Ville Valo (VV) of HIM Releases a New Single “The Foreverlost”


 

Finnish Gothic Metal pioneer, Ville Valo (VV) of HIM, will release his debut solo album, Neon Noir, on January 13th via Heartagram Records, distributed by UMG/ Spinefarm. Pre-orders are, at last, live at the link below. The previously announced world tour is quickly selling out. Now he has released a new single, “Ville Valo (VV) of HIM Releases a New Single “The Foreverlost” – which you can stream now!

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ALBUM REVIEW: Moonspell – From Down Below – Live 80 Meters Down


 

Portugal’s finest mercurial sons Moonspell‘s knack for reinvention while still holding true to their core elements is scarcely paralleled in all of dark music; a master class in constant growth. They have always deserved to be considered one of the most important world metal bands. “Metal” however is also too limiting a boundary for them, even though it is in the blood which beats through their lycanthropic hearts.

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CONCERT REVIEW: Arch Enemy – Behemoth – Napalm Death – Unto Others Live at Terminal 5


This night featured an eclectic group of Metal bands. Sure, they’re similar in an overall way. But each band’s brand of metal keeps your ears from getting tired. These are the best kind of tours, where sonic diversity conquers all.

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ALBUM REVIEW: Billy Howerdel – What Normal Was


Billy Howerdel is best known as the songwriter and guitarist for A Perfect Circle, the band he created with his good friend James Maynard Keenan (Tool / Puscifer) after they met when Tool were supporting Fishbone for whom Howerdel was a guitar tech in the early nineties, before sharing a house together in the Hollywood Hills. Howerdel would work on his early material while also engineering for the likes of David Bowie, Guns n’ Roses, and Nine Inch Nails.

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EP REVIEW: De Arma – Nightcall


De Arma’s new three-track EP Nightcall marks something of a turning point for the Swedish gothic rock band. Following their 2021 album Strayed in Shadows, the band have now signed a multi-album deal with Silent Future Recordings, for whom Nightcall is the first offering.

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CONCERT REVIEW: Apocalyptica – Lacuna Coil Live at The Majestic Theatre


Detroit’s Midtown is buzzing with culture and is home to some of the best music venues in the city. At the heart of this exciting district rests the prestigious Majestic Theatre. The building is over one hundred years old and carries a lot of music history in its walls. Last Thursday the venue’s marquee lit up with the name Apocalyptica. The Finnish act brought their Cell-0 Tour to Motor City, and they picked the perfect place to promote their latest record. Along with Italy’s Lacuna Coil, the night was set up for an enchanting experience filled with glamor, energy, and theatrics. The brisk April night started off with a queue of symphonic metal enthusiasts lining up around the building. Soon the large and ornate theatre room was filled with eager devotees ready for the music to begin.

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ALBUM REVIEW: Katatonia – Mnemosynean


It has been thirty years since drummer / vocalist Jonas Renske and Anders “Blackheim” Nyström began a musical journey that would see them evolve from a studio-only project exploring their darker musical tastes to becoming one of the most respected purveyors of melancholic and post-Gothic music; always evolving with each album, embracing Gothic and progressive metal, and always distinctively Katatonia.

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ALBUM REVIEW: Times of Grace – Songs of Loss and Separation


Nearly fifteen years ago, current Killswitch Engage members Jesse Leach and Adam Dutkiewicz teamed up to birth the collaborative project Times of Grace. This dynamic duo pushed their creative boundaries by conjuring a fresh take on the heavy-yet-melodic sound. They delivered their debut album, The Hymn of a Broken Man (Roadrunner Records) in 2011. The gloom and aggression let loose on that record was ignited by the brutally honest songwriting. The themes of struggle, heartbreak, and hope were potently delivered with a real and plaintive spirit. These two brought forth a discovery of powerful melancholy and now ten years later, they are offering a sequel to that revelation. Their second full-length Songs of Loss and Separation (Wicked Good Records) is carrying on the melodic mournfulness, yet wonderfully wholesome sound that is Times of Grace.

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ALBUM REVIEW: Lunar Shadow – Wish to Leave


Despite promising to move away from Heavy Metal in favor of a Post Punk sound in marketing materials, Lunar Shadow’s third album still features many of the band’s established quirks. The guitar tone’s lessened distortion promises a less in-your-face attitude, but the actual playing is still based around intricate sweeps and trills. The drumming also continues to mix in some aggressive fills and double bass patterns with the more upbeat rhythms while the vocal delivery still consists primarily of a shrill wail with some variation for mood.

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ALBUM REVIEW: Moonspell – Hermitage


Every album that Moonspell releases explores a different facet of their Gothic Metal style, sometimes responding to the one before it in a constant tug-o-war between darkness and light. Their thirteenth album, Hermitage (Napalm Records), is no exception. In contrast to the grandiose symphonics of 2018’s 1755, the band opts for a scaled-back, atmospheric approach with more Prog influence thrown in than usual. It seems to invoke the band’s early vibe without going full throwback and also reminds me of Tiamat or Opeth in spots.

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