There’s a wonderfully surreal moment in The Simpsons when Abe Simpson inexplicably proclaims, “the Swedish are coming! The Swedish are coming!”. Well, tonight in frosty Birmingham, that’s exactly what’s happening. Hailing from the land of Abba, Ikea, and Zlatan Ibrahimovic, three of the finest exponents of melodic death metal have landed in Blighty to bang heads and kick bottom. Continue reading
And now, the end is near, and so we face the final curtain. My friends, we’ll say it clear, we’ll state our case, of which we’re certain. We’ve lived a year that’s full, and listened to each and every album (well, a good several hundred, in any case), But more, much more than this, We did it our way…
#Punk #Metal #Alternative #Indie #Hardcore #Riffs #Mosh #Reviews #News #Interviews #Photos #GreatMusic #GhostCult #DeafForever
Continuing our celebration of the releases from 2019 that hit the hardest with our team of metal-loving maniacs, we bring you Part 2 of the official Ghost Cult Albums of the Year and count down from 40 to 21…
You can find Part 1, containing our coverage of the albums that charted from 75 through to 41, here. Continue reading
Seattle’s BlackQueen have, in all official communication, always described their music as Witch Metal, a sonic amalgamation of Black Metal, Death Metal, Hardcore, post-Metal, and everything possible in between. This stylistic mash-up is housed within a cocoon of horror soundtrack-esque atmosphere and spiritually and thematically based around whatever founding member Pete Jay happens to be delving into at the time of writing. With their new album, The Destructive Cycle (Roman Numeral Records), they look deeply into the Taoist five element theory and how it relates to the human condition, from creation to destruction and ultimate rebirth. Sounds a bit heavy, I know, but the music offsets the deep concept with kickass riffs and general headbangery.
Carcass with Surgical Steel (Nuclear Blast) in 2013, Behemoth and The Satanist (Metal Blade) in 2014, Ghost in 2015 and 2018 with Meliora and Prequelle (both Loma Vista), Magma (Roadrunner) by Gojira in 2016, and 2017’s Emperor of Sand (Mastodon – Reprise) is our legacy. Those incredible, scene-enhancing, ear-destroying releases are the standard-bearers by which Ghost Cult‘s albums of the year are to be judged. These are the albums of our times; and following another sensation year of great alternative, rock, and metal, the pantheon cries out for more, for another slab of wax, another Album of the Year to join them… the very best of 2019.
With a fully democratic poll of the views and votes of the length and breadth of Team Ghost Cult (including our photographers, reviewers, newshounds, podcast and YouTube contributors) taken, with no editorial steer or amendment, we present to you Part 1 (75-41) of the Official Ghost Cult Albums of the Year for 2019, for your vulgar delectation… Continue reading
Buckle up, you’re about to enter an epic journey. If you’re just like me, that gets into the music and just get chills by listening to certain melody arrangements and you just cry; yes, cry, then this album will probably lead you to that (maybe not necessarily crying, but you catch my drift). It’s not because the music is necessarily sad, this is not the case here, but rather from the excitement of what you’re listening to. Well, that was my initial reaction to Wilderun’s third album, Veil of Imagination (Self-Released), I literally couldn’t stop the tears coming out of my eyes in awe of what the information my brain was receiving. The first track ‘The Unimaginable Zero Summer’, my absolute favorite, by the way, it’s a summary of what you will get from this album. From epic choir vocals to great instrumentalization, this album surely brings a great variety of elements that will make any Progressive Metal fan jump in excitement. Continue reading
From the first day of December 2019, we enter a dark, horrifying new era. Life without Slayer.
Sorry. Life without SLAAAAAYYYERRR!!!
There, that’s better.
From the moment I discovered Slayer on a compilation album called Speed Kills back in 1985, my life was changed forever. Just the sound of their name was enough. Everything you needed to know about the band encapsulated in two perfect syllables, especially when screamed at an ear-splitting volume or when chanted with thousands of other like-minded blood-hungry psychopaths. Continue reading