Eindhoven Metal Meeting 10 Coming Next Month, Tickets Moving Fast



The finale for the European Metal Festival Season is the legendary Eindhoven Metal Meeting (EMM), in Eindhoven, NL at the world famous Effenaar venue. Taking place on Friday 14th & Saturday 15th of December 2018, the 10th-anniversary lineup looks like a banger with Triptykon, Marduk, Solstafir, Moonsorrow, Septicflesh, Shining, Urfaust, Wiegedood are among the bands. The full lineup and links to tickets, expected to sell out as usual, can be found below. Continue reading


October 12th 2018 New Music Releases


Check out all of today’s new releases in the music world you need to know about, from your friends at Ghost Cult!Continue reading


Gama Bomb Plots Return, New Album Coming This Fall


Neo-thrashers Gama Bomb is set to make their long-awaited return with a new album this fall! Speed Between The Lines will release on October 12 via AFM Records. The disc will be available as a CD, clear yellow gatefold vinyl (limited to 250 units), turquoise gatefold vinyl (limited to 250 units), clear/red gatefold and vinyl red/black splatter (limited to 100 units), which is exclusively available in the AFM webshop. Continue reading


Eindhoven Metal Meeting: Day 2 – Effenaar, Eindhoven NL


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Saturday we were up for a great hangover from the amazing day we had at day one of Eindhoven Metal Meeting. This was maybe a bit too much beer for the rest of the year. But still we held our heads high and bravely went to The Effenaar (by bus, there was no way we went by bike). This might be the reason why we were a bit too late, and I missed Distillator and Bodyfarm. But I walked in on this great old school death band named Necros Christos. I wonder how this band would have done on the smaller stage, the large stage really didn’t seem to fit them. The atmosphere they were trying to convince me about didn’t really came through. You can hear that this is a really good band, but it just didn’t come to me. I really want to see this band again sometime soon, but I want to experience them on a smaller stage.

Necros Christos, by Susanne A. Maathuis Photography

Necros Christos, by Susanne A. Maathuis Photography

 

Ahab, by Susanne A. Maathuis Photography

Ahab, by Susanne A. Maathuis Photography

German doomers AHAB definitely gave a great show! You could see that there wasn’t a great doom scene at Eindhoven Metal Meeting, the crowd at the Large Stage was empty if you ask me. Some real doom enthusiasts stayed, and they heard one of the greatest shows I have seen. Damn this is a band of quality. A band with a great atmosphere and we noticed that this band can really drag you out of a severe hangover. And for that we thank them.

I was really siked for Lvcifyre, but this didn’t last. I didn’t enjoy this band at all, the drummer delivered quite a show. However, the frontman said nothing at all and have no contact with the audience at all just doesn’t fit the job. I like black metal and I know the contact mostly isn’t that present, but most vocalists still sing to the audience, this guy didn’t even seem to bother. I do not have to see this band again.

Rompeprop, by Susanne A. Maathuis Photography

Rompeprop, by Susanne A. Maathuis Photography

Now we were really up for a party with one of the very last shows of the dutch goregrind band Rompeprop. I have always had this strange relationship with the style. There is nothing more party-mode-setting as a goregrind band. A bunch of friends were standing with me and we were doing the most crazy dance moves, because it is goregrind! We can do sprinklers, the lawn mower, and the hot towel! No one just cares and everyone is as crazy as you are. Just go with the flow and have a great time. A great, no-nonsense band with beach toys as props. Yes, this is my kind of party.

Marduk, by Susanne A. Maathuis Photography

Marduk, by Susanne A. Maathuis Photography

Now we were up for Marduk. This is definitely not the first time I have seen this band performing. But they always give a great performance and never disappoint. The quality this time was better than I have heard before, the riffs were more defined and the drums seemed to be more powerful.

Samael, by Susanne A. Maathuis Photography

Samael, by Susanne A. Maathuis Photography

Next up was the exclusive headliner Samael. The sound wasn’t that great, so it was not what I have expected at all. They used drum machine and they tried to play the old songs in the new style. It definitely wasn’t my piece of cake, but still I was intrigued and wanted to stay and watch the show.

Samael, by Susanne A. Maathuis Photography

Samael, by Susanne A. Maathuis Photography

After this band we headed for the last after party at Stratumseind. Eindhoven Metal Meeting 2015 was a good edition if you asked me. I met a lot of friends and a lot of new faces. I have noticed there were more foreigners than the years past. This was a plus for the atmosphere of different cultures and styles and that combined to a good festival experience. I am definitely going back next year.

