ALBUM REVIEW: Pallbearer – Forgotten Days

When listening to Forgotten Days (Nuclear Blast), Pallbearer’s fourth full-length, it’s hard to remember a time when they were ever this riff-driven. The title track sets an immediate precedent with its beginning feedback transitioning into pummeling yet catchy verses, a surprisingly hooky chorus, and a softer bridge that manages to keep the momentum going. ‘The Quicksand Of Existing’ and ‘Vengeance Ruination’ serve up even more heaviness in the album’s second half with the former’s straightforward chugs standing out. Considering past jabs I’ve made about Pallbearer being one of the most riff-adverse groups in Doom Metal, it’s a very refreshing change of pace.

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ALBUM REVIEW: Yatra – All Is Lost

While All Is Lost (Grimoire Records) is the second album that Yatra has released in 2020, it is hardly a retread of its predecessor. The extreme elements that were merely blooming on Blood Of The Night are pushed to even further extents this time around. The drums have a much more aggressive presence with several busy fills on display while the fuzzy guitar and bass tones are much fuller. It never goes into full Blackened territory, but the more active Stoner-Sludge approach makes their High On Fire influence even more apparent. Continue reading

ALBUM REVIEW: Thomas V. Jäger – A Solitary Plan – RidingEasy Records

As cool as it’s been to see some of doom’s most iconic figures go acoustic lately, sometimes it’s even more exciting when fresher faces try their hands at the style. Thomas V. Jäger is one such example, stepping beyond his duties as Monolord’s vocalist/guitarist to release a full-length solo album. It’s an especially interesting transition when you consider that band’s heightened melodicism on 2019’s No Comfort, and this album pushes the idea to even more introspective ends. Continue reading

ALBUM REVIEW: Stygian Crown – Stygian Crown

Stygian Crown’s full-length debut sits comfortably within the Epic Doom Metal niche, but their particular style comes from a more aggressive mindset than many of their peers. This is especially apparent with the guitar work, which exhibits a grainy tone and bulldozing riff patterns that are chunkier than the Classic Metal-derived fare of more conventional outfits. It never goes full-on Death/Doom but the band’s declaration of a Candlemass meets Bolt Thrower sound certainly makes sense when viewed through this lens.

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