Primitive Man / Hell – Split

Nothing beats a good split between two solid artists putting together a song or two each since we all know as music lovers, we all want new tunes! Primitive Man and Hell have joined forces on Split (Relapse) where Primitive Man brings forward two tracks of about six minutes each while Hell brings a single near-ten minute track to the table. This particular split is a great pick me up for after a long day at the office and is long enough to help soothe your head and be over before your commute home is complete. Continue reading

YOB – Black Cobra – Lord Almighty – Sea Of Bones: at Brighton Music Hall

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While the fall progresses forward and nature around us slowly dies leading up to another New England winter, nothing seems as appropriate as that of a doom metal show. The Brighton Music Hall was once again the site of another memorable show, this time consisting of Sea of Bones, Lord Almighty, Black Cobra, and YOB. The show was so heavy that I was able to go next door for a slice of pizza and know when a band was sound checking and then playing just from how hard the walls were vibrating. The only downside to such a low-end rich show is the drive home when all I wanted to do was go to sleep from the therapeutic doom riffs felt all night.

Sea of Bones, by Hillarie Jason

Sea of Bones, by Hillarie Jason

Sea of Bones kicked off the night to which I can only say was jaw dropping. Previously, I had never heard anything by the group, but was pleasantly surprised with how heavy they got. A nice mix of doom, drone, sludge, and dashes of Neurosis as well as Author & Punisher all came to mind while experiencing Sea of Bones for the first time. I will certainly be catching Sea of Bones the next time I can.

Lord Almighty, by Hillarie Jason

Lord Almighty, by Hillarie Jason

Local heroes, Lord Almighty, came on next and showcased as much of their full-length début album, Paths, as they could in their relatively short set. The progressive black metal outfit certainly made new fans this evening from all the doom fans in-house for YOB and Sea of Bones as well as the fans who like it a bit faster such as Black Cobra. Boston, once again, can be proud knowing that the city keeps pumping out some seriously fun and interesting heavy metal bands.

Black Cobra, by Hillarie Jason

Black Cobra, by Hillarie Jason

Similar to Sea of Bones, I had never given Black Cobra the time of day, but had heard their name in passing. Regardless of my ignorance to this band, I quickly became a fan of their up tempo doom riffs and pounding drumming. Also, the sound that is generated out of just these two musicians was truly amazing. From down the street you would anticipate that the band playing had five or six guys with multiple guitarists, let alone one guitarist/vocalist and a drummer. Also adding into the instant fan spell that was placed on me, I found Black Cobra to be quite similar to a long time favorite of mine in High on Fire.

YOB, by Hillarie Jason

YOB, by Hillarie Jason

Just when I thought the night could not get any better, out came the guys from YOB to absolutely crush my soul. This having been my third time seeing the Oregon doom threesome this year, I had a good feel of what to expect on the set list. Staple opener, ‘Ball of Molten Lead’ got all heads banging together. ‘In Our Blood’ and ‘Marrow’ were also in the rotation as per the usual off of their latest (and maybe greatest), Clearing the Path to Ascend (Neurot). Some may call it a little much, but I could honestly see YOB live again between now and February 2016 even if that makes it four times in a calendar year. There is just something else that YOB delivers that no other doom bands seem to have. Regardless, another amazing night for heavy music in the Brighton/Allston area which could not make me any happier!

YOB, by Hillarie Jason

YOB, by Hillarie Jason

 

YOB, by Hillarie Jason

YOB, by Hillarie Jason

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WORDS BY TIM LEDIN

PHOTOGRAPHY BY HILLARIE JASON

 

Jucifer – District of Dystopia

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Some albums are meant for mass appeal. And then there are some albums that sound like they were created to disperse the entire population as far away from it as humanly possible. District of Dystopia (Nomadic Fortress), the new album – their seventh – from the two piece Sludge/Drone monoliths that are Jucifer, is certainly an album that falls into the latter part.

With its constant barrage of impenetrable mix of sludge and what seems to be the sound of the Elder God’s on a hungover morning,  Jucifer have created an experience that is likewise punishing and oddly satisfying at the same time. Sure it might sound like the apocalypse put through several Marshall stacks, but it’s engaging and never strayed from my attention the whole time it was on, and is still an album that I can recall days and weeks after first listening to it.
Overall, although the NOLA tinged sludgy vibes and the sheer sonic weight brought on by these two bringers of despair, guitarist/vocalist Gazelle Amber Valentine and her husband, drummer Edgar Livengood, is something that must at least be admired if not necessarily enjoyed.

If the sound of the Armageddon coming at you in the form of feedback sounds good to you give this a blast, you will not regret it.
8.0/10

Jucifer on Facebook

 

DAN O’BRIEN