In a continuing series by Ghost Cult’s photo and video editor, Omar Cordy, he pops in from time to time and gives his take on the creative output of musicians and personalities from the industry, be it films, graphic novels, cool side-hustles, interesting hobbies, and other endeavors; Ojayy will have his say!Continue reading
Finn McKenty, The Punk Rock MBA is back again with another video at his popular YouTube channel critiquing musicians and bands. What matters the most? Vocal ability? Good looks? Star power? Specifically, he has a chart to analyze the talents of popular singers and bands such as Hayley Williams (Paramore), Corey Taylor (Slipknot, Stone Sour), Tom Delonge (Blink-182), Fred Durst (Limp Bizkit), Fronzilla, Andy Black, Phil Anselmo (Pantera/Down), Dave Mustaine (Megadeth), Rob Zombie, Oli Sykes, M Shadows, Brendon Urie (Panic At The Disco) Austin Carlile (ex of Mice & Men), Gwen Stefani, Demi Lovato, Miley Cyrus and Ariana Grande, Lil Peep, Charli XCX and more! Finnposts new videos every week and just launched a brand new podcast too!
The Punk Rock MBA has made a living (actually) on their ‘What Killed the Genre” series of videos on their YouTube channel. Now he has posted a new video making a case for the fact that Rock is Dying or already dead if you watch the video. He makes a fair, data-driven case. Of course, he is talking about mass appeal and popularity, the rock and metal underground has never been stronger in our opinion. He mentions Slipknot, Metallica, Tool, Blink-182, Ghost, Five Finger Death Punch, A Day To Remember, Fred Durst, Limp Bizkit, The Used, but also Travis Scott (and Kylie Jenner), Riot Fest, Download Festival, Self-Help Fest, Wacken Open Air, and more. Continue reading
Limp Bizkit will play a special a $3 concert on Tuesday, March 5 at the Troubadour in West Hollywood, California. According to the band’s official Instagram, their “original lineup” will appear at the show, with tickets going on sale today (Friday, March 1) at 3:00 p.m. PST. The band released their debut album Three Dollar Bill, Y’all via Interscope Records in 1997. Limp Bizkit is in the studio working on their next album, the follow-up to 2012’s Gold Cobra. Continue reading
Once again it was time to convene the holy church of rock and metal that is the Rock Allegiance Festival. We have gone to ¾ of these fests, the North East’s biggest heavy music event every year. This years lineup was good, but perhaps not as stacked since the fest became a one-day affair in 2017. Still, even with the loss of Avenged Sevenfold (they canceled their entire tour due to illness), the fest was heavy on young talent, solid mid-level bands and big draws like Limp Bizkit, Papa Roach, GWAR, Insane Clown Posse, Fozzy and more. As we mentioned the early day was just packed with great young bands, maybe more than any fest Ghost Cult attended worldwide in 2018. From Blacktop Mojo’s soulful grungy metal, Badflower, Stone Broken, Bad Omens, Sylar and Knocked Loose bringing the hardcore, and even local Philly area openers Siravo are worth investigating. These bands are the bright future of music we have to look forward to.
We split the team into two so we could interview a slew of bands (check out our YouTube channel) and also see the show and take in the fest. BB&T Pavillion is a fun venue on the water with a real Naval battleship to hang out on for the VIP’s. Cool to see bands framed against the Schuylkill River, overlooking the beautiful Philadelphia skyline.
Besides seeing some of the early bands mix it up, there were impressive amounts of fans for Fozzy (in a rare American fest appearance), From Ashes To New, ICP, and the mighty GWAR who brought their “A game” and their full show to the Pavillion stage. They pulled no punches, murdered people, bled and came on fans (not really) and upstaged every other band. GWAR seemed to be playing to a brand new audience this day, which is always rad to see. ICP predictably had a ton if heads in the house, many who seemed to be there just for them. They were never my thing personally, but you have to respect what they have put down. Whoop whoop, indeed.
Expected high energy sets from Fever 333, Beartooth, Motionless In White made up that solid middle of the bill we spoke of. Bullet For My Valentine has taken a lot of flack over their new album Gravity being too far out of the box for fans. Still, they rule live and those in attendance today got the full the BFMV experience in person, and a great one at that.
Skillet is one of the hardest working bands in the world and when I ever I see them live I feel like they ought to be headlining these festivals. They have a deep catalog and frontman John Cooper is amazing!
Papa Roach had the fans amped as the crowd filled in the amphitheater for the last few bands of the day. They put on an excellent show, played some new jams, and had an amazing g light show. It was sick to hear fans sing and rap along to the band that is creeping up on 20 years I the scene. Of course, they closed with ‘Last Resort’ and of course people went apeshit.
Limp Bizkit put on their customary big show. Coming on with a tribute to Prince, complete with all purple lights and “Purple Rain” played over the speakers. Opening with ‘Full Nelson’, complete with a several minute elongated opening, so Fred Durst could pump up the crowd. And the crowd didn’t flag, they loved it, which shows the power of the band, even after all this time. Next was their short cover of Ministry classic ‘Thieves’, and this set the stage for many covers and medley breaks in the set. For the third song ‘Hot Dog’, Durst ran into the crowd and to the barricade between the pit and the seats and sang with the crowd. This was mere feet from me and it was pretty awesome how Fred touched ever hand he could, shared the microphone and seemed to make a personal connection to everyone near him. People can hate all they want, but he was awesome on this night.
The band rolled (pun intended) though some of their legit hits like ‘Rollin’. ‘Nookie’, followed by more covers like ‘Cowboys From Hell’ and ‘Creeping Death’ followed by more originals like ‘Take A look’ around’. With songs like these, the crowd was pretty hyped.
After a fast run through of their ‘Faith’ cover, the infamous “dropkick that wasn’t” happened where ICP’s Shaggy 2 Dope tried to attack Durst. It was pretty weak and dumb, although I can see why people thought it a PR stunt with all the beef between the two groups over time.
Still, LB pressed on and finished the set with even more covers like ‘Smells Like Teen Spirit’, and ‘Killing In The Name Of’, and before closing with ‘Break Stuff’ and ‘Take A Look Around’. It was a pretty fitting end to a fun day. See you next year Rock Allegiance!
WORDS BY KEITH CHACHKES
PHOTOS BY OMAR CORDY & PAUL COGHLAN
I’ve written a few times in reviews about the current resurgence of the Nu-Metal sound that was so popular and prevalent in the mid 90’s to early 2000’s. Ultimately the genre became so over saturated and watered down it imploded with only a handful bands surviving and progressing beyond it. Looking to pick up the nu-metal ball again are Arizona’s Dropout Kings who are about to release their debut album Audiodope (Napalm Records).