In a statement posted on social media, Maryland Deathfest has announced they will return! After a hiatus for 2023 the fest will return from May 23rd to May 26th, 2024. In a message to fans the co-founders of MDF discussed the hiatus and the the return as well as new dates for 2024. MDF 2024 will be their 20th fest in Baltimore. They did announce that aftert the upcoming London Desertfest, they are discontinuing all other festivals they have put on, Netherlands Deathfest, California Deathfest, and more will be no more. You can read a statement from the co-founders Ryan and Evan, below. MDF has operated for almost 20 years, put on 19 fests, and expanded to a global footprint, all while giving a greater voice to Death Metal, Avant-Garde Metal, Stoner Doom, and more genres, perhaps as much or more than any fest in the world. Continue reading
Tag Archives: Demilich
Maryland Deathfest and Their Related Metalfests to Go On Hiatus in 2023
In a statement posted on social media, Maryland Deathfest is going on hiatus after the next MDF event in May 2022. That means in 2023 all of their related festivals are going on hiatus, including MDF, Netherlands Deathfest, California Deathfest, and more. You can read a statement from the co-founders Ryan and Evan, below. MDF has operated for almost 20 years, put on 19 fests, and expanded to a global footprint, all while giving a greater voice to Death Metal, Avant-Garde Metal, Stoner Doom, and more genres, perhaps as much or more than any fest in the world. Continue reading
Maryland Death Fest Cancels 2020, and Rebooks 90% of the Bands for 2021
Maryland Deathfest organizers postponed this year’s festival. They have just announced new dates for 2021 (May 27-30, 2021) and revealed that almost the full 2020 lineup will play. The new dates for MDF XVIII are May 27-30, 2021. Also, take a look at our massive recap and photo set from MDF 2019 by Hillarie Jason.Continue reading
Maryland Deathfest 2020 Announces Running Order
Maryland Deathfest has announced its 2020 running order! Already featuring Dismember, Bloodbath, Exhorder, Monstrosity, Onslaught, Cadaver, Cancer, Graveyard, Vio-lence, Necrophobic, Demilich, Acid Witch, Fabio Frizi and many more, the eighteenth edition of MDF, taking place at Rams’ Head Live and Baltimore Soundstage. Check out the announcement and the full list of bands so far below. Also, take a look at our massive recap and photo set from MDF 2019 by Hillarie Jason. Continue reading
Dismember, Monstrosity, Onslaught, Necrophobic, Demilich, Acid Witch Booked for Maryland Deathfest 2020
Right on the heels of another incredible Maryland Deathfest, MDF 2020 has announced its first spate of dope bands! Dismember, Monstrosity, Onslaught, Necrophobic, Demilich, Acid Witch and many more are set for the eighteenth edition of the fest, taking place at Rams’ Head Live and Baltimore Soundstage. Check out the announcement and the full list of bands so far below. Also, take a look at our massive recap and photo set from MDF 2019 by Hillarie Jason. Continue reading
Dismember, Benediction, Martyrdöd, Nuclear Assault, Rotten Sound, General Surgery And More Booked For Scandinavia Deathfest 2019
From the team that brought you Maryland Deathfest, Quebec Deathfest, California Deathfest and, we now have a Scandinavia Deathfest! It makes almost too much sense, as the region has been the birthplace of some of the greatest bands and albums of the metal genre. Right off the bat, headlining the festival are the reunited original-LAEFS-lineup of Dismember are making an exclusive European appearance. Other bands confirmed are Benediction, Birdflesh, Centinex, Death Toll 80k, Demilich, Demonical, Entrails, General Surgery, Interment, Iron Lamb, Martyrdöd, Massgrav, Nuclear Assault, Purtenance, Putrid Vision, Rippikoulu, Rotten Sound, Sarcasm, Soils of Fate, Sorcery, Toxaemia, Unanimated, Undergang, and Wombbath. Taking over Stockholm on October 11-12 at Kraken Sthlm and Slaktkyrkan. , 2019, the ticket information can be found below. Weekend passes go on sale today!
