ALBUM REVIEW: Wytch Hazel – III: Pentecost

With Wytch Hazel having established their style right from their 2011 formation, each of their releases has mostly been a matter of fine-tuning and making tweaks to their Hard Rock vision. The band’s third full-length album is no exception as it delivers its signature blend of Celtic melodies and spiritual lyrics with brazen positivity. Past efforts have been enjoyable in their own right but III: Pentecost (Bad Omen Records) may be the strongest execution of the formula so far.  Continue reading

ALBUM REVIEW: All Them Witches – Nothing As The Ideal

With All Them Witches recently becoming a power trio after five albums as a quartet, it’s easy to imagine that their sixth full-length would reflect a changed dynamic. But for the most part, the Nashvillians’ vision is largely undeterred on Nothing As The Ideal (New West Records). The overall runtime may be the band’s shortest to date at only forty-three minutes long, but their signature mix of Fuzz Blues, Americana, and tripped out ambiance allows for plenty of exploration. Not much has changed on the surface but there are certainly ways to show off the more straightforward approach.

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ALBUM REVIEW: Marilyn Manson – We Are Chaos

(Editor’s note: we are aware of this ongoing story which presumes to be about Marilyn Manson, although he is never named. We are still tracking this story at press time.)

Twenty-five years plus into his career, Marilyn Manson continues to be an enigma, wrapped tight inside a riddle, not wishing to be fully known. By never making the same album twice with his namesake band, he continues to defy expectations, and be equally loved and hated. While his early albums are masterworks that others from the 1990s would kill to rest their reputations on. However, as the rockstar gains on years and gets further away from his early years, he has transformed into a much more interesting character than when he was freaking out pastors and scarring moms and dads. 

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ALBUM REVIEW: A.A. Williams – Forever Blue

It is easy to forget that Forever Blue is the debut album from AA Williams, such is the level of status she has already acquired since first taking to the stage only last year. In the meantime, she has garnered a huge amount of critical acclaim, released a self-titled EP, and collaborated with Mono before releasing Forever Blue.

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EP REVIEW: Turkey Vulture – Time To Pay 

Time To Pay (Self-Released)  is the new EP from Connecticut’s Turkey Vulture, a duo consisting of Jessie May (guitar, vocals, bass, cello) and Jim Clegg (drums, artwork). The EP is a force of incredible energy that nods to a deceptively diverse set of influences. This is punk; this is doom metal; this is stoner rock. Above all, it emanates a refreshingly raw and gloriously unpolished power. Continue reading

ALBUM REVIEW: Thomas V. Jäger – A Solitary Plan – RidingEasy Records

As cool as it’s been to see some of doom’s most iconic figures go acoustic lately, sometimes it’s even more exciting when fresher faces try their hands at the style. Thomas V. Jäger is one such example, stepping beyond his duties as Monolord’s vocalist/guitarist to release a full-length solo album. It’s an especially interesting transition when you consider that band’s heightened melodicism on 2019’s No Comfort, and this album pushes the idea to even more introspective ends. Continue reading

EXCLUSIVE VIDEO: Cami Scoundrel – “Fallen Homies”

South African Folk-Punk Cami Scoundrel has shared a new music video for her single “Fallen Homies.” The video which is directed, shot, and edited by David van Rensburg at the Jungle Jam Room aka Cami’s lounge, creates the perfect vibe for the heartfelt ode to friends lost along the way. Cami’s dusky voice and honest delivery is a refreshing throwback vibe compared to the over-produced sound of today. Cami’s current album Those Days is available to purchase and stream at the links below.. Check out the video now! Continue reading

EXCLUSIVE LYRIC VIDEO: King Gorm – “Song From Brighter Days”

Ghost Cult is stoked to present the brand new single and lyric video for “Song From Brighter Days”, from San Diego Fantasy rockers King Gorm! The entire world of their songs set in self-made world of bards, wizards, dragons, swords, and mythic legends: all laid down against an epic backdrop of folk, progressive rock, and other influences. If you are digging the throwback sounds of neo-folk, prog, and trad metal bands you will absolutely love King Gorm, and find yourself compelled to undertake a great quest to boot! The bands’ self-titled new album releases on July 31st!  Check out the amazing lyric video for “Song From Brighter Days” now! Continue reading

ALBUM REVIEW: Vestal Claret – Vestal Claret 

While a self-titled album often serves as a summary of an artist’s particular style, Vestal Claret’s third full-length is unlike anything else they’ve done before. The Doom Metal that defined the occult collective’s past efforts has been completely phased out in favor of a subdued presentation that is somewhere between Folk and introspective Psych Rock. An esoteric aura still wafts with vocalist Phil Swanson (Hour of 13, Sumerlands) offering his signature mournful, nasally wail, but the vibe has more in common with Hexvessel or Sabbath Assembly than Pagan Altar. Continue reading

ALBUM REVIEW: Wino – Forever Gone

As much as Wino deserves his doom godfather status for fronting groups like The Obsessed and Saint Vitus, there’s something to be said for his more recent singer/songwriter excursions. Whether going it alone or with such collaborators as Conny Ochs, the acoustic style suits him surprisingly well and the volume contrast brings a fuller perspective to his haggard lifer persona. This is especially true for his third album, Forever Gone (Ripple Music), which may be his most low-key effort to date. Continue reading