Edinburgh Occult quartet Juniper Grave is no stranger to the stage, having opened for the likes of Witchsorrow, Slough Feg and the spellbinding Dystopian Future Movies during their short existence. Debut album Of Hellions & Harridans (Wasted State Records) shows a style more in tune with the likes of Alunah, a hugely retrospective feel coating the elements of the band’s sound. Continue reading
Having just released one of the best albums of 2016, Subrosa has embarked on a furious set of tour dates world-wide. The Salt Lake City chamber-doom band is riding high with For This We Fought the Battle of Ages released via Profound Lore. Ghost cult scribe Paul Quinn wrote in his glowing review of the album “SubRosa continues to breathe and grow, and its ability to stir passion and heart-rending sadness is only further proven with surely the most fluid, emotive, engaging and downright magnificent set of its career. “, and it hard to find a flaw in that assessment. Continue reading
He was so deeply huddled under a blanket that it took a while to locate the source of the voice hollering my name. Eytan Wineapple, curator of the rumbling beast that was the NOIZ All-Dayer, initially celebrated its second incarnation looking like death warmed up. After a long couple of days, with Wineapple escorting eventual headliners Dukatalon to Sheffield and back, they eventually bedded down in today’s venue. “They got here around 3 a.m., and I tucked them all in!” joked Rebellion manager and event collaborator Hayley. Five minutes later, the flat-capped Wineapple was bounding around like a madman: putting to serious shame Ghost Cult’s scribe who, twelve hours later, and still nearly three hours from the denouement, interviewed said host in a rather weary and addled fashion…
NOIZ is not your average festival. Displays of album-style art and guitars in various stages of completion (one of which is raffled off later in the day) stand beside the S.O.P.H.I.E. merch stall in the upper level of the club-style venue. A dedicated handful, meanwhile, witness the pulverising Industria of openers Khost: looking for all the world like a couple of local scallies bumbling about on a stage, yet laying waste with a mystical power which deserved a better slot and much more attention. The Birmingham duo’s ambient, crushing set, its implosive chords and guttural scours blending with a wonderful and passionate line in Middle-Eastern vocal samples, ended bang on time: a courtesy that some of the festival’s other performers could have tried harder to match.