Maryland Deathfest 13 Part IV: Various Venues, Baltimore Maryland
Unfortunately, all great things must come to an end, but there was still a solid day of heavy metal left to enjoy! Once again my cohorts and I found solace (and assistance to hangovers for some) in our now traditional diner for breakfast. Having been up late the night before, and an early start over at Edison, we did not get to the lots until right before Goatsnake hit the stage.Goatsnake, by Hillarie Jason Photography Primordial, by Hillarie Jason Photography
Sunday may have been the hottest, temperature wise, of the festival and it hit most of the festival goers early. Next to the far end stage at the Edison Lot was a shaded area with picnic tables, many filled with metal heads with their faces on the table top. I held my head up while enjoying Goatsnake from afar and then got a few songs in from Primordial. Right in the middle of the Irish Black Metal band’s set, I did have to leave for a short while as I had an interview with Amorphis outside of downtown Baltimore. Fast forward a few hours and it finally hit me… I was exhausted, gained quite a nasty cough from one of the thousands in attendance, and was incredibly hungry/borderline dehydrated. Now at this point, feel free to point and laugh at your screens, but I went back to the hotel room, chugged some water, inhaled a fruit cup as well as a small sandwich, then took a power nap. Yes, at the young age of twenty-five, I took a nap on the final day of Maryland Deathfest. However, now energized, I nearly sprinted back to the Edison Lot to catch some sets by Demilich and Neurosis.Neurosis, by Hillarie Jason Photography Neurosis, by Hillarie Jason Photography Fans at MDF, by Hillarie Jason Photography Amorphis, by Hillarie Jason Photography
After coming down off of a journey like performance by Neurosis, I made my way over to the far stage to catch what would be one of the greatest sets all weekend, Amorphis performing Tales from the Thousand Lakes album in its entirety. The piano introduction of the album hit while the crowd went into hysterics as each member made their way to the stage. Track by track they played, right through to the end of the Tales masterpiece of an album. Having caught my second wind thanks to my power nap, I was able to get through these last few Edison Lot bands before the Lot was closed until next year. After a quick rest and a short chat with Dave Edwardson from Neurosis, my roommate and I ventured once more over to Rams Head Live to watch the mysterious, yet terrifying, Portal. I had to pinch myself a few times to comprehend what I was watching as, yes shame on me, I had never heard a single story about this band, all of which were masked and performed with stage names. Playing under dim red lights for the whole set with strange videos playing behind them, the Australian five piece brought the crowd into a trance like state. One of my friends in attendance actually described the experience as uncomfortable, but awesome at the same time. Portal did not show any signs of slowing down as curfew came and went. The house lights came on, the PA was shut off, but they just kept on playing until the final note. Then, just like that, MDF was officially over. We all walked back in disbelief of the live stage show that Portal had to offer, yet also the fact that this crazy pilgrimage had come to an end.Portal, by Hillarie Jason Photography Portal, by Hillarie Jason Photography
The drive home the following day was bittersweet. I was bummed that the festival was over for the next year, but on the other hand I was happy to get home and return to the usual daily life I typically live. Maryland Deathfest was my first show outside of the New England area and it was everything I dreamt of and more. I urge every person who is reading this to find time and money to make this journey, this pilgrimage, to really understand how big of a festival MDF really is. Now the only thing left is to ponder what bands will be signed on for next year.
WORDS BY TIM LEDIN
PHOTOS BY HILLARIE JASON PHOTOGRAPHY
Watain, At The Gates, Satyricon Confirmed For Blastfest 2015
Blastfest will be held 18-21st February 2015 in Bergen, Norway and in case you missed this lineup announcement, here it is again:
At The Gates
Blood Red Throne
Dead To This World
Purple Hill Witch
The 3rd Attempt
+ more yet to be announced.
