Every decade has its own set of trends that define it. It normally takes hindsight to see what will make a particular decade stand out but 2020 has already made a horrifyingly immediate distinction for itself. A pandemic-induced alteration of the scene itself has resulted in delayed releases, canceled tours, musicians at near equal ratios of inspiration and burnout, Zoom as a primary means of communication, and livestreams taking the place of proper concerts. All things considered, I am glad that a top albums list could still be made with a multitude of strong candidates. It’s been a shitty year with the light at the end of the tunnel still out of sight, but we still got tunes.
The first full-length album from Seattle’s Greyhawk is a particularly interesting iteration of the NWOTHM scene. A focus on hooky songwriting with an epic tone makes for easy comparisons to such contemporaries as Visigoth and Traveler as the production carries a polished sheen similar to the likes of Haunt or Idle Hands. While these factors would initially suggest that the band is just another notch in a long line of derivatives, they find a lot of ways to set themselves apart on Keepers Of The Flame (Fighter Records).
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