The Top Ten Stories at Ghost Cult This Week 12-04-22


In a new feature here, we recap the biggest stories of the week that was here at Ghost Cult! We went over ten, but we are rebels at heart! This week the big stories include Metallica everything, new music from Obituary, Crobot had their trailer with all of their gear robbed, our Album of The Year countdown coverage, a new Hammers of Misfortune interview, Apocalyptica in the new Netflix Wednesday series, Powerwolf’s next album announced, Nothing More interview, Black Sabbath reissues, Moby’s Vegan punk rock documentary, Desertfest London 2023 announces its first bands, and more.

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INTERVIEW: John Cobbett of Hammers of Misfortune – “Overtaker” Album Discussion


Ghost Cult was honored to catch up with John Cobbett of Hammers of Misfortune, Ludicra, and Vhol to discuss the new Hammers album, “Overtaker!” John discussed the new album in detail, the gap between albums, moving to Montana from the Bay Area with his family, the challenges of the music industry, going DIY, and more! Continue reading


NEW MUSIC FRIDAY: July 9th New Music Releases


Purchase and Stream all the New Music released today

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ALBUM REVIEW: Possessed Steel – Aedris


 

While Toronto’s Possessed Steel approached Epic Metal with a rough attitude on the EPs they released in 2014 and 2017, their first proper full-length is much classier in comparison. The style is as grandiose as ever, but a greater emphasis on intricate guitar harmonies and polished production gives Aedris (Temple Of Mystery Records) more in common with a band like Wytch Hazel than Atlantean Kodex. Further comparisons could also be made to The Lord Weird Slough Feg and Hammers Of Misfortune with the free-flowing structures and pastoral air throughout.

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ALBUM REVIEW: Hammers of Misfortune – Dead Revolution


Hammers of Misfortune – Dead Revolution album cover ghostcultmag

Hammers of Misfortune’s Dead Revolution (Metal Blade) marks the band’s sixth release after a lengthy hiatus. The name is a rather amusing one as the album as a whole fails to deliver any kind of revolution and is, in my opinion, dead. Well, maybe not quite. It is neither amazing nor terrible, it just…Exists in time and space as we know it.

I would like to tell you that I found one or two redeeming songs on the record but that was not the case here. Even with repeated listens, there wasn’t really anything that stood out to me as memorable. This applies to the title track, ‘Dead Revolution’, as well. It’s just your generic rock and roll anthem with a keyboard added to the mix.Continue reading