Last night in Anaheim during NAMM, The Metal Hall of Fame (formerly the Hall of Heavy Metal), an all-star band of metal legends covered metal classic ‘Paranoid’ Black Sabbath. The band was comprised of Geoff Tate (formerly of Queensrÿche), Joe Satriani (Chickenfoot), Steve Vai, Chris Poland (formerly of Megadeth), Bjorn Englen (Dio Disciples) and Pat Gesualdo last night’s (Wednesday, January 15). Watch fan-filmed footage below! Metal Hall Of Fame event at the Marriott Delta Garden Grove in Anaheim, California. Watch fan-filmed video footage of the performance can be seen below.Continue reading →
Big news! The Hall of Heavy Metal History a.k.a. The Metal Hall of Fame has announced that the 2020 Annual Metal Hall of Fame Celebrity Charity Gala will be filmed live and will air on Amazon Prime. Hard rock and heavy metal fans in attendance will be featured in the filming, which will take place on January 15 at the Marriott Delta Garden Grove in Anaheim, CA. The world premiere of the film will air in early 2020, reaching more than 100 million subscribers. Metal Hall of Fame President/CEO Pat Gesualdo says, “Having the World Premier for the 2020 Metal Hall of Fame Gala on Amazon Prime is a great honor. We are excited to share the most important night in metal with music fans everywhere, and to let so many people take part in our charity event.” 2020 Metal Hall of Fame inductees include Steve Vai, Geoff Tate (Queensryche), Don Dokken (Dokken), Stephen Pearcy (Ratt), Graham Bonnet (Rainbow, Michael Schenker Group, Alcatrazz), Joe Satriani, legendary metal promoter Stone City Attractions, Metal Church, Prong, and former Megadeth guitarist Chris Poland. Continue reading →
In life there are distinctive sounds that most humans recognize, birds chirping, the sound of rain and Geoff Tate’s signature vibrato rich vocals. Tate is gifting the music world with his phenomenal vocal prowess in the form of Sweet Oblivion’s new album, along with uber talented Italian musicians Simone Mularoni on Guitar and Bass, Emanuele Casali on Keyboards and Paolo Caridi on Drums. The album is deliciously reminiscent of Tate’s early indelible work with Queensryche enhanced by the unique song writing abilities of Mularoni.
Long-running Heavy Metal legends Queensrÿche recently released their excellent new albumThe Verdict on Century Media Records. We caught up with founding member Michael “Whip” Wilton at their sold-out show at Irving Plaza in New York City and talked about the new album, the loyalty of their fans, working with Chris “Zeuss” Harris, the bands’ approach to music videos, their tour plans for the rest of 2019, some key upcoming milestone album anniversaries in their career, and much more. Interview by Keefy and videography by Omar Cordy of OJC Photography.Continue reading →
Many believed the end was nigh for Washington act Queensrÿche when the legendary Power/Prog Metallers fired their iconic vocalist Geoff Tate back in 2012. However, more than happy to prove those people wrong, the recruitment of former Crimson Glory vocalist Todd La Torre has seen the band release some of their strongest material for quite some time. Continue reading →
The bombastic operatic Metal of Avantasia continues apace with their eighth album Moonglow (Nuclear Blast), and just in case you were in any doubt it opens with a nigh on ten minute slice of pomp that would not sound out of place on Meatloaf’s Bat Out Of Hell 2 (MCA/Virgin). The conceptual nature and fantastical sound of previous album Ghostlights is expanded upon here, helped by the ample time Tobias Sammet was given when making it. Continue reading →
ShipRocked is one of the great music cruise experience around, and the 2019 lineup ha just been announced. Jam-packed with talent, the lineup features Papa Roach, Bullet For My Valentine, I Prevail, Nothing More, Suicidal Tendencies, Sevendust, comedian Brian Posehn and more. Celebrating 10 Years and expanded to five days total, ShipRocked 2019 sets sail January 26-31, 2019 onboard Carnival Valor departing from Galveston, Texas, with stops in Cozumel and The Yucatan in Mexico. Staterooms for ShipRocked 2019 are sold out, but a wait list is available at the links below.Continue reading →
Operation: Mindcrime, in support of their début album took to the legendary venue of The Chance to showcase material from The Key (Frontiers Records) album and as well as Queensryche classics in 90 minute set full of musicianship. With openers Mike Campesa, Christian Gisondi and Parallel Universe the crowd was well primed for a night of stories through songs.
