James Kent, based in Paris, has released several records since 2012 under the name Perturbator. His music under this moniker can be loosely defined as synthwave but, in reality, Perturbator’s evades such straightforward categorisation. Incorporating elements of early synth-based music, as well techno, gothic rock, ambient music, and metal, Perturbator has been compared to Kraftwerk, John Carpenter, and Nine Inch Nails, amongst many others.
It would be an understatement to say that Steven Wilson’s sixth full-length album continues down the more commercialized path that was established on 2017’s To The Bone. While that album has ultimately proved to be a simplified variation of its predecessors in hindsight, The Future Bites opts for a very different approach as the guitars are downplayed and Pop and Electronica influences completely take over. It’s far removed from the Prog dog days of Porcupine Tree but also not unprecedented when you consider No-Man’s Synthpop side. Continue reading
Anna Von Hausswolff is a singer-songwriter who has always embraced a progressive attitude to creativity. Never unafraid to straddle genres as diverse as metal, Krautrock, and dark pop, and always remaining elusively undefinable, she has made waves over the past decade with her four previous albums and numerous illustrious collaborations. As well as following her own unique musical path, Von Hausswolff (to name just a few of her achievements and endeavours): runs a record label, has guested with Wolves in the Throne Room and Swans, has supported Nick Cave & The Bad Seeds, and has hosted visual art exhibitions.Continue reading
When Greek innovators Hail Spirit Noir spewed forth in recorded anger eight years ago it was with tones of the Aegean gracing a strange brew of Blackened Prog Metal. Fourth long-player Eden in Reverse (Agonia Records) sees the completion of a gradual metamorphosis into total Prog, with the absorption of the band’s live musicians transforming the unit into a sextet.Continue reading
2020 has already been a busy year for San Diego electronic darkheart Shrieking. Debut album Let the Galaxy Burn (Self-Release) was released in January; a single, Truth About Demons (Self-Release) appeared at the beginning of May, and is closely followed by this Split (Self-Release) with St. Louis Dungeon Synth project Puddleglum. It’s a curious and enticing prospect, enhanced by both bands weighing in with a healthy representation of the material.Continue reading
In the world of Ambient Industrial music, the UK has some rather notable exponents. It’s a proud standard, maintained by – among others – ‘Wooly’ Woolaston, the sole member of Leicestershire’s magnificently-named Colossloth. His fifth album Plague Alone (Cold Spring Records) was devised prior to the heinous virus presently shrouding the world and in retrospect seems strangely prophetic rather than historical or imaginary.Continue reading
If a band consists of members from Ne Obliviscaris and Todtgelichter, it’s a fair bet that the results will be 1) bloody dark, 2) as mad as a sheep in a tree. Sure enough, Omega Infinity provides all of this, with the frosted vocal of the Aussies’ mystical Xenoyr tangling with the musical machinations of ‘lichter drummer and keyboardist Tentakel P for debut album Solar Spectre (Season of Mist).Continue reading
Those who’ve known me for some time will have had their ears blunted by my constant praise for Birmingham, UK Industrial Doom duo Khost. Equal parts sampled violence, malevolent strings and vocal apocalypse, beautiful Eastern lamentations often deflect from that harsh path and create a nuance flavoured by the likes of VAST and Moby. Their fourth album Buried Steel (Cold Spring Records) sees a band now truly at ease with its style, happy to have edgy two-minute psalms populating a set in the knowledge that they serve a purpose for the whole.
It’ s amazing how switching a couple of letters around can turn a toy into something huge and imposing. Then there’s the spaced-out Electronica with ancient Mesopotamian lyrics…it’ s something that could only be the work of Current 93 figurehead David Tibet and, sure enough, the master experimentalist is back with new outfit Nodding God, whose debut album Play Wooden Child (House of Mythology) is a blissfully madcap echo through the cosmos.Continue reading
If anyone seriously doubts the efficacy and emotion of what is essentially classed as Drone, then they have never experienced Canadian outfit Big|Brave. They have toured with bands more eagerly anticipated than themselves: but those bands oft flounder at the point of displaying true emotion. It’s here where Robin Wattie and Mathieu Ball, along with drummer Loel Campbell, find a real connection while exploiting the wondrous virtues of focus and silence.Continue reading