Rammstein has been busy getting us sufficiently pumped up for next months new album, Rammstein due out May 17th via UmE/Spinefarm in Europe and Caroline Records in the US. After the band shared five snippets of new songs today via their YouTube and released the full track listing and album artwork, the band has teased a new video, due out Friday, April 26th. Watch it now! Continue reading
As we previously reported, Rammstein will release their new self-titled album May 17th via Ume/Spinefarm in Europe and Caroline Records in the US. Yesterday the band shared five snippets of new songs today via their YouTube. Now they have released the full track listing and album artwork, very apropos of the bands’ wild live performances, an image of an unlit match. Last month, Rammstein released a nine-minute Specter Berlin-directed video for ‘Deutschland’, their first new single in nine years. Continue reading
Anticipation can cloud over artistic impact. After the best part of a decade, single ‘Mein Land’ and live opener ‘Ramm4’ are the only glimpses of new material the world has seen from the mighty Teutonic titans. Since 2009’s stellar Liebe Ist Für Alle Da (Universal), the world has held its breath in baited wait for a seventh Rammstein studio album. Does this towering decade of monolithic expectation dull the impact of brand new single, ‘Deutschland’? Continue reading
Even in this musically idiosyncratic world of genres, sub-genres, tribes, sub-tribes and singleton geniuses, the desire for Finnish psychedelic folk rock may not have been top of your musical shopping list. You should change that forthwith now that Hexvessel’s third album, the striking When We Are Death (Century Media), has arrived for our collective delectation.
Four years ago, their second album, No Holier Temple was a curious and often compelling blend of Woods of Ypres inspired atmospherics, Opeth tinged acoustics and an obvious and deep-seated love of drug influenced 60s and 70s rock, particularly that made by Mr. Jim Morrison and his partners in crime in The Doors.
No Holier Temple was about the trip and the mood; it was inviting and beguiling. By contrast, When We Are Death initially appears as a straightforward folk rock record. Before you jump to a logical conclusion that they have thrown the baby out with the Finnish bathwater, hold your psychedelic horses. The band’s love of psychedelia remains resolutely intact: when you have songs called Drugged Up On the Universe and Mushroom Spirit Doors it is fairly self-evident how the band spend part of their leisure time but there is also a much more deliberate attention to song structure and that oft-ignored discipline of the tune in distinct evidence here. Have a listen, for example to the sparky, keyboard soaked friskiness of When I Am Dead or the smoky jazz backdrop of the reflective and melancholic Mirror Boy and you’ll immediately understand what I’m getting at.
At the heart of this collective endeavour is the vocal prowess of British born Mat McNerney who has a fragility and emotional heft to his voice that does three things particularly well. First: it brings an authenticity to the songs that cuts through with striking immediacy. Second: as narrator, his range is never overbearing nor irritating. Third: he does the best Jim Morrison you’ve heard in ages. Oh and, yes, this is the same Mat from Beastmilk, by the way.
Hexvessel are an intoxicating proposition. They are not, repeat, not, a heavy metal band. Not in the stereotypical sense of the phrase anyway.However, Hexvessel share some of the same qualities and attitude that underscores the metal aesthetic. This is a record is a record of charm and wit and invention. It is a record that is warm and inviting and, being released in the depths of winter, you cannot say any fairer than that. So we won’t.
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