Iconic artist and vocalist Alexis Marshall, best known for work in the band Daughters, has announced his solo debut album House Of Lull, House Of When, set for release July 23rd via Sargent House. Marshall has also shared the first single and video for “Hounds In The Abyss”. Directed by Jeremy W., you can watch the clip and pre-order the album below.
Prisyn is an album that deals in opposites. On one hand, it is an expression of Evan Patterson’s artistic freedom, in the sense that it is quite far removed from Jaye Jayle’s previous works both in terms of sound and creative process. On the other hand, that creative process was linked to circumstances of enforced restriction and confinement. The album’s title itself – Prisyn – alludes to a ‘synthetic prison’ according to Patterson himself. The work was conceived while Patterson was on an extended tour. He began to compose music in these limited conditions using just his iPhone. Instead of fleshing out or reworking the pieces with the usual Jaye Jayle band, Patterson enlisted Ben Chisholm’s (Chelsea Wolfe) help to embellish and produce the songs. The result is an album of primarily electronic music: tense, brooding and claustrophobic. But, in the spirit of opposites, there is a counterpoint to the cold synth textures in the form of Patterson’s deep and rich voice. As he sings in the very first line of opener ‘A Cold Wind’, ‘The darkness meets the lightness / Or rather the lightness meets the darkness’.Continue reading
Ask a proud American to identify the EoB and they’ll gaze, either wistfully or with revolution in mind, toward a grand old building not far from Pennsylvania Avenue. 2018, however, has given birth to another EoB – the Evolution of Boom, a kind of cultural reworking of the Low-End chords which brought all manner of sounds into the realm of enjoyment for the average music listener.Continue reading
The haunting Goddess that is Emma Ruth Rundle just doesn’t know when to stop. Since releasing an EP as a founder member of The Nocturnes in 2008, she has released a product every year with Post-Rockers Red Sparowes and under her own guises. Oft mentioned in glowing terms alongside such powerful performers as PJ Harvey, Tori Amos and Lana Del Rey, On Dark Horses (Sargent House) is the LA chanteuse’s fourth album under her own name, and is again filled with deep, shuddering emotion.Continue reading
For those unaware of the sinister, weird magnificence of David Lynch, his films and series are usually accompanied by equally strange yet wonderful music: edgy, dark, seductive, indulging the seedy side of Americana. Young Widows frontman Evan Patterson’s solo project Jaye Jayle fits this bill perfectly, its Dark Country-style jangle carrying a profound melancholy, and with sophomore album No Trail And Other Unholy Paths (Sargent House) being produced by Lynch’s musical adviser Dean Hurley, there’s an added resonance here.Continue reading