If you’ve ever found yourself unable to sleep, deeply troubled by an almost primal need to comprehend the diverse sociopolitical ramifications of what would happen if a ruthless, semi-robotic and fully weaponized flamingo overlord was installed as the leader of a society of subservient worker flamingos, then seek immediate psychiatric help. Seriously, just leave and come back to this later. It can wait.Continue reading
It’s time to enter a very dark place. Poland’s mysterious and enigmatic doom-jazz-post rock-funk project -S- return with their first full-length release since their 2013 untitled debut. Led by composer, bassist, vocalist Patyr, with Grzegorz supplying drums, Dom, w którym mieszkał Wąż (A House Where Dwelled A Snake) (I, Voidhanger) is like nothing else you’re likely to hear, and that includes the group’s debut. The album is four tracks and forty-one minutes of oppressive, threatening, slithering, funky doom. If that sounds like a wild trip, it is.
And don’t forget those clarinets!Continue reading
Alex Vinci, Brasko, and Conal Murphy of The Last Vinci have released a lovely album in The Revolution is Made Together (Narrow Door). The album is like happiness flying through the clouds. The songs on The Revolution is Made Together have a pleasant, even keeled feel.
Jinjer is a Ukrainian four-piece act that has captivated and charmed varying music scenes all around the world. Just over a decade ago, the band started to make waves in their own country and around Europe when they released their EP Inhale, Don’t Breath. The vibrancy and viciousness of their Modern Metal sound stood out and has led them to be one of the most noteworthy bands in the genre. Now they are getting ready to release their fourth full-length album, Wallflowers (Napalm Records) and the expectations are high. Their determination, creativity, and uniqueness has many wondering if this new album can be a crown on top of the quartet’s budding stardom.
Like the previous installment, the third chapter in Ripple Music’s Turned to Stone series is framed as a challenge between two contenders for Stoner Doom supremacy. But while Chapter II saw Howling Giant and Sergeant Thunderhoof put forth their competition as a battle of wits between mythic swordsmen, Chapter III is the culmination of an ongoing meme war between Merlin and Wizzerd. It also operates on a similar template as each band is given a full epic track to put their best foot forward.
Arriving in 1989 towards the tail end of the thrash metal scene, San Francisco act Mordred may have only been together for five years but showed more invention and innovation in that time than some bands achieved over a much longer period.
(HED) P.E. releases a solidly decent album with Class of 2020 (Suburban Noize Records). The band, hailing from Southern California, truly embodies the eclectic skater vibe of the area. The album is a mix of rock, funk, and rap. Jared Gomes, Jeremiah Stratton, Kurt Blankenship, DJ Blackard, and Chad Benekos are a tight outfit, and Class of 2020 has no wasted riffage.
Following the premiere stream of their new single ‘Let It Go’, Ghost Cult caught up over email with the artist known as From This World over email for a Q & A interview to learn more about this project and the motivation behind the music. Armed with an inventive, excellent new album Variations on a Dream our dialogue covers the artist’s self-described “New Classic Rock”, influences, the personal nature of the music and much more!Continue reading
Evolution is inevitable, resisting it is futile. I have witnessed oodles of bands that have resisted letting their music evolve, getting themselves trapped in a murky impenetrable bubble of monotony and dismal record sales. (Hed) P.E. is not one of those bands. If anything, (Hed) P.E. could be the official spokesmodel for bands who embrace the natural evolution of their music. The latest studio album from (Hed) P.E., Stampede (Pavement Entertainment) is a dynamic testament that the band is categorically fearless in their songwriting and continue to transcend any and all musical pre-conceived notions.Continue reading
Beastie Boys were on fo the biggest, most successful groups in the work in the early 1990s when they made Ill Communication (Capitol/Grand Royale), released twenty-five years ago today. Prolific, putting out a new album every 2-3 years, the band was focused on never repeating themselves, and constantly improving. It would have been very easy for them to just keep remaking Licensed To Ill (Def Jam) over and over and that would have been enough for many bands. But Ad-Rock, Mike D, and MCA (RIP Adam Yauch) kept on changing and evolving. As they had on the previous few albums, they played all the instruments, and played them incredibly well on every track, across multiple genes. They had genius guest stars and collaborators (Q-Tip, Biz Markie, Amery Smith of Suicidal Tendencies, Money Mark, Bobo from Cypress Hill) and put the music first, before everything. Even the production on Ill Communication is incredible, all respect due to the B-E-A-S-T-I-E’s and their frequent partner at this time, Mario Caldato (“Mario C”). Continue reading