ALBUM REVIEW: Kollapse – AR


The newest offering from Kollapse is by no means something that should be consumed whilst in a distraught headspace. AR (Fysisk Format Records) is as much an introspection as it is a complex collection of seven Noise Rock, Sludge, and experimental tracks from the Danish trio. Continue reading


ALBUM REVIEW: Atreyu – The Beautiful Dark of Life


With music festivals leaning into the resurfacing of Myspace-era nostalgia, it is not surprising these guys have a new album out. Atreyu’s newest effort The Beautiful Dark of Life (Spinefarm Records) not only revives the head-banging brand of emo your “top 8” friends were once into, but it picks up where they left off with 2021’s Baptized. Continue reading


ALBUM REVIEW: Racetraitor – Creation and the Timeless Order of Things


 

In dire times of crisis and injustice caused by oppressive systems, the least we can do is to voice our aspirations through the creative media that we have going and that’s what the hardcore unit Racetraitor have been doing. Racetraitor has always been a band that’s ahead of their time – voicing opinions on systemic racism and white privilege before they were even often discussed in a large audience.

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EP REVIEW: The Amenta – Plague of Locus


 

When a new review arrives in my inbox, I often listen to the music first before reading any release info from the band. I like to let the music do the talking before I check out any info from the PR agent. It wasn’t until I read the release info did I come to notice that The Amentia’s latest release Plague of Locus (Debemur Morti) contains a bunch of cover songs. Clearly, The Amentia were able to take a few tracks from bands that inspired them and to transform them into songs of their own.

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ALBUM REVIEW: Darkplace – About the End of the World


 

There are a few artists in history whose identity is shrouded in secrecy – The Residents, Buckethead, the majority of Goat and Darkplace. In an age where social media is so prevalent and where privacy is seemingly such a dirty word, it’s refreshing that Darkplace has chosen to keep himself/herself(?) anonymous so as to let the music do the talking. Based in Sweden About the End of the World (Icons Creating Evil Art) marks the mysterious entity’s debut full-length.

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ALBUM REVIEW: Avenged Sevenfold – Life Is But A Dream…


 

Avenged Sevenfold are potentially one of the most divisive metal acts out of the US since Metallica. All you need to do is look at their previous two albums, 2013’s Hail To The King & 2016’s The Stage to see the extreme polar oppositions these albums created. The former for how the band wore their Metallica influence on their sleeve, creating their own version of The Black Album, and then the following 2016 release throwing all of their previous influences and sounds up in the air, bringing in outside sources from the likes of Pink Floyd, and creating a wholly new progressive rock/metal experience.

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ALBUM REVIEW: Enslaved – Heimdal


 

At this point some thirty years into their illustrious career, Enslaved have truly transcended into their own musical entity. Creating a genre in their own image with a highly unique sound that still stays true to their extreme metal roots, but also blends the darkness with the light of progressive rock, and providing two distinct and opposing vocal styles in a way that no other band does.

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ALBUM REVIEW: Dead Cross – II


 

If you have ever wanted a hardcore punk band with wackiness that only Mike Patton can provide, then you owe yourself to check out Dead Cross and their new album, II (Ipecac Recordings). The result of this mix is absolute audible chaos that the world needs in this crazy day and age we all live in. Don’t worry metal friends, Dave Lombardo (ex-Slayer, Testament) is in this stellar lineup as well so you no need to pull the “this isn’t metal” card for this album!

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