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Eindhoven Metal Meeting: Day 1 Review

WORDS BY KAAT VON DORMALEN

PHOTOS BY SUSANNE A. MAATHUIS


Eindhoven Metal Meeting: Day 1 Live At Effenaar, Eindhoven, NL


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On a remarkably warm December day, we rode to Eindhoven again for the sold out Eindhoven Metal Meeting. With a killer lineup this year, it would have been a shame to miss this event. The line up of EMM has never disappointed me so far.

Last year I was kind of nagging about the fact it felt way to crowded, there is still no place to sit except for the stairs and some places in the smoking area but it really felt less crowded this year! This helped the atmosphere of the festival a lot. Eindhoven Metal Meeting is not an open air festival so you can indulge yourself in the luxury of a hotel and the luxury of descent facilities, which is common in winter, but very welcome after a whole summer festival season behind us. No getting nasty from standing in piss soaked mud this time!

I already was psyched for this festival, one of my favorite bands as headliner (Behemoth), the great atmosphere from the crowd in the south of The Netherlands, a good brand of beer, great afterparties ahead of us and me and a friend even helped an old hag to her car for some karma points. So this year nothing could go wrong at all!

Winterfylleth, by Susanne A. Maathuis Photography

Winterfylleth, by Susanne A. Maathuis Photography

The festival began and we walked in to hear the band Winterfylleth. I heard of this band, but never saw them live before. I can say there is nothing wrong with some good old raging black metal to drink your first festival beers on. The quartets latest opus The Divination of Antiquity definitely left a mark on me when I heard it, and it really came alive on stage. It felt like black metal was meant to sound like this and nothing else.

Aeternus, by Susanne A. Maathuis Photography

Aeternus, by Susanne A. Maathuis Photography

Next up on the Large stage (which is not only called that way because it is the largest stage, but is also called after one of the sponsors of the festivals) was Aeternus, a band with grandeur and a real attitude if you ask me. Their show was way to short if you ask me. I want more Aeternus, but next time it wouldn’t hurt if the guitars were a bit less sloppy. I loved the low tuned voice which really took me away.

An unexpected highlight was Onslaught, even though I am not really a thrash enthusiast. They were convincing me with a really convincing and energetic front man, which really got me in the mood. A really tight and top-notch show was is definitely the result of band members that really want to go for it and really want to bring us a great show.

Onslaught, by Susanne A. Maathuis Photography

Onslaught, by Susanne A. Maathuis Photography

A real highlight of the Friday and if you tell me the best band up until now was Conan. I enjoyed it from the start of the show up untill the end. The wall of sound this band creates blew me away. They drag you away into this trance. What a great vibe this band creates. WE WANT MORE CONAN!

Conan, by Susanne A. Maathuis Photography

Conan, by Susanne A. Maathuis Photography

 

Conan, by Susanne A. Maathuis Photography

Conan, by Susanne A. Maathuis Photography

In the mean while it was time to grab some food, we weren’t the only ones with this great idea. After waiting a while for my pulled pork sandwich (which wasn’t that special at all) we went back to the District 19 stage (the small stage). There are a lot of bands from Eindhoven playing this year, but Heretic really impressed. Not everyone seemed to like the black punk and roll, but damn this was ment to party on. The enthusiasm from the stage really impressed and even made a few metalheads dancing, yes, dancing, not headlbanging. This was quite an experience I can tell.

 

Behemoth, by Susanne A. Maathuis Photography

Behemoth, by Susanne A. Maathuis Photography

Now we were up for the headliner Behemoth, the time schedule for the Large stage wasnt that accurate anymore so they started a bit late, but no worries. They gave away a show like only Behemoth can deliver. Grim, dark, but full with energy. Nergal really wins the Oscar for best stage performer ever! There seemed to be some technical difficulties, but I didn’t hear any and I think everybody was just enjoying the great light show and the performance of this great band. If you have never seen Behemoth, do not miss them. This is a must see band!

Behemoth, by Susanne A. Maathuis Photography

Behemoth, by Susanne A. Maathuis Photography

Next up was Candlemass, a lot of visitors have already left the building and it really wasn’t as crowded as it was before. Still, the heavy bass and good combination of riffing and incredible vocals was a great experience.

