I have been to quite a few concerts since the world began to re-open and attempt some semblance of normal but so far none have left me with the sense of inspiration and hope the way that the Gary Numan show at The Paradise in Boston has. Not even being crammed into the most challenging venue in the city could crush my spirits. (photographers are not allowed in the barrier and there are few good places just to watch from).Continue reading
Let’s just face facts, the past year has been grueling. The pandemic affected the human race tremendously, changing life on earth. Musicians, of all genres, have started to release music they made during the shutdown of everything everywhere, and most of it echoes the angst of being on lockdown. Enter Wednesday 13’s newest release, Necrophaze, Antidote (Nuclear Blast). Although the songs were recorded during the recording of Necrophaze (Nuclear Blast), the four tracks were a welcome reprieve from the current melancholy atmosphere of the music industry.
Wednesday 13 will release a new EP this week, April 16th, 2021, Necrophaze – Antidote via Nuclear Blast. The EP contains two new songs and two covers from the shock rocker/industrial metaller including “Devil Inside” by INXS and “Films” by Gary Numan featuring Calico Cooper of Beasto Blanco/Alice Cooper. Necrophaze – Antidote was produced by Devildriver guitarist Mike Sprietzer. Wednesday 13 was inspired by a craving for variety to create dual album artwork for this release. The covers showcase either end of the horror spectrum with a “Creepshow” comic book vibe for the LP artwork, and the eeriness of something akin to John Carpenter’s The Fog adorning the CD.
Ghost Cult had the opportunity to visit RCA Records’ headquarters in New York City to take part in an exclusive Tool listening event for press for Fear Inoculum, releasing on August 30th. We appreciate being counted among the major media in attendance and getting to experience this highly anticipated new album. Although this is not a full review (check back next week), this contains our initial thoughts on Tool album number six. Continue reading
If you are like us, you spent the weekend binge-watching Season 2 of the amazing Mindhunter series on Netflix. The followup to the Emmy Award-winning 2017 series is a drama based on the real events of the founding of the Behavioral Science Unit of the FBI in the late 1970s and early 1980s. Produced and sometimes directed by David Fincher (S7ven, Fight Club, Zodiac) and starring Jonathan Goff, Holt McCallany, and Anna Torv, the main characters are FBI profilers and they interview serial killers and investigate cases during the show. As they did in season one, the music of the time plays a huge role with the soundtrack, sound design, songs heard in the show. Music in season two features artists such as Blondie, The Doobie Brothers, Peter Gabriel, Talking Heads, Willie Nelson, Marianne Faithful, Pretenders, The Brothers Johnson, Boston, Joan Armatrading, Kenny Rogers, Red Rider, The Police, Patti Smith Group, Christopher Cross, Sammy Davis Jr., Gary Numan, Pat Benatar and more. Even a Charles Manson song is heard in Episode 5 which features Manson himself portrayed by Damon Herriman, who also plays Manson in Quentin Tarantino’s current film Once Upon A Time In Hollywood. Jam out to this playlist!Continue reading
Riot Fest 2018 approaches next weekend and the bill looks stacked! The lineup features Weezer, Blink-182, Beck, Elvis Costello & The Imposters, Run The Jewels, Incubus, Young The Giant, Interpol, Blondie, Alkaline Trio, Father John Misty, and Jerry Lee Lewis. Tickets are on sale now at the link below. Now. Riot Fest takes place September 14th-16th at Douglas Park in Chicago, IL.Continue reading
Red Fang have shared a video for their brand new cover of Gary Numan’s Tubeway Army 1978 classic jam ‘ Listen to the Sirens’. Watch the official music video directed by Ray Gordon now.
Riot Fest had their big reveal last night, announcing the first and main wave of bands for this coming September in Chicago. Held September 14th-16th at Douglas Park in Chicago, IL the headliners include Blink-182, Beck, Elvis Costello & The Imposters, Incubus, Young The Giant, Interpol, Blondie, Alkaline Trio, Father John Misty, and Jerry Lee Lewis. Tickets are on sale now at the link below. Continue reading
Gary Numan – 3-14-2018
O2 Leicester, Leicester UK
All Photos By Luke Denham Photography
Reaction to Chicago trio Locrian has often been mixed: their melody-infused, Black-edged expression offending as many purists as it delights fans of obsidian innovation. Latest album Infinite Dissolution (Relapse) initially continues that progressive sound with opener ‘Arc of Extinction’ possessing the kind of introductory swell perfected by the likes of Yes and Pink Floyd. The blackened horror soon emerges, however: Terence Hannum’s rasps exploding against the sudden quickening of pace, André Foisy’s Post-black leads “bipping” furiously over a hissing cacophony à la fellow US dark experimentalists Liturgy.
The ensuing ‘Dark Shales’ begins with melancholic twangs, ethereal airs coating muffled tub-thumping, and some emotive soloing from Foisy. Here it becomes clear that Locrian has evolved from its nebulous indecision into a talented outfit, determined to parade all of their influences. ‘…Shales’ truly evokes grey, wash-battered stone beaches yet marries them to an odyssey through space, delicately yet with latent power. The first of the ‘KXL’ trilogy, meanwhile, incorporates industrial sampling into its mournful yet spiky melodies before squalling, ominous feedback reintroduces the band’s edge: a bitterness which infuses the spacier, grandiose parts of the second movement’s eerie, orchestral keys.
Symphonics play a subtle yet important role in Infinite Dissolution’s character. Lush Moogs, at times cosmic, at others Numan-esque, quell the van Eeckhout-style vocal agonies of ‘The Future of Death’. The swelling atmospherics of album centrepiece ‘An Index of Air’ ascend to frostbitten roars and a frenetic gallop, soulful harmonies climaxing the epitome of superior quality, inventive, melodic Black metal.
There are imperfections – it takes time for the pulsing rush of ‘The Great Dying’ to kick in but the heart is eventually piqued; the over-gentle rhythms and electronica of ‘Heavy Water’, meanwhile, are enlivened by the odd venture into harsher territory and more cold, “post” guitar. The main issue here is that the band still fall between two huge stools: still too soft and whimsical for pure Black hearts; whilst possessing too many harsh interludes for fans of melodious Rock.
Infinite Dissolution, however, is arguably the band’s strongest to date: a stirring, inventive work that will undoubtedly win Locrian much admiration.