EP REVIEW: Heriot – Profound Morality


With very little in the way of recorded music released prior to this release but notably a swathe of well received and high profile support slots including recently with Rolo Tomassi; UK metallic hardcore outfit Heriot have forged a scintillating reputation in a short space of time. Now with the eagerly anticipated debut EP Profound Morality (Church Road Records), the band are showing that they are truly living up to expectation by delivering a short but sharp release which reveals surprising depth.

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The Ocean and Lustmord Share a New Single “Primal [State of Being]”


Lustmord will release a new album of collaborative reinterpretations from some of the greatest musical artists in the world. Lustmord & various artists – The Others [Lustmord Deconstructed] will release on, April 1st 2022 via The Ocean’s Pelagic Records. This is a reimiaging of Lustmord’s seminal release Other, and The Ocean and Lustmord have dropped “Primal [State Of Being]” which you can check out now!

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EP REVIEW: Killing Joke – Lord of Chaos


It’s been roughly forty-three years since Killing Joke released their first single, Almost Red. Their latest release, the four track single Lord of Chaos (Spinefarm) is the first hint at what the band’s follow up to 2015’s Pylon will sound like. With the existential dread of the world falling apart around us, things may get worse before they get better, but as the horizon gets darker it seems the fire of Killing Joke burns ever brighter.

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ALBUM REVIEW: The Body with OAA – Enemy of Love


Does your office or day job have that one annoying guy who wants to talk about heavy music with you because he noticed your Iron Maiden patch on your backpack? You know the guy. He’s the dude who keeps telling you about how he saw Disturbed at Ozzfest 2001 and regales you with tall tales about his exploits in the “mosh pit.” Well, next time he approaches your desk and asks what you’re jamming to do yourself a favor and throw on The Body’s latest collaboration (this time with OAA), Enemy of Love (Thrill Jockey). You’re welcome.Continue reading


FESTIVAL REVIEW: Damnation Festival 2021- Live at Leeds University


In the time since its 2005 inception Damnation Festival has grown to into a four-stage affair that has become a mainstay of the UK metal scene. 2021’s festival on 6th November was significant for a number of reasons. Firstly, it marked the event’s return after a year off due to COVID restrictions. Secondly, it sold out in record time; as soon as the UK government announced the end of all restrictions (back in March), all tickets were swept up within a matter of weeks. Thirdly, the lineup had to be dramatically changed, with many major international acts such as Wolves in the Throne Room and Pig Destroyer having to have their appearances cancelled due to then-ongoing uncertainty surrounding travel restrictions. Fourthly and finally, 2021’s Damnation marked the end of its 14-year tenure at Leeds University: 2022’s festival will return to Manchester (where it first took place for two years) at a larger arena venue.

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ALBUM REVIEW: Employed To Serve – The Conquering


When yet another massive riff, this time during the early stages of track nine ‘World Eater’, hits – you know the sort… the type of riff that makes your face do the same involuntary wince/”oooooo” combo as sucking a lemon straight after brushing your teeth might – the smile can’t help but break out on your face: The Conquering (Spinefarm Records) isn’t just Employed To Serve upping the ante; their fourth album goes deeeep.

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ALBUM REVIEW: Memoriam – To The End


 

Would you like to know what’s one of my favorite aspects of metal? It’s that it’s too goddam stubborn to ever go away. As long as there is breath in a metalhead’s lungs they’re going to find ways to tune lower or crank in even more blast beats into a song. As To The End (Reaper Entertainment) roared from my car’s stereo is when I realized that Memoriam is Karl Willets’ latest musical endeavor despite already having a hall of fame run with Bolt Thrower. Bless that man.

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EP REVIEW: Carcass – Despicable – Nuclear Blast Records


Over thirty years ago, England’s own Carcass came to the scene and shared their glorification of grind and gore. The unhinged and manic sound they conjured found an audience and quickly gained popularity, along with their contemporaries Napalm Death and Godflesh. The surge of the extreme had its time in the sun, but after their 10 year hiatus, Carcass came back in a slightly different mood. In 2013, the group took their well-known viciousness and molded it in with more melody on their sixth full-length, Surgical Steel (Nuclear Blast). They married Grindcore and Melodic Death Metal on that record which got a lot of attention and reminded everyone why these guys are such an original act. After seven years, the band is back again with their EP, Despicable (Nuclear Blast). In just four songs, Carcass takes their significant union of sounds and exemplifies them with new levels of pandemonium. Continue reading