Pete Way, best known as the bassist of UFO, Waysted, Fastway, The Pete Way Band and more has died. He was just 69 years old. Pete sustained life-threatening injuries in an accident two months ago but fought hard until finally succumbing to those injuries at 11.35 a.m. BST today (Friday, August 14). His wife, Jenny, was at his side. Way had dealt with a number of health issues in recent years. In 2016, he suffered a heart attack, two years after he was given the all-clear following a battle with prostate cancer with which he was diagnosed in 2013. Way was diagnosed during a routine check on his liver, which had been damaged over the years through hepatitis. The abdominal scan picked up the tumor on his prostate gland.
Earlier this morning we learned that former Motörhead/Fastway guitarist “Fast” Eddie Clarke passed away yesterday after a battle with pneumonia. Since the news broke, tributes from all over the world have begun to come in. Continue reading →
Sometimes there are things that together simply make the perfect combination; fish and chips, The Chuckle Brothers, and metal music and horror movies. The relationship between these two art forms has been deep-rooted ever since Iommi and company first unleashed those infamous single notes on the world, taking their band name and that song title famously from Spanish 60’s flick Black Sabbath. It’s a relationship that Acid Witch have firmly embraced throughout their existence, and paid homage too on Midnight Movies (Hells Headbangers).
Acid Witch have always shown a little bit of a tongue in cheek side to them but this collection of covers taken from cult horror b-movie soundtracks is still surprisingly cartoonlike. Most of this is down to their shedding of their own doom/death roots, instead choosing to perform true and familiar renditions of the likes of Sorcery and Fastway, with some additional eerie growls. Production wise this has quite a sheen but doesn’t detract from the old-school vibe and keeps its atmosphere; all the while sounding like they are having the time of their lives.
Far from the year’s most important release of course; this is a complete nostalgia trip to some of metal and horror’s campest and animated moments with four covers that stick to the original formula and prove just as grin inducing.