The Ronnie James Dio Stand Up and Shout Cancer Fund, founded in memory of the late rock music legend, commemorated the 10th anniversary of his passing and the formation of the charity with its 10th Anniversary Memorial Awards Gala held on February 20, 2020 at the Avalon Hollywood. Hosted Eddie Trunk (That Metal Show, SiriusXM Trunk Nation), the organization recognized honorees in eight categories—each named after songs written by Ronnie James Dio–who have played a role in either Dio’s legacy or that of the charity. Live entertainment was provided by Ronnie James Dio’s live band Dio, featuring vocalists Tim “Ripper” Owens and Oni Logan, and band members Simon Wright, Craig Goldy, Scott Warren and Bjorn Englen, and highlighted by the vocals and visuals of Ronnie James Dio. Los Angeles comedian Brian Posehn, in addition, his comedic duties, performed a song from his upcoming GRANDPA METAL album accompanied by Scott Ian (Anthrax) and Joey Vera (Armored Saint, Fates Warning), while local rockers Sadie & the Tribe opened the festivities with their set. Check out these EXCLUSIVE photos by Tyler Kanode of Brilliant Reverie Photography. Continue reading
Gobsmacking. That’s the first word that came to mind and I wasn’t even a minute into Winter Eternal (Metal Blade Records). Arch / Matheos deliver everything people like about heavy metal. The music is imbued with headbanging fury. The guitar riffage is sublime. Winter Eternal is that perfect storm of a heavy metal album. It’s a wicked mixture of classically awesome Iron Maiden, heady powerful Dream Theatre, and has the story-telling prowess of Queensryche. Listening to the album makes you go, “Grrrrrrrrrr!” Continue reading
Queensrÿche has shared a new video for their song ‘Light-Years’, from their recent album The Verdict (Century Media). Directed by David Brodsky and Allison Woest of MyGoodEye Music Visuals, you can watch it now below. The band is still on a US headline tour supporting their new album, with Fates Warning opening all dates. Continue reading
Progressive Metal legends Fates Warning have inked a new worldwide deal with Metal Blade Records, for a new album, due out in 2020. The band have resigned ot the label and could not be happier. Their next studio album will be thirteenth in their storied career. The band released their latest album, Live Over Europe, last year to critical acclaim. The current lineup is comprised of — Ray Alder (vocals), Jim Matheos (guitars), Joey Vera (bass, vocals), Bobby Jarzombek (drums), and Mike Abdow (guitars, vocals) Fates Warning will kick off a US tour supporting Queensrÿche next month. The tour will commence on March 2nd in Orlando, Florida and run through April 3rd in Seattle, Washington. Continue reading
Progressive heavy metal greats Queensrÿche have announced their newest album The Verdict out March 1st 2019 via Century Media Records. The album was produced, mixed, and mastered by Chris “Zeuss” Harris (Rob Zombie, Iced Earth, Hatebreed) at Uberbeatz in Lynwood, WA, Planet-Z in Wilbraham, MA and Watershed Studio in Seattle, WA. Pre-orders and formats will be announced soon. In the meantime, the band has a Pledge pre-order campaign below. Continue reading
Check out all of today’s new releases in the music world! Continue reading
Check out all of today’s new releases in the heavy metal world! Continue reading
Fates Warning released Theories Of Flight to the world last year, and as Chris said in his review, “After a number of years in the wilderness of creativity, Theories sees them return to their best.“The band has already performed “their best” new material for the crowds in Europe, and now they’ve finally announced the first leg of dates here in the States! Continue reading
Despite their influence and their position in the roots of true, progressive metal as one of the prime creators, Fates Warning have arguably moved into more cult territories nowadays, especially compared to other progressive metal behemoths like Dream Theater who have become one of metal’s biggest entities. Perhaps in part due to the nature of FW’s releases in the last few years, which have proven inconsistent and certainly not to the quality of their early releases. Thankfully their latest album Theories Of Flight (InsideOut) sees them on the right track with their strongest album in recent years.
FW’s take on progressive metal of course takes on both anthemic and memorable hooks and passages with more complex and technical elements; and whereas before at times they may falter on one side or the other, on Theories… they manage to set the balance perfectly. Take the album opener “From The Rooftops” which starts unassuming before it opens up around the 2 minute mark; revealing a huge chorus and some sheer technicality. Even the 10 minute plus songs like “The Light And Shade Of Things”; despite their ever-changing nature, have instantly memorable and easily digestible passages throughout to grab you.
Fates Warning may sometimes feel like the forgotten fathers of progressive metal, especially when you consider just how far some of their peers have transcended, and in all fairness such peers have offered such timeless classics and works that Theories still doesn’t quite live up to. However what it does show is that FW are still a very worthwhile and creative force that are once again worthy of attention, and that after a number of years in the wilderness of creativity, Theories sees them return to their best.
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Elephants in the room exposed, monkeys off their backs with legal issues cast aside and now sole owners of the rights to the name and catalogue of Queensrÿche, the band who produced the greatest album to originate from Seattle can now leave their manure-filled zoo of shite behind. With Todd La Torre firmly ensconced in their ranks, and contributing fully to the writing of the bands fifteenth album, Condition Hüman (Century Media), the opportunity is there for the real Queensrÿche to stand back up.
Having promised a return to their more progressive metal-tinged leanings, an introductory dual guitar lick references their early traditional metal outputs before we embark on album that displays every element of trademark Queensrÿche that you could wish for. Condition Hüman is a mature album, at times reminiscent of Parallels (Metal Blade) from former tour buddies Fates Warning, happy to reference the foibles and distinctive nodes of yesteryear while still firmly holding its place in where the band is now. There are the expected gallops, ‘All There Was’ and ‘Guardian’ could be out-takes from the Operation Mindcrime (EMI) sessions, but in the main, here lies a series of intelligent rock/metal songs proudly reflecting a band that is once again able to produce the music that people expect from them and are more than happy to oblige.
That’s not to say this is an album without heaviness – ‘Hourglass’ builds from a dark, stabbed beginning to a spiralling (reference intended) epic, while ‘Eye9’ could be the rÿche polish applied to a long-lost jam session for the new Tool album – but it’s used sparingly, intelligently, with progressive and cerebral rock the order of the day. La Torre is the ideal frontman, sounding effortlessly like the ousted Geoff Tate, with hints of Michael Kiske, a flawless voice that is indisputably Queensrÿche, adopting some of the idiosyncrasies of his predecessor for that added touch.
Condition Hüman fits seamlessly into the Queensrÿche canon, a natural evolution from, and improvement on, its’ self-titled predecessor, almost as if their discography actually runs Empire (EMI) to Queensrÿche to Condition Hüman and the intervening twenty-three years be damned. Ignore side-show circuses, ignore the flaccid projects of “formerly of…” members, and ignore the memory of experiments and failures; Condition Hüman is a confident and telling step forward in restoring the legacy of a once great band.
The Queen of the Rÿche has seen off the usurper, and now proudly surveys her domain once more.