Let’s think of 2021 as the year that will reveal the ultimate artistic expression of all creators out there and, personally I am very excited with what the year promises pertaining to music releases especially in Metal. The year starts with the right foot with this release by Portugal’s Stoner Metal band Miss Lava and their fourth effort Doom Machine (Small Stone). This album explores how psychedelic and experimental sounds mix so well with Stoner Rock/Metal, with passages that go straight from heavy riffs into spacious soundscapes that will transport you somewhere else in the cosmos.
Psychedelic Doomsters Thunder Horse has shared the new video for their song “Let Them Bleed” today. The track and clip comes off of their forthcoming new album Chosen One, due out on March 12th through Ripple Music. Watch the video right now!
Based out of Indianapolis and featuring a who’s who of veterans from such bands as Obscene, Harakiri, and Bulletwolf, Mother Of Graves makes a strong first impression with their debut EP. The group’s melodic approach to Death/Doom makes no bones about the influence from Paradise Lost and Katatonia, mixing the former’s mournful leads with the latter’s mid-tempo pacing. One can also detect traces of Novembers Doom in the vocals and Dan Swano’s signature touches on the mastering.
With 2010s For Mircalla seemingly destined to be a one-off album for Briton Rites, it’s quite a surprise to see the band unleash a second full-length ten years later. Occulte Fantastique (Echoes Of Crom Records) wastes no time confirming that the group has remained faithful to their Traditional Doom Metal style. Guitarist Howie Bentley’s riffs are as beefy as ever while the prolific Phil Swanson’s vocal performance consists of the tried-and-true Satanic themes delivered in a sneer somewhere between Ozzy and Pagan Altar’s Terry Jones.Continue reading
As much as I enjoy Reverend Bizarre and plenty of Sami Hynninen’s other various projects, I’ve honestly not been as enthused about Opium Warlords. Their experimental brand of Drone Doom tends to be rather hit and miss, producing ideas that can be intriguing but more frequently stretched beyond their limits or constructed haphazardly. Their fifth full-length album, Nembutal (Svart Records), doesn’t promise anything different yet I find its execution to be somehow more palatable than anything else they’ve released.
The second full-length album from Denver’s Green Druid promises broader influences compared to its predecessor, 2018’s Ashen Blood. It’s certainly true to an extent as the harsher vocals pop up more frequently and a couple of segments go-between post-Rock and Death Metal, but At The Maw Of Ruin (Earache Records) ultimately keeps to a steady Stoner Doom template. Comparisons could be made to their fellow Coloradans in Khemmis as the album utilizes a similar combination of monolithic riffs, drawn-out structures, and a desolate atmosphere.
Stoner Doom band High Reeper will see the re-release of High Reeper‘s self-titled debut album this January 11th, via Heavy Psych Sounds! Ther release will feature brand new artwork and two bonus tracks including a cover of Pentagram’s “Hurricane,” which you can hear right now, via The Obelisk!Continue reading
Italian Goth Symphonic Metal emissaries Dismal are releasing their new album Quinta Essential this Friday the 13th, 2020! The trio shares their penchant of an eclectic myriad of styles from Classical influences, doom metal, darkwave, neofolk, waltz, and much more. All of this combines to create their big concept of “The Waltz Of Mind.”. Stream the album now!
Cortez’s third full-length album shows a certain spark that was merely hinted at the Boston group”s previous releases. This is immediately established with the opening”No Escape,” which comes crashing in with a template more in line with Classic Metal than their usual Stoner Rock. I find myself reminded of Cauldron or Castle as the driving tempo sustains a reverb-friendly production job with a slew of flamboyant guitar leads, gritty bass, and chanted vocals to go around.
When listening to Forgotten Days (Nuclear Blast), Pallbearer’s fourth full-length, it’s hard to remember a time when they were ever this riff-driven. The title track sets an immediate precedent with its beginning feedback transitioning into pummeling yet catchy verses, a surprisingly hooky chorus, and a softer bridge that manages to keep the momentum going. ‘The Quicksand Of Existing’ and ‘Vengeance Ruination’ serve up even more heaviness in the album’s second half with the former’s straightforward chugs standing out. Considering past jabs I’ve made about Pallbearer being one of the most riff-adverse groups in Doom Metal, it’s a very refreshing change of pace.