Sometimes as a metalhead or underground fan it is easy to forget that not everyone knows what you mean when you describe things in ever smaller concentric circles of references, sub-genres or in-jokes. It seems totally clear to me what I mean when I say that Elvenking‘s ‘Silence de Mort’ sounds like if Megadeth had colorful power melodic hooks and a singer who wasn’t such a born-again know it all douche, but some folks might stare blankly at that description and blink at oncoming traffic.
Success came quickly and early for UK indie pop quartet Bastille, topping the album charts in their home territory with their 2013 debut. Top 5 accomplishments followed for each subsequent album; a run the band is looking to continue with their fourth album, Give Me The Future(EMI), a release that arrives with a fair dose of expectation. Predecessor, Doom Days, critically, didn’t hit the heights of the band’s first two full-length outings, but the lead-off singles from …Future gave assurance that all was back on track.
It’s been well documented that the road to Aggression Continuum (Nuclear Blast Records), the latest album from Californian cyber-metallers Fear Factory,has been strewn with obstacles, challenges, and all manner of highly publicised internal disputes. Since its recording, the band has endured a lengthy legal battle which concluded with the departure of vocalist Burton C Bell, and saw guitarist, songwriter, and current studio bassist Dino Cazares winning the rights to the Fear Factory name via auction.