Keefy caught up with John Gist of Vegas Rock Revolution Presents to discuss the upcoming Planet Desert Rock Fest IV! The fest features Brant Bjork, Spaceslug, FATSO JETSON, Freedom Hawk, Spiralarms, Scorpion Child, Borracho, Beastmaker, Sandveiss, Black Elephant, WARLUNG, Sun Crow, Mezzoa, Flames Of Durga and Sonolith. Planet Desert Rock Weekend returns for its 4th installment on January 25-26-27, 2024 in Las Vegas! John discussed how he got into booking shows, and what it takes to book a fest like this, he shared his thoughts on other festivals like Psycho Las Vegas, things to do and enjoy in Vegas, and more! Continue reading
Tag Archives: doom metal
ALBUM REVIEW: Saevus Finis – Facilis Descensus Averno
For quite some time now, but arguably in the last few years especially, Transcending Obscurity Records has been one of the most consistently excellent champions for new, exciting and often innovative extreme metal acts, both in quality and in the sheer volume of their releases. Continue reading
CONCERT REVIEW: Lucifer – Coven – Early Moods Live at Le Poisson Rouge
The renowned venue Le Poisson Rouge hosted an unholy night of Heavy Metal, in the heart of New York City. A triple bill dubbed “The Satanic Panic Tour” – featured Lucifer, Coven, and Early Moods. It was the perfect environment for this tour. The bands did not disappoint, giving a modern throwback feeling of heavy metal.Continue reading
PODCAST: Ghost Cult’s Weekly Rock and Metal News Livestream 12-29-23
Catch up on what you missed this week in the world of Rock and Metal news with our show! Continue reading
Doom Metal Band Bong Coffin Releases a Compilation of Cover Songs ft. Led Zeppelin, Melvins, and Mariah Carey – “Forbidden”
Adelaide Sludge/Doom Metal band Bong Coffin has a had a brief, but prolific and strong run of EPs and their early 2023 full-length debut album, The End Beyond Doubt. To cap off a stellar year and a a gift to fans, the band has compiled their many covers on to one release via Bandcamp. Forbidden includes ten previously released covers, and features Led Zeppelin, Melvins, and yes, Mariah Carey as you have never heard her covered before! If you love Doom Metal it is your sworn duty to burn one and jam this as loud as possible right now! Continue reading
ALBUM REVIEW: Racetraitor – Creation and the Timeless Order of Things
In dire times of crisis and injustice caused by oppressive systems, the least we can do is to voice our aspirations through the creative media that we have going – and that’s what the hardcore unit Racetraitor have been doing. Racetraitor has always been a band that’s ahead of their time – voicing opinions on systemic racism and white privilege before they were even often discussed in a large audience.
INTERVIEW: Anders Engberg of Sorcerer Decodes “Reign Of The Reaper” Album
Ghost Cult Keefy caught up with Anders Engberg of Sorcerer to discuss their new album “Reign Of The Reaper” out now via Metal Blade Records! Anders discussed the band shedding their Doom Metal past, embracing their modern Trad Metal present, and much more!
ALBUM REVIEW: Dyssebeia – Garden Of Stillborn Idols
Talk about making a strong first impression! Swiss Progressive blackened Death Metal newcomers Dyssebeia’s debut, Garden Of Stillborn Idols (Transcending Obscurity Records), is a cornucopia of undeniably brilliant songwriting and delicate execution.
ALBUM REVIEW: Hinayana – Shatter and Fall
From the great state of Texas emerges one of the most interesting and promising new Melodic Death Metal acts in the U.S. Hinayana has received high praise for their latest EP which is claimed to be unique and visionary. Now this southern quintet is getting ready to release their sophomore album, Shatter and Fall (Napalm Records) and everyone is curious to see if this budding band continues to blossom. Continue reading
EP REVIEW: Sugar Horse – Truth or Consequences, New Mexico
Sludge is what happens when hardcore kids play doom metal. Bristol’s Sugar Horse might not replace all the Black Sabbath with Black Flag on their new EP Truth or Consequences, New Mexico (Fat Dracula Records), but their anger owes a debt of gratitude to the bands who did. This is felt on the volatile side of their good cop / bad cop formula.