Roadburn 2020 is shaping up to be a music fest of the ages, which is saying a lot, considering the deep history of greatness here. Oranssi Pazuzu, currently wowing American audiences on tour will premiere their entire new album as part of James Kent’s curation. Further bands added to James Kent and Emma Ruth Rundle’s curated events include Blanck Mass, Hangman’s Chair, Mizmor, Cloud Rat, Fvnerals, Srsq, as well as other new artists on the bill such as Big Brave & Jessica Moss, Jessica Moss solo, Crypt Sermon, Lana Del Rabies, Red Kite, and more. Previously announced were James Kent & Johannes Persson, Jo Quail, and Vile Creature & Bismuth, the return of Julie Christmas, Red Sparowes, Russian Circles, Torche, Brutus, Bada, Dool, Health, Hide, and She Past Away, Full of Hell and Lingua Ignota. Weekend tickets for Roadburn are on sale now (3-day tickets are sold out, 4-day tickets remain on sale). Tickets on sale below. Continue reading
For the last three years, Scottish based, but Brighton born Fvnerals have been honing their art, an often beguiling mix of ethereal and claustrophobic. The band live in that dark and often unforgiving hinterland of emotional and oppressive soundscapes which can either sound like utterly pretentious cobblers or deeply moving and affecting fayre, dependent on your point of view. Continue reading
He was so deeply huddled under a blanket that it took a while to locate the source of the voice hollering my name. Eytan Wineapple, curator of the rumbling beast that was the NOIZ All-Dayer, initially celebrated its second incarnation looking like death warmed up. After a long couple of days, with Wineapple escorting eventual headliners Dukatalon to Sheffield and back, they eventually bedded down in today’s venue. “They got here around 3 a.m., and I tucked them all in!” joked Rebellion manager and event collaborator Hayley. Five minutes later, the flat-capped Wineapple was bounding around like a madman: putting to serious shame Ghost Cult’s scribe who, twelve hours later, and still nearly three hours from the denouement, interviewed said host in a rather weary and addled fashion…
NOIZ is not your average festival. Displays of album-style art and guitars in various stages of completion (one of which is raffled off later in the day) stand beside the S.O.P.H.I.E. merch stall in the upper level of the club-style venue. A dedicated handful, meanwhile, witness the pulverising Industria of openers Khost: looking for all the world like a couple of local scallies bumbling about on a stage, yet laying waste with a mystical power which deserved a better slot and much more attention. The Birmingham duo’s ambient, crushing set, its implosive chords and guttural scours blending with a wonderful and passionate line in Middle-Eastern vocal samples, ended bang on time: a courtesy that some of the festival’s other performers could have tried harder to match.