Every Time I Die singer has Keith Buckley has posted a long explanation of the details and inccidents that led to the band’s stunning breakup news first brought to you by Ghost Cult. He referred to the split as “inevitable” and insisting that “our problems with each other go back decades.” The band announced their break up on Monday, January 17th. The Buffalo-based post-Hardcore legends initially announced they would tour without Buckley after he left the tour before its end in early December. Buckley later accused the band of openly plotting to replace him. Both sides have slung arrows at each other in the press. Buckley says that after this statement he shared today, he will not comment again. Every Time I Die came back together long enough to play their annual “‘TID The Season” concerts in the band’s hometown of Buffalo, on December 10 and December 11. But this past Monday (January 17), Jordan Buckley (lead guitar), Andy Williams (rhythm guitar), Stephen Micciche (bass) and Clayton “Goose” Holyoak (drums) issued a statement in which they confirmed that they were unable to reach an agreement with their estranged singer and were indeed going their separate ways. Buckley responded by sharing a letter sent to him by law firm Savur Law, dated December 20, 2021, saying that it had been retained by the rest of the band “for legal representation in connection with a separation agreement” between them and Buckley. Every Time I Die’s ninth studio album, Radical, was released in October via Epitaph.Continue reading
37. Quicksand – Distant Populations (Epitaph Records) Veteran, ney, legendary post-hardcore heroes maintain form with their second comeback album, an album which delivers a lot in a short run time and confirms the adage that class is permanent.
32. Employed To Serve – Conquering (Spinefarm Records) “No longer too hardcore for the metal kids, or too metal for the hardcore kids, The Conquering hits that sweet spot that Brainwashed, There Is A Hell… and Ire once found…, and that helped catapult their protagonists to the forefront and across the bridge to the promised land, though perhaps with a bit more vitriol in its spit.” 
28. Converge & Chelsea Wolfe – Bloodmoon: I (Epitaph Records) “Turbulent but serene, abrasive but polished, Bloodmoon: I never ceases to enthral and amaze. An harmonious cacophony of beautiful melody and jagged rhythms, ideas crash into each other one moment and complement each other unhurriedly the next.” 
27. Gatecreeper – An Unexpected Reality (Closed Casket Activities) “A response to short-term playlist culture, and released with no build-up, just “here you fucking go”… An Unexpected Reality is a success. Seven tracks of grinding power-violence, averaging around a minute each in length, and one epic expansive doomier beast of an eleven-minute closer… an unexpected delight.” 
25. The Killers – Pressure Machine (Island Records) “There is an initial sense of shock as you expect some rousing, anthemic pop, but give it time and the record’s charms wash over you. This is not a record with immediacy, it is one you slowly soak in and discover its intricacies. It is a mature and moving piece of work, telling 11 tales of a small American town in an honest and genuine way.” Thomas Thrower, Ghost Cult writer via 
24. Emma Ruth Rundle – Engine of Hell (Sargent House) “Engine Of Hell feels like a very personal expression, but the emotional honesty and fragile presentation seems to tap into something universal. This is a record that can bring a tear to the eye and a smile to the face at the same time; that can make you feel emotions that are strange, cathartic and instantly understandable. It’s a very human album.” 
23. Exodus – Persona Non Grata (Nuclear Blast Records) “Exodus’s eleventh studio album has been more than worth the wait. A raw and unapologetically belligerent lunatic parade of dive-bombing solos, crunching riffs and razor sharp hooks, inhuman drumming and deranged vocals, Persona Non Grata delivers on its promise in every way imaginable.” 
22. Møl – Diorama (Nuclear Blast Records) “One thing became crystal clear very quickly after listening to MØL’s most recent effort, Diorama: this band can do it all. They’ve devised eight elegant tracks to prove just that, frankly leaving fans wanting more; these Danes dabble in Progressive Rock, Black Metal, Melodic Death Metal and even a snippet of Pop Punk.” 
21. Deafheaven – Infinite Granite (Sargent House) “Deafheaven has scored another winning outing in their so far undefeated discography. Worth noting here is that Deafheaven is very much still in the business of producing some lean music that never loses its drive. ‘Shellstar’ gets off the line and sets the tone for what’s to come with a deft combination of shoegaze and alternative sounds that recall the 1990s but never comes across as dated.” 
