DragonForce – Warp Speed Warriors


Before we start, go back and take another look at the cover art.

Go on, I’ll wait.

See, while some bands go for a subtle or even abstract “don’t judge a book by its cover” approach, other bands are Dragonforce. Everything emblazoned on the cover to ninth full length studio release Warp Speed Warriors (Napalm Records) is represented here through the medium of eardrum destroying sound. No room for understatement, metaphor or artifice – just a bold, blinding explosion of light, colour and comic book action.Continue reading


ALBUM REVIEW: Judas Priest – Invincible Shield


While the philosophy of “if it ain’t broke, don’t fix it” might work for some bands, UK metal gods Judas Priest are clearly not counted among them. Rarely repeating themselves from record to record, Priest have always preferred creativity over repetition, unafraid to take risks even when some level of criticism inevitably follows.

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ALBUM REVIEW: Bruce Dickinson – The Mandrake Project


Bruce Dickinson. Singer, songwriter, multi-instrumentalist, fencer, author, entrepreneur and brewmaster; television presenter, broadcaster, screenwriter, commercial airline pilot, cancer survivor, professor of history, plus actor.

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ALBUM REVIEW: Traveler – Prequel To Madness


It’s no secret that Canada has a long and storied history of producing quality Heavy Metal. From classic bands such as Anvil, Annihilator, and Exciter to more recent acts like 3 Inches Of Blood, Cauldron and Unleash The Archers, Canadians always seem to hit the traditional Metal mark. Continue reading


ALBUM REVIEW: Hand Of Kalliach – Corryvreckan


Ah, Scotland. Home of the highlands, tartan kilts, bagpipes, haggis, and whisky; Connor MacLeod of the Clan MacLeod, the deep-fried Mars bar, the Loch Ness Monster, Outlander, Obi-Wan Kenobi, and an instant aversion to anyone from England who casually reduces the country to a series of stereotypes for the sake of a quick laugh. Not to mention its thriving metal scene, of course, with folk metal being one of the country’s most popular exports.Continue reading


ALBUM REVIEW: Spiritual Deception – Semitae Mentis


Names are everything in Death Metal. So choosing one to best reflect the preferred brand of pneumatic skullfuckery can be just as important as the music itself at the beginning. Continue reading


EP REVIEW: Ghoul – Noxious Concoctions


Masks, secret identities and scary pseudonyms are nothing new but Oakland horrors Ghoul clearly aren’t here to rely on gimmicks. Formed in 2001, the Californian act comprises four members who go by names like Digestor, Cremator, Fermentor, and Dissector. Continue reading


EP REVIEW: Slower – Slower


Covering Slayer is a tricky business. Many bands have tried and failed, and despite displaying obvious reverence to the Californian Thrash legends, only a handful have ever really been able to do real justice to the source material. And of those, it’s the ones who arrive from left field that remain in the memory the most.

From Finnish cellists Apocalyptica to LA rap-metallers Body Count, it’s US singer/pianist Tori Amos who produced arguably the most innovative cross-genre take back in 2001 when she gave the world a very different version of “Raining Blood”. And now it’s the turn of Fu Manchu guitarist Bob Balch, the stoner metal legend getting the idea after teaching a student how to play “South of Heaven” in a different tuning and, well… Slower.Continue reading


ALBUM REVIEW: South of Salem – Death of the Party


With a distinctly American sound and name, you might believe South of Salem hail from sunnier US climes rather than from right here in the good old UK. Only really notable for its beaches and a football team of intermittent quality, Bournemouth might not be a seething hive of metal activity but it is home to one of the best up and coming bands of the last few years. Continue reading


ALBUM REVIEW: Saxon – Hell, Fire and Damnation


As the old saying goes, change is the only constant, and when you’ve been around as long as NWOBHM legends Saxon, then some form of adjustment – enforced or voluntary – is usually never too far away. For the last eighteen years, the Yorkshire veterans have enjoyed their lengthiest spell ever of an unchanged line-up. This impressive run came to an end earlier this year when guitarist and co-founder Paul Quinn declared a hiatus.

Arriving from suitably prestigious stock, Quinn’s replacement (for this record) is none other than fellow NWOBHMer Brian Tatler, axeman for Midlands metal pioneers Diamond Head. Settling in with unerring ease, Tatler strikes up an instant rapport with co-guitarist Doug Scarratt, the pair going hell bent for leather on their first record together.

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