new record. They are showcasing their exploration of new energy by making some real, heartfelt pieces. Continue reading →
Let’s face the facts, folks, the music industry has changed drastically in the last 30 years. I firmly believe that change is inevitable and most of the time I embrace change with open arms. The recording process has been completely revolutionized to the point that musicians can produce their own albums right from home on their computers. The problem with having the ability to record and release music so easily is the plethora of music that is flooding the market that just does not stand the test of time. Think of some of the current songs you hear on Fm radio stations, most of them will spin themselves out of rotation and vanish to the isle of forgotten songs within 6 months of their release. Career longevity has become an elusive beast in the music industry, so when an artist who released his first album over thirty years ago is touring and selling out venues, a Skullgurl must pay attention. Of course, I am talking about the original untamed mane rock star, Sebastian Bach.Continue reading →