ALBUM REVIEW: Dukatalon – Involuntary Action

Ridiculously it’s a decade since Israeli juggernaut Dukatalon released debut album Saved By Fear (Relapse Records): a bruising yet incredibly inventive slice of Sludge that at times called to mind Led Zeppelin as much as it did the likes of Iron Monkey. Aside from a brief tour of the UK three years ago, little has been heard of the band outside of their native Tel Aviv, so what a beginning to 2020 with long-awaited new album Involuntary Action (Self-Release) hitting the hard drive. if only the band’s mouthpiece in the UK – Manchester’s ‘King of Nasty’, Eytan Wineapple – could’ve stuck around long enough to hear it. Continue reading

NOIZ All-Dayer, Rebellion, Manchester UK

Noiz Alldayer ghostcultmag

He was so deeply huddled under a blanket that it took a while to locate the source of the voice hollering my name. Eytan Wineapple, curator of the rumbling beast that was the NOIZ All-Dayer, initially celebrated its second incarnation looking like death warmed up. After a long couple of days, with Wineapple escorting eventual headliners Dukatalon to Sheffield and back, they eventually bedded down in today’s venue. “They got here around 3 a.m., and I tucked them all in!” joked Rebellion manager and event collaborator Hayley. Five minutes later, the flat-capped Wineapple was bounding around like a madman: putting to serious shame Ghost Cult’s scribe who, twelve hours later, and still nearly three hours from the denouement, interviewed said host in a rather weary and addled fashion…

NOIZ is not your average festival. Displays of album-style art and guitars in various stages of completion (one of which is raffled off later in the day) stand beside the S.O.P.H.I.E. merch stall in the upper level of the club-style venue. A dedicated handful, meanwhile, witness the pulverising Industria of openers Khost: looking for all the world like a couple of local scallies bumbling about on a stage, yet laying waste with a mystical power which deserved a better slot and much more attention. The Birmingham duo’s ambient, crushing set, its implosive chords and guttural scours blending with a wonderful and passionate line in Middle-Eastern vocal samples, ended bang on time: a courtesy that some of the festival’s other performers could have tried harder to match.

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FESTIVAL PREVIEW: Behold the Riff: NOIZ All-Dayer, Manchester Rebellion Next Weekend

Noiz Alldayer ghostcultmag

Saturday 2nd April sees the latest all-day event to grace the UK city of Manchester. The NOIZ All-Dayer is the brainchild of Eytan Dorron Wineapple, a popular and passionate figure of the local Metal scene, and this third such event sees an incredible Low-end bill decorated with other displays, including an art exhibition. While Brit heavyweights The Wounded Kings, Witchsorrow and Hang the Bastard are arguably the biggest names of the fourteen bands on show, of equal note is Israeli outfit Dukatalon’s first appearance on these shores.

The Wounded Kings (33)

The Wounded Kings, by Rich Price Photography

Despite the predominance of the monolithic chord, the packed lineup shows variance: Birmingham Industrial duo Khost and Psychedelic Heavy Soul trio Vodun make mouth–watering appearances, whilst the occult groove is also present in the form of Sussex-raised Admiral Sir Cloudesley Shovell. It’s a bill reflecting Eytan’s love of crushing strings, but also reflects his desire and devotion to bring the best acts to his local area: “Yeah, I’m really happy with the lineup”, he says, “It totally delivers on our promise of big riffs and heavy tones.” It seems the inclusion of the fabled Dukatalon, meanwhile, is a testament to networking and to the curator’s dedication and hard work: “This is their first UK tour. I got in touch with the band through a mutual Israeli friend and went from there.”

So does the strength of the bill create headaches for future events? Eytan doesn’t think so. “I wouldn’t say it adds any pressure. It’s just a natural thing to want to make things bigger and better than previous times. For sure this lineup is bigger, and the production will be slicker. No doubt the same will be said about the next one, however, so no, there’s no pressure.”

Encouraging words for the future, then. This is a festival with something a little different: a host of visual and audio delights to ensnare the senses, smack-bang in the centre of Town, and at £12 a ticket it’s as good as a free gig. You know what to do…

PAUL QUINN