ALBUM REVIEW: Frayle – Skin and Sorrow


 

Skin & Sorrow (Aqualamb) is the second full-length release from Cleveland, Ohio’s “heavy, low and witchy” duo Frayle. The band consists of multi-instrumentalist Sean Bilovecky and singer Gwyn Strang, who between them cite the influence both doom metal (Black Sabbath, Kyuss, Sleep) and avant-garde pop (Björk, Portishead). Frayle’s stated aim is to create “music for the night sky”.

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INTERVIEW: Gwyn Strang and Sean Bilovecky of Frayle Talk “Skin and Sorrow”


We recently caught up with Gwyn Strang and Sean Bilovecky of Frayle to discuss their new album “Skin & Sorrow” – due out soon from Aqualamb Records! We chatted about the new album, the evolution of the group both live and on record, Salem Massachusetts and the infamous witch trials, their attention to detail for visuals, their recent music video, and much more!
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CONCERT REVIEW: Cradle of Filth – Frayle Live at The Machine Shop


Flint, Michigan, might be known for the crime, cars, and crisis. Yet this down-and-out town has more to offer than that. Music fans know it best for being home to The Machine Shop. This nationally acclaimed music venue has been hosting, supporting, and celebrating bands for twenty years. This special concert lounge has gained its reputation because of their genuine love of live music and doting on its patrons. They bring to mid-Michigan audiences an enthusiasm and care most venues don’t bother with anymore. It was a bright, spring evening last weekend when a group of goth kids formed a line outside this beloved hall’s doors. They were exposed to more sunlight than what they were probably used to, but it was worth it because the Symphonic Black Metal Titans, Cradle of filth, were in town. Continue reading


ALBUM REVIEW: Frayle – 1692


Despite an apparent reluctance to classify herself as a white witch Gwyn Strang, vocalist for Cleveland Doom / Post quintet Frayle, identifies as a spiritual being in touch with strong forces, and debut album 1692 (Aqualamb Records/Lay Bare Recordings) comes with a rather plush book explaining ancient magick among other things. It’s a daring opening gambit, complete with album title surely referring to the Salem witch trials, but does the accompanying music live up to this?

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