King Goat – Debt of Aeons

To say that Brighton’s King Goat set themselves a high bar with début album Conduit (self-released) is like saying that Donald Trump is a wee bit controversial. To merely label them a Doom band is, similarly, doing the quintet a severe disservice: that début was laced with emotional vocals, choirs overlaying evocative bridges, and light, textured instrumentalism. It was a tour de force precious few expected. Continue reading