ALBUM REVIEW: Heaven Shall Burn – Of Truth and Sacrifice

It’s been four years since the German Extreme Metal act, Heaven Shall Burn, released their last album. After Wanderer (Century Media Records) came out, these hard-hitting fellas took a very justified break. Now with batteries recharged, they’re back with an adventurous new release. The band gifted us with the double album, Of Truth and Sacrifice (Century Media Records) earlier this month and it’s making quite the impression. Known for their aggressive sound and topical lyrics, this ninth full-length release is taking these extreme characteristics to a new level. The band has been around for nearly twenty-five years and they are still taking their massive sound to some exciting, uncharted territories. Continue reading

Advertisements

Hospital Of Death Reissues Their Classic Albums

At a time when most of the world is in quarantine or enforcing some form of lockdown, where the most commonly used phrases are “self-isolation”, “social distancing”, and “what the actual fuck is Trump saying now?”, the currently disbanded, but appropriately named Hospital of Death are aiming to help reduce the spread of Covid-19 infection by increasing the dosage of thrash metal into your ears. Continue reading

EP REVIEW: Razor Candy – Razor Candy

I like to think I am a tough nut to crack, an enigma, if you will, shrouded in a mystical cloud of mystery. My editor proved to me that when it comes to my musical tastes he has me all figured out. Case in point, the new self-titled EP by Razor Candy (Sensory Recordings). My editor said I would really dig the newly released profoundly immoral brainchild of Paul Wiley (Marilyn Manson, Deveraux) and Chad Cherry (The Last Vegas, The Claws) and he was not wrong. I may be a self-described metalhead, but I am also a self-described lover of musical ingenuity and raw talent, which Razor Candy not only possesses but showcases in an eloquently macabre way. The EP contains five tracks that are available in all streaming formats, but for you vinyl loving freaks (myself included) there is a bonus track included only on vinyl, how fanfreakingtastical is that? Continue reading

Maryland Death Fest Cancels 2020, and Rebooks 90% of the Bands for 2021

 

Maryland Deathfest organizers postponed this year’s festival. They have just announced new dates for 2021 (May 27-30, 2021) and revealed that almost the full 2020 lineup will play. The new dates for MDF XVIII are May 27-30, 2021. Also, take a look at our massive recap and photo set from MDF 2019 by Hillarie Jason. Continue reading

ALBUM REVIEW: White Stones – Kuarahy


If you know, have interacted with me through social media, or have seen my list of top albums of 2019, you would already know that I’m an Opeth fanboy. I love, basically, everything that the band has released. You would also probably know that I’m a bass player and (yes, you guessed it!) Martin Méndez is my favorite bass player and one of my top inspirations to play the four-stringed instrument. So, when I heard that he was releasing a new Death Metal project, called White Stones, I was equally excited and confused. When talking about the release of the infamous Heritage (Roadrunner Records), Mikael Åkerfeldt, singer, songwriter, and guitar player from Opeth, stated that they wrote a Death Metal record as a follow up for Watershed (Roadrunner Records), which is their last heavy record, but Méndez talked him out of it stating that was not the music that he should be writing for Opeth. Can you understand my confusion now?
Continue reading

ALBUM REVIEW: Kilter – Axiom

Coronavirus, quarantines, lockdowns… This seems to be the only thing we are reading all through social media around the world. Though a very serious and sad situation (stay home!), there are other ways to battle the probable lack of activity that you may be going through at home and, if you feel adventurous, you should press play to Kilter‘s Axiom (Alter-Nativ). The Brooklyn trio composed of Kenny Grohowski (Imperial Triumphant) on drums, Ed Rosenberg III on sax, and Laurent David on bass brings a very exciting, weird record that combines the heaviness of their obvious Metal roots with the strange soundscapes that Jazz can bring. Continue reading

ALBUM REVIEW: Code Orange – Underneath

It’s a fascinating time to be in the Code Orange camp. It’s been a little over three years since the bruising Forever stormed the Metallic Hardcore gates and they’re finally releasing the proper follow-up, Underneath (Roadrunner) to a hungry world. And the hype is certainly a factor. Continue reading