Judas Priest has been inducted into the Rock And Roll Hall Of Fame with the class of 2022. They will receive the honor in the Musical Excellence category, along with RnB legends Jimmy Jam and Terry Lewis. Also inducted into the Performer category will be Eminem, Dolly Parton, Duran Duran, Lionel Richie, Pat Benatar, Eurythmics and Carly Simon. The induction ceremony will be held on November 5, 2022 at the Microsoft Theater in Los Angeles. It will air at a later date on HBO and stream on HBO Max. There will also be a radio simulcast on SiriusXM’s Rock & Roll Hall Of Fame Radio channel 310.
Rage Against the Machine, Judas Priest, New York Dolls, Eminem, Beck, Pat Benatar, MC5, and many more among the nominees for the class of 2022 of The Rock and Roll Hall of Fame. Seventeen acts have been nominated with seven on the ballot for the very first time: Eminem, Beck, Duran Duran, Dolly Parton, Lionel Richie, Carly Simon, and A Tribe Called Quest. Eminem is in his first year of eligibility for rapper. The fan voting is also open as of today on the Rock Hall’s website, but only counts for a tiny portion of the final talley and not really a factor in who is voted in.
I Prevail have today dropped a new video for the song ‘DOA,’ featuring rapper Joyner Lucas who has celebrated a Platinum-certified album & a Grammy Award nomination for Best Rap Song for his co-write and feature on Eminem’s ‘Lucky You’. The video has a trigger warning for graphic violence, viewer discretion is advised. I Prevail previously shot videos that provoke conversations around depression, anxiety, physical abuse and many more so it makes sense they address prevalent issues in the states with ‘DOA’.
Royalty Exchange, the brand that administers rights of bands and artists’ future rights is offering a portion of Slipknot’s future royalties on their 20089 platinum album All Hope Is Gone (Roadrunner Records). Previously this was owned by the producer of the album. You will need deep pockets to win, as the current bid was $758,000, with bids set to end on Monday, May 4 at 3PM MDT. The first distribution payment will come on Sept. 30, 2020, with future distributions being paid biannually. For additional details and to get in on the bidding, check out the Royalty Exchange auction at the link below. The winning bidder will have the opportunity to own a slice of the group’s music whenever it is played, which is all the time. Royalty Exchange has revealed that the total earnings for the All Hope Is Gone album grew 20 percent in 2019 over the previous year. Streaming subscriptions have also helped drive the growth, resulting in 73 percent of last year’s earnings. That marks a 40 percent increase over the prior year in that area. All five of the top-earning songs in the catalog earned more last year than in 2018, with four of them growing by double-digit totals. In addition, the Royalty Exchange producer royalties auction not only includes Slipknot’s All Hope Is Gone, but also Simple Plan’s self-titled 2008 record. The winning bidder will collect royalties generated from any sales, streaming, and sync fees for either album, as well as the individual singles contained on both. Sales and streaming, in particular, pay a greater share of revenue to sound recording royalties over composition royalties. Thsi may seem weird, but it is commonplace in the industry. Famous musicians who have sold off part or all of their royalties include David Bowie, Eminem, Nirvana, and KK Downing of Judas Priest. Continue reading
Cypress Hill will celebrate its 2000 album, the epic Rap and Metal double album Skull and Bones (Columbia) today with a livestream Q & A from the band. The album, best known for their huge hit singles ‘Rap Superstar’ and ‘Rock Superstar’, is one of the groups ‘ best and features guest turns from Everlast, Eminem, N.O.R.E., Christian Olde Wolbers (now formerly of) and Dino Cazares of Fear Factory, Brad Wilk of Rage Against the Machine, and Chino Moreno of Deftones. The band will live on Facebook and YouTube with host Rob Markman to spin the record and take your questions t the links below. Continue reading
Purchase And Stream All The New Music Released Today!
Nottingham UK Modern Metal band Deathflux leveled up in their career in 2018, releasing their killer new album, Execrated, and playing a ton of gigs and festivals to support it. Vocalist Adam Jones has shared his top albums of 2018, a heavy yet eclectic mix, with Ghost Cult’s readers.Continue reading
Check out all of today’s new releases in the music world!Continue reading
The Ghost Cult album round up is back in town, for your vulgar delectation…Continue reading
Neurotic November claim to be “Hood Metal”, which if their latest effort, second album Fighting Words (Victory), is anything to go by appears to be fairly straight (Metalcore flavoured) djent lightly seasoned here and there with some low-rent rap sections. I genuinely struggle to see why these guys have gotten such a bad press. I’ve certainly had a lot worse presented to me as genius. While they’re never going to set the world on fire, they at least have their own sound and no-one should in good faith paint them as The Worst Band In The World whilst brokeNCYDE is still a thing…
Fighting Words is a solid improvement on the last album – 2013’s Anunnaki (Victory) – featuring a fatter, tighter sound and more lavish production (from Joey Sturgis, the man behind the deck for Asking Alexandria and The Devil Wears Prada) . The song-writing is a lot better too with some nice guitar hooks, and half-decent vocal flows that wouldn’t sound out of place on an early Stuck Mojo album.
‘The Truth About You’ is a synth-heavy start to the proceedings that is certainly decent enough to get the head nodding. ‘So Hollow’ is a Slipknot-inspired thrasher which leads us into ‘Everglades’ which features guest roars from King Conquer‘s James Mislow. ‘On The Come Up’ is the standout track on the album with the afore-mentioned Stuck Mojo similarities. ‘Rockstar’ bounces along quite nicely in an adequately average djent stylee through ‘2004 – present’ (more of the same) until we arrive at the quirky ‘Wasabi Anguish Pt. II’ which I have to admit I have a soft spot for; it’s basically a mashup of After The Burial and Eminem with some Die Antwoord influences.
So whilst Fighting Words isn’t great, it’s certainly not shit either. If non-mainstream rap metal’s your bag, it’s worth a look.