After twenty-two years of being one of the most renowned and influential bands in post-hardcore and emo, it would be respectable to take a hiatus and bask in the legacy for a good while. However, Silverstein continues to knock out new material consistently, never wringing dry of inspiration and reinforcing their veteran status. With new album Misery Made Me (UNFD), the hardcore maestros let their creativity flow freely without forcing anything to appease anyone’s expectations – including their own.
In a new series by Ghost Cult’s photo and video editor, Omar Cordy will pop in from time to time and gives his take on the creative output of musicians and personalities from the industry, be it films, graphic novels, cool side-hustles, interesting hobbies, and other endeavors; Ojayy will have his say. In his debut column, he takes on the much-buzzed-about directorial debut of Danzig, Verotika. Continue reading
Deftones, even at their best, have been a band of dichotomies. That is what makes them a special band in the history of heavy music: opposing forces pulling and pushing them apart and back again. They may have been coming apart at the seams in the run-up to making Diamond Eyes (Reprise), and you couldn’t blame them. If you follow the band closely, you know the history. The band was nearly done tracking their highly anticipated album Eros in the fall of 2008, when founding bassist Chi Cheng was in a car wreck, on his way home from a funeral. Chi was left in a vegetative state, and the band was in shock. As Chi fought for his life (he passed in 2013, RIP), the band was left wondering what to do. They wanted to make music, but the experience with their best friend caused them to shelve Eros, never to be heard (almost never). When they came back together, the results were unexpected and wild. Continue reading
Zakk Wylde’s Black Label Society came out of the gate strong on Sonic Brew (Spitfire Records), even though it was a little under the radar for the high-profile Ozzy Osbourne band leader. While Sonic Brew, officially released in 1999 in the US, set the template for the BLS style, coming in about a year later refined what Zakk was aiming for. With better production, a bit heavier right hand, and a little more focus, the songs on Stronger Than Death (Spitfire) shine through. Continue reading
For many, the nineties would prove to be the end of heavy metal as we knew it. Bands who rose to greatness in the preceding decade suddenly found themselves either retreading old ground, out of their depth trying to explore new territories, or simply grinding to an unceremonious halt. Within just a couple of years, denim, leather and even the term “heavy metal” itself, were out.Continue reading
Pallbearer released Heartless to the masses last month, and as Hans Lopez said in his 8/10 review, this band was “faced with the Herculean task of following up 2014’s Foundations of Burden, and they’ve passed with flying colors.”
The guys recently celebrated the album’s release with a special show here in Brooklyn, and I got to sit down with the band to discuss the new material, their signature sound, and much more. Enjoy the fun chat below, and pick up Heartless today! Continue reading