Parallel Universe, by Omar Cordy/OJC Pics
Opening with a string of ‘Rchye songs starting with ‘Neue Regal’ and ‘Screaming in Digital’, the show was one big sing-a-long. Along for the ride again with Geoff Tate are drummer Simon Wright, the masterful time-keeper who just handled everything with such ease. Keyboardist wizard Randy Gane and guitar maestro Kelly Gray (who looks more like a frontiersman sheriff nowadays) bring their A game and some solid harmonies. New to the fold is second guitarist Scott Moughton and bassist Tim Fernley who both fit in smoothly with the bunch. They gel so well you forget they’re the rookies of the group.
Operation Mindcrime, by Omar Cordy/OJC Pics
Keeping the crowd guessing, the band went into an acoustic set of ‘Jet City Woman’, ‘Take Hold of the Flame’, ‘Silent Lucidity’ and ‘The Weight of the World’. After another story intro from Geoff, they preformed a slew of songs from The Key. From opener ‘Burn’ and ‘Re-Inventing the Future’ you get a glimpse at what this band has in store for this first act of a massively planned trilogy. With saxophone in hand they went into ‘The Fall’ which is one of my favorite songs off the album. Ending the night with ‘Breaking the Silence’ and ‘Empire’, everyone in attendance seemed well satisfied with the song choices of the evening.
Operation Mindcrime, by Omar Cordy/OJC Pics
From opener to headliner, this was a great night for progressive music fans. The year’s early, but this is easily one of my favorite shows of 2016. Operation: Mindcrime is a must see live act.
Elephants in the room exposed, monkeys off their backs with legal issues cast aside and now sole owners of the rights to the name and catalogue of Queensrÿche, the band who produced the greatest album to originate from Seattle can now leave their manure-filled zoo of shite behind. With Todd La Torre firmly ensconced in their ranks, and contributing fully to the writing of the bands fifteenth album, Condition Hüman (Century Media), the opportunity is there for the real Queensrÿche to stand back up.
Having promised a return to their more progressive metal-tinged leanings, an introductory dual guitar lick references their early traditional metal outputs before we embark on album that displays every element of trademark Queensrÿche that you could wish for. Condition Hüman is a mature album, at times reminiscent of Parallels (Metal Blade) from former tour buddies Fates Warning, happy to reference the foibles and distinctive nodes of yesteryear while still firmly holding its place in where the band is now. There are the expected gallops, ‘All There Was’ and ‘Guardian’ could be out-takes from the Operation Mindcrime (EMI) sessions, but in the main, here lies a series of intelligent rock/metal songs proudly reflecting a band that is once again able to produce the music that people expect from them and are more than happy to oblige.
That’s not to say this is an album without heaviness – ‘Hourglass’ builds from a dark, stabbed beginning to a spiralling (reference intended) epic, while ‘Eye9’ could be the rÿche polish applied to a long-lost jam session for the new Tool album – but it’s used sparingly, intelligently, with progressive and cerebral rock the order of the day. La Torre is the ideal frontman, sounding effortlessly like the ousted Geoff Tate, with hints of Michael Kiske, a flawless voice that is indisputably Queensrÿche, adopting some of the idiosyncrasies of his predecessor for that added touch.
Condition Hüman fits seamlessly into the Queensrÿche canon, a natural evolution from, and improvement on, its’ self-titled predecessor, almost as if their discography actually runs Empire (EMI) to Queensrÿche to Condition Hüman and the intervening twenty-three years be damned. Ignore side-show circuses, ignore the flaccid projects of “formerly of…” members, and ignore the memory of experiments and failures; Condition Hüman is a confident and telling step forward in restoring the legacy of a once great band.
The Queen of the Rÿche has seen off the usurper, and now proudly surveys her domain once more.
For a long time Queensryche was a band in steady decline. Pretty much all the post Promised Land releases suffered in quality, with Dedicated To Chaos being especially lacklustre. Last year things came ahead with singer and defacto bandleader Geoff Tate being fired by the rest of the band. The remaining members recruited a new singer and they decided to soldier on under the Queensryche banner. Ghost Cult spoke with drummer Scott Rockenfield who didn’t mince words and who seems to be on a personal crusade to get the band back in the spotlights again… Continue reading →