ALBUM REVIEW: Mad Honey – Satellite Aphrodite


 

Satellite Aphrodite (Deathwish Inc.) is the debut album from Oklahoma’s Mad Honey, a four-piece who are variously described as dream-pop, shoegaze, indie and glitter rock (whatever that is).

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FESTIVAL REVIEW: ArcTanGent Festival 2023 Live at Fernhill Farm


 

ArcTanGent Festival, a yearly outdoor four-day fixture at Fernhill Farm near Bristol, attracts a devoted following to its niche yet eclectic lineups of artists who generally have an association with post-rock, progressive metal, or experimental rock. It’s “sort of” a metal festival, but the range of acts it showcases steers towards the more left-field and eccentric end of heavy music and at times stretches beyond what could reasonably even be labelled as “rock”.

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ALBUM REVIEW: Blut Aus Nord – Disharmonium – Nahal


 

Disharmonium – Nahal (Debemur Morti Productions) is the sixteenth full-length release from Blut Aus Nord, the enigmatic French avant-garde black metal band that have now existed for thirty years. Following on from last year’s Disharmonium – Undreamable Abysses, this new record also draws inspiration from H.P Lovecraft and is claimed by its accompanying press release to be “womb-like, detail-rich, disturbed and transformative”.

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ALBUM REVIEW: Ora Cogan – Formless


 

Singer-songwriter Ora Cogan, based in Vancouver Island, has been creating and releasing “cinematic compositions” since 2007. Her ninth album, Formless (Prism Tongue Records), presents a “bizarre sonic Venn diagram” of influences including gothic country, psychedelia, post-punk and more, according to the accompanying press release.

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ALBUM REVIEW: Jaye Jayle – Don’t Let Your Love Life Get You Down


 

Jaye Jayle is effectively the solo project of Evan Patterson, and Don’t Let Your Love Life Get You Down (Pelagic Records) is his first offering since his divorce from Emma Ruth Rundle — a topic which seems to have informed both the title and the content of this new record.

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ALBUM REVIEW: PJ Harvey – I Inside The Old Year Dying


 

Venerated singer-songwriter PJ Harvey has returned with her tenth album, the first since her 2016 release The Hope Six Demolition Project. This new record is entitled I Inside the Old Year Dying (Partisan Records) and Harvey has once again collaborated with producers Flood and John Parish.

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ALBUM REVIEW: Thy Catafalque – Alföld


 

Since their formation in 1998 Hungary’s Thy Catafalque have been releasing category-defying experimental metal records to an ever-growing fanbase. In 2011 the band effectively became the solo project of songwriter Tamás Kátai, who provides guitar, bass, keyboards, programming, and vocals and now makes use of various guest musicians on each release.

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ALBUM REVIEW: Alison Goldfrapp – The Love Invention


Alison Goldfrapp is best known as half of the synth-pop duo Goldfrapp. Following more than twenty years and seven albums alongside Will Gregory as Goldfrapp she is finally releasing a solo record under her own full name. The Love Invention (Skint / BMG Music) was co-written by Goldfrapp in collaboration with production luminaries Richard X (Pet Shop Boys, M.I.A.), James Greenwood (Daniel Avery, Kelly Lee Owens) and Toby Scott (The Gossip, Annie).

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ALBUM REVIEW: ISON – Stars and Embers – Avantgarde Music


 

Stars & Embers (Avantgarde Music) is the third album from Sweden’s ISON. The project is led by Daniel Änghede, who writes and produces the music. For this release, he is joined by new full-time vocalist Lisa Cuthbert, plus guest singers Mikael Stanne, circle&wind, and Dimming.

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