In the world of doom, there are seemingly as many subgenres as there are bands out there to choose from. I listen to so many different things and love that the genre just lets bands be who they truly are and express themselves naturally without conforming to something they are not. We have all heard bands who try to force elements in their music that they just simply do not shine at. This is not the case with A Nocturnal Crossing (Svart Recordings); everything has its place and works very well together.
Monster Magnet probably needs no introduction to anyone who has paid any degree of attention to the alternative rock scene over the last 25 years or more. The band has always been unashamedly and unapologetically rockist in their approach. Largely ignoring scenes such as grunge as they have come and gone, Monster Magnet have managed to pump out album after album of classic heavy rock, and they continue to play to huge audiences. Somehow they have always stood out from the crowd of rock revivalists and “stoner” bands. Whilst the music of many of these retro bands so often feels tired and trite when compared to the 60s or 70s bands they try to copy, they always exuded a special kind of conviction, authenticity and raw power that sets them apart. Maybe this has something to do with (singer, guitar player and only original member) Dave Wyndorf having been born in 1956 and so having actually lived through the 60s and 70s. Either way, the music has always felt just as legitimate and classy as records by Motörhead or Deep Purple.
Funny, before writing this review I had just finished a very interesting conversation about Swedish bands with someone as passionate as I am for Swedish music and we concluded that there must be something about being born in Scandinavia that automatically increases your chances of being good at making music. Spelljammer proves this point with their latest effort Abyssal Trip (RidingEasy Records). An equally catchy, beautiful, heavy, and dark album that brings a scenario that can be only compared as being a collection of Black Sabbath’s darkest, twisted tracks but heavier and more melodic. And it’s impossible not talking about Black Sabbath when talking about a Stoner/Doom Metal band, but this Swedish trio can easily be in the same conversation.
Bloody Hammers are the Hard Rock husband and wife duo Anders Manga (Vocals, Guitar, Bass) and Devallia (Keyboards/Organ). Hailing from Transylvania County, NC, the Gothic-Metal rockers released Songs of Unspeakable Terror (Napalm Records). Of the Horror-Punk record, Manga says, “When the pandemic hit and I realized I’d be stuck at home for a while, I started thinking I needed to dig into a music project. I was oddly inspired by the unknown, and fear that this plague was gonna wipe us all out. I needed a creative escape.”
Ghost Cult continues our “End of Year Guest Post Extravaganza” with a slew of posts from bands, industry, PR pros, and more! We’ll be sharing lists, memories, and other shenanigans from our favorite bands, partners, music industry peers, and other folks we respect across the globe. In this edition, we have a list from Mark Starr of hardcore veterans Insight. Stream their compilation/retrospective Reflection here via Mission Two Entertainment.Continue reading
Black Spirit Crown’s first proper album sits right on the line between Doom and Stoner Metal with hints of Prog seeping through. The fuzzy riff work is rooted in Sleep and Electric Wizard tradition, the hustling tempos remind me of Orange Goblin, and the tripped-out atmospherics and vocal filters echo Howling Giant or Mastodon. These traits were already distinct on the Red Sky EP released in 2017 and the Cleveland group takes them to even further extents with Gravity (Self-Released).
Bluesy-Psychedelic Stoner band The Heavy Eyes are releasing their trippy new album Love Like Machines tomorrow, 3/27/2020, via the excellent label Kozmik Artifactz. Ghost Cult brings you the full album stream which you can listen to below. The album is like wet-dream for fans of classic fuzzed-out, reverb-soaked riffs and slick songwriting with a sprinkle of early Kyuss and Danzig tossed in for good measure! Spark up, purchase and jam this album now! Continue reading
One of the most anticipated events of SXSW is announced as Gravitoyd Presents and The Bird Barn Austin present Spider Ball 2020 showcase by Ripple Music and Small Stone Records with a killer lineup of Stoner, Doom, and Psychedelic Rock bands! The full list of bands includes The Well, Life, Rainbows Are Free, Geezer, Void Vater, Shark Muffin, The Glasspack, Lowcaster, Pale Grey Lore, The Boleys, Dayeater, Holy Death Trio, Jason Kane & The Jive, Temptress, SecondHand Shag, Warlung, Marco And The Human, Smokey Mirror, WoodenEarth, The Bobby Lees, Bridge Farmers, Monte Luna, Yatra, Grave Next Door and many more listed below. We also have the running order too! Taking place at Spiderhouse on March 20th all day and night from 1PM to 2 AM. Continue reading
GC might have already released it’s End of Year list, but that doesn’t mean the machine stops rolling. There’s always more to review. And Swedish stoner trio Kamchatka have dropped Hoodoo Lightning (Border Music) as a last-minute Christmas present for those who dig the late-60s and 70s. Continue reading
The opening discordant, overdriven stabs of ‘Hello Cruel World’ set the tone for The Primals debut album All Love Is True Love (Southern Lord), a tone that summons the spirit of the fuzziest, poppiest and dirtiest moments of Nirvana’s In Utero (Geffen) jamming with The Pixies and that is every bit as gorgeously sincere as that sounds. So it may come as a surprise to learn that this grunged explosion comes courtesy of John Henry of Metalcore savages Darkest Hour, accompanied by Chad Fjerstad (Dead To Fall) and Andrew Black (The Explosion), a project you’d, like me, have been forgiven to have expected to be churning something more crusty or Hardcore based.Continue reading