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Blastfest 2015 Adds Four more Bands
Norways Blastfest is expanding to a four-day festival with over 60 bands due to perform. The festival, located in Bergen will run from the 18th to the 21st February and will feature performances from the likes of At The Gates, Paradise Lost and Primordial.
Blastfest Is Expanding!
Blastfest has accepted the challenge and has delivered! It is official, Blastfest will be even bigger! With very positive results and excitement of a recent poll, the Bergen, Norway festival have decided 3 days of metal madness wasn’t enough and have expanded the festival into a 4 day event with a total of 60 bands! That’s 4 days, 4 venues, and 60 bands! Yes. 60 BANDS! The festival is now running from Wednesday February 18th to Saturday February 21st.
And that’s not just the only announcement the festival will make today because just like the recent state of updates the festival are keeping form and have just confirmed another 4 bands to the already exploding poster! So without further adieu, we are pleased to report the addition of true Norwegian black metal veterans Gehenna, British symphonic black metallers Hecate Enthroned, Norwegian death metal titans Blood Red Throne and death thrashers Wyruz!
All of our grenade prayers have been answered; the word became flesh! It’s with a shivering voice of the utmost excitement that Blastfest welcome Norwegian black metallersGehenna to the lineup of 2015! These purveyors of the dark arts have long been regarded as one of the most important acts to come out of the Norwegian black metal scene in the 90’s. It’s therefore with great delight that the festival welcome them back to Bergen for their first ever Blastfest performance.
Back in the 90’s a band made its way to the forefront of the symphonic black metal scene alongside bands like Cradle of Filth and Dimmu Borgir, receiving praise for their ability to be both extreme in their expression as well as incorporating symphonic elements. We are of course talking about UK act Hecate Enthroned. As of today the band is still going strong, if not turning towards an ever heavier expression with their now death metal-infused take on the black arts. Blastfest are very pleased to have them cross the North Sea to perform live in Bergen for the very first time ever, as part of the festival!
Blood Red Throne
If you were asked to name a Norwegian death metal band, chances are that the first name to enter into your mind would be that of Blood Red Throne. Ever since the release of their first four-track demo back in 2000, they have been a household name in death metal circles. It’s therefore with great pride that Blastfest welcome the ravenous war machine, the primitive killing machine that is Blood Red Throne into the fold. Be prepared for blood spatter and arterial lust!
Some say Blastfest needed to add more thrash metal to the lineup, so they have decided to include prime death/thrash act Wyruz! These guys have been going strong for over a decade now, and are dead set on destroying everything at Blastfest 2015.
Alfahanne | Asphyx | At The Gates | Baptism | Blood Red Throne | Bolzer | Borknagar | Byfrost | Craft | Crib45 | Cryptopsy | Dark Funeral | Dark Tranquility | Dead To This World | Decapitated | Demilich | Den Saakaldte | Djevelkult | Destroyer 666 | Destruction | Endstille | Esoteric | Finntroll | Gehenna | Hecate Enthroned | Impaled Nazarene | Melechesh | Moonsorrow | Morgoth | Paradise Lost | Primordial | Rotting Christ | Samael | Sarke | Sarkom | Satan | Saturnus | The Sickening | Tortorum | Tsjuder | Vallenfyre | Wyruz + more yet to be announced.
Blastfest will be held 18-21st February 2015 in Bergen, Norway.
