Tag Archives: electronica

ALBUM REVIEW: Puscifer – Existential Reckoning : Rewired

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Puscifer will always be best known as one of the many creative outlets for Tool / A Perfect Circle vocalist Maynard James Keenan, and as an avenue for the most obscure depths of his musical creativity. But the band has always been a collaborative affair, with Keenan working alongside many different artists over the years, with their albums subsequently always providing an infusion of many different ideas and experiences. Existential Reckoning : Rewired (Puscifer Entertainment / Alchemy Recordings/ BMG) is the remix accompaniment to their 2020 album, which itself was a typically avant-garde electro-rock melting pot of futuristic and otherworldly sounds.

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EP REVIEW: New Miserable Experience – Philosophy On Pessimism

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Philosophy On Pessimism is the debut EP released on Translation Loss Records by New Miserable Experience, a project featuring members of Rosetta, Model Prisoner, and Revocation. The quartet pieced together the sum of their parts remotely, using file sharing to bounce their ideas around to one another, and have created an ethereal-sounding record with a foot firmly in the darker regions of the eighties synth-wave style.

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EP REVIEW: Crosses – Permanent.Radiant

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Crosses, or ††† if you prefer, really prefers foreplay to making love. The synthwave and electro-rock music duo made up of Deftones’ frontman Chino Moreno and Far producer/ multi-instrumentalist Shaun Lopez has been teasing us for over a year with singles, a top-tier cover, and pulse-quickening videos as they readied their new EP, Permanent.Radiant (Warner Music Group). Fit in and around Chino’s heavy schedule with Deftones and Shaun’s producing work, the new EP continues to build upon the path they laid out, minus former collaborator Chuck Doom, who has departed the project.

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CONCERT REVIEW: Carpenter Brut – Sierra Live at Brooklyn Steel

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Deep in the heart of Williamsburg, Brooklyn with a nice long walk from the train, I’ve finally made it to Brooklyn Steel for a night of French musical goodness. Carpenter Brut can be considered both the name of the keyboardist/mastermind who perfers to be anonymous and also the name of the group itself. Take your pick. Starting the two-band bill night was Sierra who is making her American debut on this tour. Her EDM and Darkwave tones set the vibe perfectly for this moody dance night. She also was the sole vocalist performing live at this show. Armed with her DJ rig, drum pads, and hypnotic beats; Sierra is someone I’d like to see again.

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ALBUM REVIEW: Petbrick – Liminal

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Petbrick are the brain-melting collaboration between metal legend Iggor Cavalera (Absent In Body / Cavalera Conspiracy / ex-Sepultura) and electronic noise maker Wayne Adams (Big Lad / Wasted Death). The unique collaboration has been perfected over the last few years in Adam’s London-based Bearbiteshorse Studio, so far yielding their debut album I in 2019, and a handful of EPs and split releases.

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ALBUM REVIEW: Ithaca – They Fear Us

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Following the release of their debut album The Language Of Injury in 2019, Ithaca quite rightly found themselves labelled as one of the new up and coming buzz bands in the UK’s Metal scene. The album was a furious slice of post-hardcore / metalcore, full of great riffs and powerful vocals delivered by singer Djamilla Boden Azzouz, which saw them saw them gain comparisons with the likes of other heavy, strong bands including Svalbard and Employed To Serve. Continue reading →


ALBUM REVIEW: My Sleeping Karma – Atma

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My Sleeping Karma proffers a heady instrumental in Atma (Napalm Records). The six tracks on Atma are ripe for playing over and over and over again and, at times, are mesmerizing to the point of feeling insensate. As this is a fully instrumental album, it’s up to the listener to provide sense and meaning to the aural sensations. Continue reading →


ALBUM REVIEW: The Ever Living – Artificial Devices

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The contradictions of crafting an album using the very technologies and processes the band had previously railed against are but one small element of the complicated and interesting layers that make up Artificial Devices, the self-released second full-length composition of London duo Andrei Alan (guitars/bass/programming) and Chris Bevan Lee (keys/vocals/programming) collectively known as The Ever Living (I promised myself no Mumm-ra comments, but here I am in the intro… I can’t help it, every time I see the band name…).

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ALBUM REVIEW: Greg Puciato – Mirrorcell

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Since The Dillinger Escape Plan disbanded in 2017, their enigmatic frontman appears to be a man on a mission, allowing his creative juices to flow and taking the opportunity to musically expand and collaborate like never before. Continue reading →


ALBUM REVIEW: GGGOLDDD – This Shame Should Not Be Mine

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GGGOLDDD, based in the Netherlands, have for the past decade been releasing material that defies genre conventions and blurs the boundaries between all manner of musical styles, from Metal, to post-Punk, to Pop, to Trip-Hop. Their fifth full-length release, This Shame Should Not Be Mine (Artoffact Records) is based around deeply personal themes to vocalist Milena Eva, who uses this record, conceived during the 2020 lockdown, to address traumatic events including sexual assault.

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