Even though the two main members of Anaal Nathrakh – Mick “Irrumator” Kenney, and vocalist Dave “V.I.T.R.I.O.L.” Hunt – haven’t actually recorded in the same studio together for around ten years, the pair have still managed to spew more bitterness and agonized rage than can surely be healthy. With over 5,000 miles between them for latest album Endarkenment (Metal Blade), Kenney pushed buttons and twiddled knobs in his California studio, while Hunt recorded his vocals in far less sunny English climes, cathartically venting his spleen a few rooms down from where an S&M porn film was being shot. Continue reading
Napalm Death choosing to drop Throes of Joy in the Jaws of Defeatism (Century Media) is the definition of perfect timing. For those not keeping score at home, the current leader of the free world is an ass-clown who smears his face daily with greasy self-tanner and fancies white supremacists and McDonald’s food. Oh, and there’s a bit of a global pandemic that has paused the world and crippled economies.
Incantation is one of those bands that every metalhead knows about. Hailing from the East Coast, these guys have been around for over thirty years and have always made their presence known in the scene. From consistent album releases to endless touring, Incantation is an act that has dedicated everything to their craft. These veteran players continue to carry the banner for old school American Death Metal on their eleventh full-length, Sect of Vile Divinities (Relapse Records). Released last month, their grim and gruesome sounds gurgle to the top of the scuzzy cesspool of heaviness that they have created. Continue reading
While Nevermore never quite broke into the mainstream, they always seemed to be just under the radar ready to make an impression. The band’s signature combination of proggy rhythms, gothic vocals, groovy chugs, extreme drums, and shredding solos seemed to have something for everyone in the Metal sphere, but their eccentric execution also meant they never found belonging in any single demographic. That all seemed like it was poised to change with their sixth album, 2005’s This Godless Endeavor (Century Media Records), which saw them gain greater exposure compared to their earlier efforts and more unanimous acclaim.
Many times in music journalism, we writers are given to hyperbole, often because it is the low hanging fruit of the field to gush about the classics with a torrent of compliments. You often read words like genre-defying, and frankly, a lot of the time they don’t land as they are meant to. However, in the case of the entire career of Fear Factory and certainty of the album Demanufacture (Roadrunner Records), the words can never do proper justice to the music. Simply stated, Deamnfacture is one of the most important, unique, and unapologetically brutal albums in heavy metal history. Continue reading
Ghost Cult was honored to chat with musician and artist Jacob Bannon of Converge, Wear Your Wounds, and his new band Umbra Vitae. That group just released their debut album, Shadow of Life, (read our review here), a brutal, OSDM flavored album created by Jacob and a group of master musicians and friends such as Mike McKenzie (The Red Chord, WYW) and Sean Martin (Twitching Tongues, ex Hatebreed, WYW) Greg Weeks (The Red Chord, Labor Hex) and Jon Rice (Uncle Acid and the Deadbeats, Job For A Cowboy). In a frank discussion with our editor Keefy, Jacob discussed the impact coronavirus has had on the music world and more specifically his bands and his label Deathwish Inc., what are the Death Metal inspirations of the group, how Umbra Vitae came together, how this is a full band and not side-project, the poem that inspired the band name and the entire album, an update on new Converge and WYW music, and much more. Jacob is working to stay focused and creative during the pandemic to keep his bands and Deathwish Inc. alive in all of this and if you can, please support his music, art activities at these links.
Buy the album here https://orcd.co/umbravitae
Support all of Jacob here:
Converge is one of the lucky Hardcore/Punk bands that has seen notable success over the years. Though they have flirted with the metal genre on some of their albums like The Poacher Diaries (Relapse Records) and You Fail Me (Epitaph Records), frontman Jason Bannon has been itching to make something heavier. This veteran vocalist loves his celebrated children Converge and Wear Your Wounds, but is now really exposing his heart for ferocity with his new Death Metal project, Umbra Vitae. Along with some other experienced and eager members, Bannon has just released the band’s debut LP, Shadows of Life on his own label, Deathwish Inc.
Ghost Cult Caught up with Cabal vocalist Andreas Bjulver Paarup to discuss their slamming new album Drag Me Down, out now via Long Branch Records. Andres discussed the new album, the bands’ process for writing the new albums, writing for and working with guests such as Matt Heafy (Trivium), Jamie Hails (Polaris) and Kim Song Sternkopf (Møl), thoughts on the deathcore versus death metal genres, elitism in metal fans, future plans for the band, and much more. You can purchase Drag Me Down here. Continue reading
Progressive Sludge band Barishi will release their new album Old Smoke on April 24th via Season of Mist Records and we are hype! The band chatted with Ragin’ Rosie while out on tour with Ether Coven earlier this year. They chatted about the origins of the band, Graham’s transition to featured vocalist, the bands’ new album, the metal scene in Vermont, some sludge and doom bands he enjoys, how Barishi’s love of Dungeons & Dragons invades their lyrics and cannot be stopped – even on tour, and much more. Purchase the album here and check out the podcast now! Continue reading
New Zealand’s Blackened Crust Punks Tuscoma will release their new album, Discourse, tomorrow, April 24th, 2020. The album is the follow-up to their well-regarded 2018 release Arkhitecturenominus. The two-piece band creates bruising, bleak musical tomes of a punished existence, and Discourse is the next chapter in their story. Recorded at Studio 11b Mount Maunganui, NZ and Engineered and Produced by Chris Johnson, who also performed bass guitar on the album. The record was Mixed and Mastered by the great Jack Shirley at The Atomic Garden Oakland California, USA. Stream the full album now at their Bandcamp page.
Joe Wright – Drums
Kurt Williams – Vox-Guitar
Chris Johnson plays Bass on Discourse