Released some twenty-five years into a career that saw them burst out of the east-coast hardcore scene in the mid nineties, Heavy Pendulum (Relapse Records) is Cave In’s seventh album, and is a landmark release for the band who sadly lost their bass player Caleb Schofield to a car accident in 2018. Schofield also provided many of Cave In’s heavier vocals, and his role in the band is assumed by close friend Nate Newton (Converge, Deathriders), and who also has a mean voice himself.
Bizarrely named Long Island quartet Moon Tooth’s new record Phototroph (Pure Noise Records) is a wonderfully eclectic one that mixes many disparate influences into one cohesive, and thoroughly absorbing, whole. From prog, rock, NWOBHM, and grunge to name but a few, Phototroph is a sprawling, unique and engaging offeringContinue reading
From the very first second of the new cut from A Deer A Horse, I was instantly transported. I was instantly back in high school riding a skateboard and skipping school to check out records with my bros. The tracks presented here are so reminiscent of the good old days of grunge and punk. The angst-driven lyrics; the minimalistic approach. I really got into the tones of the guitar. They are very cool and melodic which gives them their own awesome presence.
Do you like music that will make you happy? Do you want to head bang and pogo and raise a glass to your mates? Do you like singing at the top of your lungs in sheer unadulterated glee? Then Toxpack’s offering of Zwanzig. Tausend Volt (Napalm Records) is the album you have been waiting for. Zwanzig. Tousend Volt is fun, light-hearted, fast paced and utterly engaging.
Whenever the question of “who else deserved to be included in The Big Four?” raises its ugly head, New Jersey’s Overkill never find themselves too far from the conversation. Formed before the term thrash metal was even coined and named after the seminal second album by English noisy bastards Motörhead, Overkill began life as a covers band formed from the remnants of punk act, The Lubricunts. Having quickly gained a name for themselves with their self titled 1985 EP and full length debut Feel the Fire (Megaforce Records), it didn’t take Atlantic Records long to come calling, making Overkill one of the first thrash acts to sign to a major label.
The albums that Grunge legend Jerry Cantrell has released across his solo career and his mothership Alice In Chains always seemed to have an intertwined relationship. 1998’s Boggy Depot and 2002’s Degradation Trip seemingly attempted to fill the void left in the wake of Alice’s hiatus and Layne Staley’s passing while Alice’s comeback albums with William DuVall on board essentially felt like Cantrell albums with extra riffs. This symbiosis turned cyclical with 2018’s Rainier Fog, which shared quite a bit of noticeable commonality with Boggy Depot . So where does Brighten, his first proper solo album in nineteen years, fit into this dichotomy?
The pandemic and the many resultant lockdowns affected INTHEWHALE, with the depression, anger and uncertainty felt reflected on their new album Vanishing Point (Riot Records). An Alt Rock duo from Denver, with Nate Valdez on guitar and vocals and Eric Riley on drums and vocals, INTHEWHALE’s new album is a dark and angry serving of Grunge and Metal.
Axlaustade is a rising instrumental grunge trio hailing from Montrea and we stoked to bring you new musicfrom them today!l They have just dropped their debut eponymous LP, on September 24th, 2021, via La Tribu. The lead single “axl au stade” will be released on all US digital service providers September 24th. The bands dirty mix of light and shade instrumentals calls back to the halcyon days of the 1990s, but also has one foot in the future. Check out “Axl Au Stade” and purchase and stream the EP today!
From the opening salvo of big bruising rocker ‘Wicked Woman’, you know what Blacktop Mojo’s new self titled album (Cuhmon Records) has in store – a heady mixture of Southern Rock, Grunge and Hard Rock. Lynyrd Skynyrd, Soundgarden and Black Stone Cherry are the ingredients, with the outcome being muscular riffs, big choruses, plenty of volume, and an angsty, grunge-like atmosphere.
Nearly fifteen years ago, current Killswitch Engage members Jesse Leach and Adam Dutkiewicz teamed up to birth the collaborative project Times of Grace. This dynamic duo pushed their creative boundaries by conjuring a fresh take on the heavy-yet-melodic sound. They delivered their debut album, The Hymn of a Broken Man (Roadrunner Records) in 2011. The gloom and aggression let loose on that record was ignited by the brutally honest songwriting. The themes of struggle, heartbreak, and hope were potently delivered with a real and plaintive spirit. These two brought forth a discovery of powerful melancholy and now ten years later, they are offering a sequel to that revelation. Their second full-length Songs of Loss and Separation (Wicked Good Records) is carrying on the melodic mournfulness, yet wonderfully wholesome sound that is Times of Grace.