Those who’ve known me for some time will have had their ears blunted by my constant praise for Birmingham, UK Industrial Doom duo Khost. Equal parts sampled violence, malevolent strings and vocal apocalypse, beautiful Eastern lamentations often deflect from that harsh path and create a nuance flavoured by the likes of VAST and Moby. Their fourth album Buried Steel (Cold Spring Records) sees a band now truly at ease with its style, happy to have edgy two-minute psalms populating a set in the knowledge that they serve a purpose for the whole.
Ridiculously it’s a decade since Israeli juggernaut Dukatalon released debut album Saved By Fear (Relapse Records): a bruising yet incredibly inventive slice of Sludge that at times called to mind Led Zeppelin as much as it did the likes of Iron Monkey. Aside from a brief tour of the UK three years ago, little has been heard of the band outside of their native Tel Aviv, so what a beginning to 2020 with long-awaited new album Involuntary Action (Self-Release) hitting the hard drive. if only the band’s mouthpiece in the UK – Manchester’s ‘King of Nasty’, Eytan Wineapple – could’ve stuck around long enough to hear it. Continue reading
Blackwater Holylight (RidingEasy Records), the début album from the Portland, Oregon-based doomstresses of the same name, delivered not merely an enlivening quality but also realised founder member Alison ‘Sunny’ Faris‘ intent of giving heavier rock a new lease of life by incorporating more tuneful, lighter music into that sound. With second album Veils Of Winter (RidingEasy Records) the band, now a quintet with the addition of guitarist Mikayla Mayhew, aim to expand on that formula and the buzz created by that first release.
Another outfit from the lysergic dreamlands of San Diego, Sacri Monti left a sizeable impression with their self-titled 2015 debut album (Tee Pee Records) which was a psychedelic trip through heavy vibes. The quintet’s sophomore effort, Waiting Room For The Magic Hour (Tee Pee Records), is another faithful journey through drifting sands and heady atmospheres but shows a pleasing maturity and willingness to experiment. Continue reading
If you’re a fan of any music that Caleb Scofield created or played, bring the tissues for this one. Cave In‘s aptly-titled Final Submission (Hydra Head) is a collection of recordings made with the band’s late bassist before his tragic death last year and contains much input from the man himself. It’s a slightly different album than fans might expect, but in many ways, it’s more meaningful for it. Continue reading
Since their 2010 inception, Ohio trio Valley Of The Sun has been lauded in the same breath as Grunge legends Alice In Chains and Soundgarden, while not yet achieving that level of iconic status. New album Old Gods (Fuzzorama Records) sees the band maturing, with a gentle psychedelia gracing those heady grooves.
Gabriele Fiori obviously has too much time on his hands. The Black Rainbows frontman also runs Heavy Psych Sounds Records, and it’s this outlet through which he has chosen to propel new project The Pilgrim, a duo with bandmate Filippo Ragazzoni, toward the masses. Continue reading