At first, Jakethehawk’s second album closely adheres to the relentless wave of Stoner Doom. But while Hinterlands (Ripple Music) is rife with the heavy riffs and spaced-out psychedelia typical in the genre, it reveals a deep pool of influences that include Prog Rock, Shoegaze, Alternative, Folk, and a bit of Southern Rock among other tastes. The results are similar to the eclectic blend seen on Fostermother’s 2020 debut, though with a dramatic scope more in line with the likes of Howling Giant or Sergeant Thunderhoof.
Having established a successful collaboration with 2020″s May Our Chambers Be Full (Sacred Bones Records, review here), Thou & Emma Ruth Rundle flesh things out further with The Helm Of Sorrow (Sacred Bones Records). The four songs on this EP are more or less cut from the same cloth. A blend of Sludge, Grunge, and Shoegaze serves as a stylistic backdrop for the dynamic synthesis and occasional clashes between Rundle’s harrowing restraint and Thou’s distorted violence.
Tony Reed has certainly kept busy in 2020. In addition to putting out new releases with Big Scenic Nowhere and Mos Generator and unearthing old material with Constance Tomb, he’s also found the time to issue the first proper album under his own name. The second release in Ripple Music’s Blood And Strings series, Funeral Suit is a decidedly stripped-down affair with often minimalist instrumentation and a Folk backdrop. It’s already a well-worn set up with so many musicians trying their hand at it these days, but Reed always finds a way to apply his signature stamp to a given style.
With Wytch Hazel having established their style right from their 2011 formation, each of their releases has mostly been a matter of fine-tuning and making tweaks to their Hard Rock vision. The band’s third full-length album is no exception as it delivers its signature blend of Celtic melodies and spiritual lyrics with brazen positivity. Past efforts have been enjoyable in their own right but III: Pentecost (Bad Omen Records) may be the strongest execution of the formula so far. Continue reading
With All Them Witches recently becoming a power trio after five albums as a quartet, it’s easy to imagine that their sixth full-length would reflect a changed dynamic. But for the most part, the Nashvillians’ vision is largely undeterred on Nothing As The Ideal (New West Records). The overall runtime may be the band’s shortest to date at only forty-three minutes long, but their signature mix of Fuzz Blues, Americana, and tripped out ambiance allows for plenty of exploration. Not much has changed on the surface but there are certainly ways to show off the more straightforward approach.
Twenty-five years plus into his career, Marilyn Manson continues to be an enigma, wrapped tight inside a riddle, not wishing to be fully known. By never making the same album twice with his namesake band, he continues to defy expectations, and be equally loved and hated. While his early albums are masterworks that others from the 1990s would kill to rest their reputations on. However, as the rockstar gains on years and gets further away from his early years, he has transformed into a much more interesting character than when he was freaking out pastors and scarring moms and dads.
It is easy to forget that Forever Blue is the debut album from AA Williams, such is the level of status she has already acquired since first taking to the stage only last year. In the meantime, she has garnered a huge amount of critical acclaim, released a self-titled EP, and collaborated with Mono before releasing Forever Blue.
Time To Pay (Self-Released) is the new EP from Connecticut’s Turkey Vulture, a duo consisting of Jessie May (guitar, vocals, bass, cello) and Jim Clegg (drums, artwork). The EP is a force of incredible energy that nods to a deceptively diverse set of influences. This is punk; this is doom metal; this is stoner rock. Above all, it emanates a refreshingly raw and gloriously unpolished power.Continue reading
As cool as it’s been to see some of doom’s most iconic figures go acoustic lately, sometimes it’s even more exciting when fresher faces try their hands at the style. Thomas V. Jäger is one such example, stepping beyond his duties as Monolord’s vocalist/guitarist to release a full-length solo album. It’s an especially interesting transition when you consider that band’s heightened melodicism on 2019’s No Comfort, and this album pushes the idea to even more introspective ends.Continue reading
South African Folk-Punk Cami Scoundrel has shared a new music video for her single “Fallen Homies.” The video which is directed, shot, and edited by David van Rensburg at the Jungle Jam Room aka Cami’s lounge, creates the perfect vibe for the heartfelt ode to friends lost along the way. Cami’s dusky voice and honest delivery is a refreshing throwback vibe compared to the over-produced sound of today. Cami’s current album Those Days is available to purchase and stream at the links below.. Check out the video now!Continue reading