Candlemass, by Susanne A. Maathuis Photography

Candlemass, by Susanne A. Maathuis Photography

After Candlemass we were up for a good party! Lucky for us the Dynamo had a after party organised with some great cover bands: a GG Allin cover band, an Iron Maiden cover band (that didn’t convince me) and this great glam rock cover band Lipstick`N Bullets with members from the Metal Factory. (yes in the Netherlands we have a school where you can study metal). We were here to party, and this is what we got.

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WORDS BY KAAT VAN DOREMALEN

PHOTOS BY SUSANNE A. MAATHUIS


Festival Preview: Eindhoven Metal Meeting


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This weekend marks another close to the music festival calendar for the year with the Eindhoven Metal Meeting in The Netherlands. Ghost Cult Magazine has covered the festival every year in its existence, based on stellar line ups and their commitment to the best fan experience possible for fans of death metal, black metal and doom among other genres. Over two days 36 bands will assault 2 stages with their performances. This year EMM is headlined by none other than Behemoth! The band continues to tour behind their acclaimed 2013 album The Satanist (Metal Blade) and with the future plans of the band up in the air, you might not want to miss them at EMM.

Behemoth plays on Day 1 on the Large Rockhand Stage, along with heavyweights Candlemass, God Dethroned, Onslaught and Winterfylleth among others. The side stage, the District 19 stage has such not to be missed bands as Conan, Loudblast, Gehennah, and Acid Reign.

Day 2 has an equally strong line-up with Craft, Samael, Marduk, Nuclear Assault (in one of their final performances) Ahab and Vektor on the main stage. The side stage has acts such as Hooded Menace, Mourning Beloveth, Gama Bomb, Lvcifyre and Solstice. Tickets are still available at this link:

 

Photo Credit: Hillarie Jason

Behemoth, by Hillarie Jason


Gama Bomb – Untouchable Glory


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By 1990, the Thrash scene was dying on its feet. The cracks had been apparent since the previous year, but by ’90, a large number of bands were beginning to call it a day, leaving only the biggest and most adaptable to survive in a depressingly thinning field. While some faded away, losing fans by continually retreading old ground, others tried to incorporate more diverse elements such as Jazz and Funk, hoping to save themselves by appealing to a slightly different audience. Unfortunately, with the Grunge and Alternative scenes banging down the door it was clear the game was up. So around 1992, and barring a few notable exceptions (there are always exceptions), Thrash was essentially coaxed into its little wicker basket for a final, one way trip to the vets where, due to an unfortunate clerical error, it would eventually end up being buried in the same plot as the Glam Metal scene at a nearby Pet Sematary.

Music trends tend to come in cycles though, and in good old-fashioned zombie movie tradition, sometime around 2004 the decomposed corpse of Thrash was exhumed and re-animated. The Destruction t-shirts and bullet belts came back, but things weren’t the same. Even at its height, the UK’s contribution to the global Thrash scene barely amounted to a fistful of select names, but during this recent revival, quite tellingly, there have been even fewer of any real note. In fact, only two names have stood out. One begins with an E, and the other is Gama Bomb.

Formed in 2002 and following three strict self-imposed rules (no clean guitars, no ballads and no synths), Gama Bomb delivered their first album in 2005, the independently released Survival of the Fastest to positive reviews. Citizen Brain, Tales From the Grave in Space (both Earache) and The Terror Tapes (AFM) followed, while the band established themselves as a consistently entertaining live act.

New album Untouchable Glory (AFM) follows the fast and thrashy Gama Bomb blueprint to the letter. Every song has fast riffs, fast drums, fast vocals, and every song sounds like it’s racing you to the end. Unfortunately, every song also seems to just blend into the next one. There aren’t actually any bad songs on Untouchable Glory, but there just aren’t any great ones either. Opener ‘Ninja Untouchables/Untouchable Glory’ and the wonderfully ’80s sounding ‘Ride The Night’ are the best of the bunch as they actually contain something memorable – some brilliant Kung Fu backing vocals on the former and a top class chorus on the latter. ‘Witching Mania’ is another quality track, but overall there’s nothing that will immediately stick in the memory. Dedicated fans will undoubtedly familiarise themselves with the lyrics and be able to recite them perfectly by the time the band play them live, but there’s nothing on Untouchable Glory to come close to the instant catchiness of ‘OCP’, ‘Hammer Slammer’, ‘In the Court of General Zod’ or ‘Bullet Belt’.

 

5.0/10

GARY ALCOCK