ALBUM REVIEW: Necronomicon – UNUS

Honest question: Who started the whole let’s get an orchestra or symphony type shit behind extreme metal? I know Dimmu Borgir has made some serious bank behind it with the fabulous Death Cult Armageddon and Fleshgod Apocalypse has obscured their lack of riffs with said gimmick, but can we let that trend die? I think I’ve had my fill. But what the hell do I know as Necronomicon has an album worth in Unus (Season of Mist) of synths and faux orchestrations designed to elevate death metal from simply crushing to the upper echelons of the avant-garde. Continue reading

PODCAST: Episode 56: KW of Vile Creature Discusses New Music and Roadburn Festival

Ghost Cult caught up with KW of Vile Creature at Saint Vitus Bar in Brooklyn, New York. Vile Creature signed with Prosthetic Records and released a compilation on their past work, Preservation Rituals earlier in 2019. At the same time, the Toronto-based, extreme Doom and Drone duo are laser-focused on the future, as they write and prepare for a highly-anticipated full-length label début, perhaps arriving in 2020. KW chatted about signing with Prosthetic, how the group creates their art and music, the honor of being repeat performers at the prestigious Roadburn Festival, the crucial element of great music publicity, and much more. Continue reading

CONCERT REVIEW: Sebastian Bach – Kobra and The Lotus Live at the Q Casino

Let’s face the facts, folks, the music industry has changed drastically in the last 30 years. I firmly believe that change is inevitable and most of the time I embrace change with open arms. The recording process has been completely revolutionized to the point that musicians can produce their own albums right from home on their computers. The problem with having the ability to record and release music so easily is the plethora of music that is flooding the market that just does not stand the test of time. Think of some of the current songs you hear on Fm radio stations, most of them will spin themselves out of rotation and vanish to the isle of forgotten songs within 6 months of their release. Career longevity has become an elusive beast in the music industry, so when an artist who released his first album over thirty years ago is touring and selling out venues, a Skullgurl must pay attention. Of course, I am talking about the original untamed mane rock star, Sebastian Bach. Continue reading

ALBUM REVIEW: 1349 – The Infernal Pathway

 

Norweigian plaguebourne Black Metal act 1349 unforgivingly unveil their new album, The Infernal Pathway (Season Of Mist), a long-awaited LP for 2019. Their centralized coherency has stayed true to its path since 1997. Their construct of aggressive black metal has remained consistent as they’ve impressively demonstrated a threshold of effective releases. 1349 is nothing short of innovative, corpse paint driven, and a cause to exist, ultra-aggressive, that is to put in simpler words, well-executed. Continue reading

FESTIVAL PREVIEW: Exit 111 Festival

Guns N Roses. Photo credit: Katarina Benzova

The inaugural Exit 111 Festival takes place starting today at Great Stage Park in Manchester, Tennessee — the home of Bonnaroo — October 11 – 13. Ghost Cult is honored to be a part of this historic event! Headlined by Guns N’ Roses, Def Leppard and Lynyrd Skynyrd, with appearances by Slayer, ZZ Top, Deftones, Megadeth, Mastodon, Coheed & Cambria, Blackberry Smoke, Ministry, Cheap Trick, Killswitch Engage, Seether, Zakk Wylde’s Black Label Society and many more! In addition to the hours of great music, Exit 111 will host experiences such as “The Paranormal Cirque,” “The Red Bull Freestyle Motorcross Experience,” “Mega Sports Bar” and more. Radio personality and metal legend Eddie Trunk will host. Tickets go on sale this Thursday, April 25 at 12 p.m. ET via Front Gate Tickets. Check out our day by day preview: Continue reading