Check out all of today’s new releases in the music world! Continue reading
Since arriving in 2013 with their self-titled EP (Midnight Werewolf), Bostonian quintet Fórn have allied themselves to the dark, visceral yet mournful slurry plied by the likes of Bell Witch and Lycus. Sophomore album Rites of Despair (Gilead Media) is their first full-length for four years and is another harrowing journey through the mire. Continue reading
The Roadburn Festival, the world première event for all things heavy, diverse, avant-garde, and underground begins today in Tilburg, NL at various venues, under the watchful eye of founder Walter Hoeijmakers. John Dyer Baizley of Baroness curates this years’ fest and performs with his band as well. The fest is nearly a sellout with some limited tickets available for Sunday. Full details below. Continue reading
This year’s Roadburn Festival just gets better and better. The fest has now added twenty new bands such as Whores, Integrity, Cobalt, Bongnzilla, Disfear, Big Business, Trans AM and more. More details below: Continue reading
Hopscotch Music Festival, dubbed “America’s (Secretly) Best Festival” and “the premiere experimental and underground festival in America,” returns September 10-12, 2015, to downtown Raleigh, NC at Raleigh City Plaza. Confirmed artists performing include:
Birds of Avalon
Cakes Da Killa
Cloud Becomes Your Hand
Dad & Dad
Flock of Dimes
Godspeed You! Black Emperor
Hank Wood & The Hammerheads
Ian William Craig
Jake Xerxes Fussell
Jenks Miller & Rose Cross NC
King Gizzard & The Lizard Wizard
Mary Lattimore & Jeff Zeigler
Must Be The Holy Ghost
Natalie Prass and the Spacebomb Orchestra
New Music Raleigh: Music by Oscar Bettison and Evan Ziporyn
Old Man Gloom
Phil Cook presents Southland Mission
Steve Gunn & The Black
TV on the Radio
It’s been a while since I went to a DIY show and the perfect, and maybe only, reason to rectify that came about on Sunday July 6th, when the collaborative project between Thou and The Body came to a place called “The Firehouse” in Worcester, MA. As is the norm with most DIY shows, this was not in a very safe part of the city by far, so I was glad that four of us drove in together. These kinds of shows are not my favorite things usually, since you just never know what you are going to get. That can be exciting for people I guess, but me? I just want a freaking bathroom, clean running water and one clear exit I can hop out of the second it looks like any sort of trouble. Call me a pansy, I don’t care.
Around 9:30pm the openers, Fórn, began their set. I saw them once before at The Middle East Upstairs and was really distracted by a combination of bad sound and the smell of electrical wires in their gear frying. I felt like they were too concerned with playing loudly than having any substance back then. This set was definitely musically stronger and lacked the overpowered sound of too many amps turned past 11 just because they had them. Instead it seemed like they were attempting to capture the sludge/doom sound by playing it instead of just blasting a slow riff and calling it sludgy. The microphone went out for two songs but other than that there were no problems and they sounded good.
With a quick changeover, Rozamov was next up and the night was moving right along towards the 12am curfew. For me, this was the first time seeing this band as a three piece and although I feel like they could use more guitar somehow, they totally held their own with the stripped down sound. They steamed through their set with intensity enough to keep everyone inside this quickly becoming oxygen poor room. Suffering through the now quickly rising heat and smell of sweaty arm pits, groins and asses (I may have thrown up in my mouth a little just typing that), the crowd was rapt and made no attempt at escaping the hot stench to the outside area.
I went for some air and was quickly followed by a room full of sweaty twenty somethings all either looking for cooler air or a puff of burning tobacco. During the swapping of gear and whatnot, a couple of people in attendance were apparently shot with BB guns by un-identified neighbors; such a nice part of town. One was shot in the head and one in the arm, but luckily nothing serious and apparently they got the BB’s out.
By the time Thou and The Body started to play it was clearly uncomfortable in there and had come close to about forty minutes before the curfew. I have seen both bands individually but had not even checked out the collaboration on-line so I was kind of blindsided by the experience. Was it heavy? That is a stupid question but it was that special kind of heavy that tugs at your innards just so. Not enough to lose control of your bowels but more than enough to make it almost impossible not to bob your head, stomp your feet and grind your teeth just a bit. There was a little of the electronic element The Body is known for as well as the punishing vocals you get from Bryan Funck of Thou and when you put that together with a bassist, 2 drummers and 3 guitars, you have a truly one of a kind set. I would have liked to have heard more of Chip King’s (The Body) vocals but from where I was it was barely audible and I would have been interested to hear the dichotomy of his signature wails with the shredded vocal style of Bryan. They closed the set with a Nine Inch Nails cover of “Terrible Lie” but sadly for me, I had just popped outside to get some air and missed the song. I was told it was amazing. Go see the collaboration if it comes near you. It was worth it and I am glad I braved the BB’s, the locals and the smell of moist, hot body stink to witness it.
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