If you have followed Ghost Cult from the olden days when we were a magazine more than a website, you might know we have a deep love for the Avant-garde, experimental, the underground, and the unusual music that dots the landscape as much or more than the mainstream. Coming from way out, but definitely falling under avant-garde and exceptions is NOUS who are releasing their second album, NOUS II tomorrow via Our Silent Canvas. Made up of a who’s who of legendary underground artists such as Christopher Bono (Ghost Against Ghost), Greg Fox (ex-Liturgy), Shahzad Ismaily (Yoko Ono, Laurie Anderson, Bonnie Prince Billy), Thor Harris (Swans, Shearwater), Grey McMurray (itsnotyouitsme, Tyondai Braxton) with ACME & yMusic string players, NOUS II is challenging and entrancing to the listener. Turn off your typical playlist and digest this musical brainfood at once right now. Pre-order and stream the full album now!
After the heavy concepts of their previous couple of albums, London trio The Meads of Asphodel have thrown off those shackles and just fucking gone for it on their latest release, Running Out Of Time Doing Nothing (Godreah Records). Continue reading
Drone, much like Djent, is a wonderfully onomatopoeic genre. Say “droooone” out loud and you get somewhere close to the guitar tone that makes up this subset of noise music. It’s also a rather impenetrable genre, taking vast amounts of time to learn the ins and outs of a band’s oeuvre. Drone isn’t music for casual listeners, it requires dedication. When combined with swirling psychedelia and a deluge of Doom you get Asterismal, the latest album from experimental merchants, 11PARANOIAS. Continue reading
When the words ‘experimental’ and ‘French’ precede the word ‘Doom’ in a preamble, surely it’s impossible to ignore. Bordeaux trio Endless Floods, formed by members of cult outfits Monarch and Bombardement, are such a band and third album Circle The Gold (Fvtvrecordings / Bigôut Records) sees them test their expansive minds to new, sometimes more melodic limits. Continue reading
If you’ve been following the career of famed electronic/experimental/whatever powerhouse Health, then you’re probably already impatiently awaiting their next release. Their sound is unmatched by really anyone else, and at least in my opinion, they’ve never really made a bad record. Continue reading
For all the directions and manner of subject matter that Metal music conveys, for a record to be purely joyous and sincerely uplifting, not simply fun or adrenaline pumping, is a rarity. It is this feeling that Boston, Massachusetts’ own Astronoid tap in to. Their debut effort Air came from out of nowhere and made waves in some circles, whilst criminally going unnoticed by many others, with a sound entirely of their own. Where Air was an excellent and unique debut, their self-titled (both Blood Music) follow-up is Astronoid refining and fully realising who they are. Continue reading
If there is one thing that recent Progressive Rock acts have done, it is once and for all putting to bed the notion of the genre being predominantly style over substance, with a reliance on over-playing as opposed to having heart. A completely unfair assessment from day one of course; even just a cursory listen to the contemporary Prog Rock leaders such as Riverside, Steven Wilson, and The Pineapple Thief shows both an unwavering sense of emotion and a balance of challenging yet accessible song structuring. Continue reading