4 Days | 4 Venues | 60 Bands | Exhibitions | Clinics | Stand Up Comedy | Tattoo Convention | Theme DJ’s
Tickets on sale now: http://blastfest.no/?page_id=60
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One Hit Wonders (Fifteen Killer Albums) – Part II
Demilich –Nespithe (Necropolis, 1993)
After all the noise being made about the giants of Sweden and the USA, it’s about time the Finns got a look in. Although don’t look too closely as you may not escape with your sanity intact after any length of time exposed to Nespithe, the single album by Kuopio’s Demilich, a quartet who decided to take death metal, dissect it in the most painful and morbid ways possible before reassembling it with alien technologies. The riffs and guitar lines make Voïvod sound like AC/DC, so complex, mangled and downright weird are the time signatures. The percussion and bass guitar are restless and almost jazz like, and as for the bizarre, almost burped vocals (recorded with no effects) and long-winded sci-fi themed lyrics, no one apart from the band had any idea what was going on. Too weird to live, Demilich, have reformed and split several times since the release of this thirty-nine minute monument to madness and maybe, just maybe it’s for the best.
diSEMBOWELMENT – Transcendence Into the Peripheral (Relapse, 1993)
Surely the North of England, with its bleak moors, freezing temperatures and morbid ethos was the perfect setting for doom/death, especially when you take into account the impact of the Peaceville Northern Doom Trinity of My Dying Bride, Anathema and Paradise Lost, right? Well you’d be dead wrong, for the finest example of that genre, then and ever, crawled out of the Australian bush twenty years ago in the form of diSEMBOWELMENT, who with the utterly peerless Transcendence Into the Peripheral mashed death metal and doom together not in some harmonious accord, but more like a berserk Victor Frankenstein drunk on the horror of his own creation. Nightmarish, drawn out doom sections sap your energy and will before rabid grind-speed blasting parts appear out of nowhere to pin you to the wall and spit blood in your face before retreating back into the darkness, while the sinister melodies and tortured moaning vocals do their best to make things even worse. An endurance test that few make to the end of, Transcendence Into the Peripheral proved that location meant jack if you hated yourself enough to begin with.
Thergothon – Stream From the Heavens (Avantgarde, 1994)
Just when you thought that metal couldn’t get any slower or depressive sounding, along came a trio of Finns who had other ideas, all of them in different shades of black. They were known as Thergothon, and with the forty minutes of anguish and drawn-out misery they committed to tape in the beginning of 1994, they not only explored more of the abyss than ever before, but created an entire new genre; funeral doom. Characterised by one-note downstrokes, haunting, ethereal keyboards and vocals alternating between diseased death grunts and stark clean-sung laments, the music captured was so wrist-slashingly bleak it’s no surprise that the band called it a day soon after. The host of imitators spawned was inevitable, but none yet have come close to capturing the barren, disfigured beauty on offer here.
Mysticum – In the Streams of Inferno (Full Moon, 1996)
Black metal was in a tight spot in the late 90s with the old guard past their best and the new school more interested in vampires and bloodsucking than darkness and extremity so thank fuck for bands such as Norway’s Mysticum who decided that the way forward was to look to the future. However, this was a nightmarish, militaristic future of deadly guitar riffs, merciless programming in place of live drums and an aesthetic that was just as grim as anything the Helvete brigade could ever conceive of. In short, Cyber-Black Metal was born, and were it not for the utterly shoddy efforts of the bands that followed in Mysticum’s wake, the black metal landscape would look very different today. Doubt the quality of this recording? Then head over to the band’s website where it’s free for all to hear.
Floodgate – Penalty (Roadrunner, 1996)
If you thought that Down were the only stoner/doom band with a singer recruited from a thrash/groove act that mattered, then you’ve obviously never heard Floodgate, and shame on you. Featuring the mightily refined and recognisable pipes of Exhorder’s Kyle Thomas, Penalty is a timeless classic that will appeal to anyone with a passing interest in rock and metal. The songwriting is stellar, with the effortlessly catchy grooves of ‘Through My Days Into My Nights’ and the loose, flowing rhythms of ‘Shivering’ lodging into your brain for days afterwards. Heavy without being abrasive and always enjoyable, it’s a tragedy and a mystery that Floodgate only ever recorded one album given the talents and resources at their disposal. As it is, we only have Penalty but it’s a record that keeps on giving and will never let you down, and for that we should be thankful.