To mark not only the birthday of Rock icon David Bowie, but five years since his untimely death from cancer, a legion of rock stars influences but the music giant will gather on January 8, 2021, for a concert. Mike Garson and producers Stacey Sher and Kerry Brown have joined forces with Rolling Live Studios to produce “A Bowie Celebration: Just For One Day!”, bringing together dozens of Bowie alumni band members spanning Bowie’s career from his 1969 self-titled album to his final album, “Blackstar”, along with many of the world’s most famous voices for a very special experience. The concert will feature performances from Trent Reznor (Nine Inch Nails), Billy Corgan (The Smashing Pumpkins), Bowie’s good friend and Oscar-winning actor Gary Oldman, Gavin Rossdale (Bush), Perry Farrell (Jane’s Addiction), Joe Elliott (Def Leppard), Grammy-winning Singer Macy Gray, Ian Astbury (The Cult), Lzzy Hale (Halestorm), Gail Ann Dorsey (David Bowie, Lenny Kravitz), Bernard Fowler (The Rolling Stones), Corey Glover (Living Color), Tony-winning rocker Lena Hall, vocal phenom Judith Hill (Grammy winner for “20 Feet From Stardom”), and many more to be announced. Watch a trailer for the event here:
Tag Archives: George Gershwin
Klone-Here Comes the Sun
Klone is one of those bands that is difficult to categorize. They originally branded themselves as a metal band but with each new release of music stray further from what one may consider metal to be. Their latest album Here Comes the Sun (Klonosphere/Pelagic Records) is their most progressive and psychedelic sounding yet although it still holds on to some metal sounds.
It is interesting that the band decided to name the album after one of The Beatles’ most well-known songs considering they do not cover a Beatles song. However, it does tell the listener that they should leave their idea of what metal is behind and prepare for a more surreal or ethereal sound. Overall, the album is mellower than what one would expect from a metal band.
Opening track ‘Immersion’ throws some saxophone in to show that Klone is not one’s ordinary band. The instrument could have sounded out of place in a metal band but instead blends in well enough to come as a nice surprise. Most of the album stays on the lighter sounding side of things, but eventually becomes more epic. A prime example of this is ‘The Last Experience’ which sounds like something grand is coming to an end.
Other highlights include ‘Nebulous’ and a cover of George Gershwin’s ‘Summertime’ from Porgy and Bess. What makes ‘Nebulous’ great is how it encompasses everything that the album, and arguably the band, is about. There is a balanced blend of psychedelic and heavy metal sounds. ‘Summertime’ is one of the most covered songs from musical theater, but Klone is able to own it. The sadness that is not evident in some covers of the tune becomes clear in Klone’s interpretation. The band deserves much credit for being able to pull it off and for creating yet another album that shows off their evolution.