ALBUM REVIEW: Unleash The Archers – Abyss


Continuing with the concept of Apex (Napalm Records), Canadian power metal quartet Unleash The Archers return with their fifth full-length album, Abyss (Napalm), a direct sequel to its 2017 predecessor.Continue reading


Fleshgod Apocalypse is Forced to Postpone Their North American Tour


Fleshgod Apocalypse, by Julia Sariy Photography

In more Coronavirus cancellation news, Fleshgod Apocalypse is the latest band feeling the sting of the global health crisis. Due to travel restrictions implemented in response to the spread of COVID-19, “Coronavirus” the bands’ highly anticipated tour with a classical string quartet for the first time ever, will now take place at a later date to be announced as plans are confirmed. The Agonist was to open all dates. Information regarding tickets will be made public soon. Continue reading


Ghost Cult’s Album of the Year 2019 – Part 1 (75-41)


Carcass with Surgical Steel (Nuclear Blast) in 2013, Behemoth and The Satanist (Metal Blade) in 2014, Ghost in 2015 and 2018 with Meliora and Prequelle (both Loma Vista), Magma (Roadrunner) by Gojira in 2016, and 2017’s Emperor of Sand (Mastodon Reprise) is our legacy. Those incredible, scene-enhancing, ear-destroying releases are the standard-bearers by which Ghost Cult‘s albums of the year are to be judged. These are the albums of our times; and following another sensation year of great alternative, rock, and metal, the pantheon cries out for more, for another slab of wax, another Album of the Year to join them… the very best of 2019.

With a fully democratic poll of the views and votes of the length and breadth of Team Ghost Cult (including our photographers, reviewers, newshounds, podcast and YouTube contributors) taken, with no editorial steer or amendment, we present to you Part 1 (75-41) of the Official Ghost Cult Albums of the Year for 2019, for your vulgar delectation…Continue reading


Fleshgod Apocalypse Books North American Tour with The Agonist


Fleshgod Apocalypse, by Julia Sariy Photography

Symphonic Death Metal band Fleshgod Apocalypse has booked a full US tour for 2020, with direct support from The Agonist. Unique to this tour, Fleshgod will be joined by a classical string quartet to bring their album sound into the live setting even more than ever! The band released their new album Venelo this year via Nuclear Blast Records. Check out the dates below. The tour begins in Dallas, TX on March 16th and culminates in Los Angeles on April 6th. Ticket sales are listed below. You can see a video interview we did with the band earlier this year when Francesco alludes to touring with the string quartet.

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ALBUM REVIEW: Necronomicon – UNUS


Honest question: Who started the whole let’s get an orchestra or symphony type shit behind extreme metal? I know Dimmu Borgir has made some serious bank behind it with the fabulous Death Cult Armageddon and Fleshgod Apocalypse has obscured their lack of riffs with said gimmick, but can we let that trend die? I think I’ve had my fill. But what the hell do I know as Necronomicon has an album worth in Unus (Season of Mist) of synths and faux orchestrations designed to elevate death metal from simply crushing to the upper echelons of the avant-garde.Continue reading


Fleshgod Apocalypse – Veleno


Veleno (Nuclear Blast) is Fleshgod Apocalypse’s fifth album and follows on from the critical success that was King. Since King then they’ve had some lineup changes with Tomasso Riccardi and Cristiano Trionfera leaving the band and their legendary drummer/ songwriter/mastermind Francesco Pauli returning to vocal and guitar duties as per the Oracle lineup. Continue reading


Reviews Round-Up: ft. Uriah Heep, MaYaN, Once Human, DragonLord, And More


Mid-September officially sees the start of Crazy Season for album releases… But don’t worry, we’ve got you covered here at Ghost Cult with our round-up of some of this weeks and last weeks albums that may just have escaped your attention, for better or for worse…

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Atrocity – Okkult II


I have always had a lot of time and respect for Alexander Krull. Not only does he share a name with a vastly underrated and not at all terrible fantasy masterpiece (shut it, you…), but throughout his time as the main man of Atrocity he has constantly railed against just doing the straight up and normal, be that by releasing an eighties covers album about fifteen years before it was cool to do so, collaborating with darkwave könige, Das Ich, dark acoustic EP’s with Celtic folk singers, or by mixing massive Prong-ridden grooves with Death and Gothic metal on meisterstück, Blut (Massacre).Continue reading