ALBUM REVIEW: Casket Feeder – Servants of Violence


Within deepest, darkest Buckinghamshire, in the mighty English town of Milton Keynes, something has awoken. For six years the warning signs have been there. Dark, viscous rumblings emanating from rehearsal rooms, recording studios and the most blackened corners of the internet. In 2017 there was the Venomous Tongues EP. The following year there was second EP Scalps (Hibernacula). And then, silence.Continue reading


ALBUM REVIEW: Septicflesh – Modern Primitive


It’s hard to believe that influential Greek symphonic death metal outfit Septicflesh are now into their fourth decade. Even when people of a certain age [Happy big birthday yourself, Gaz! – Reviews Ed] try to improve matters by subtracting the four years of inactivity during the mid-2000s, the reality still sits unavoidably close to that same disconcerting landmark.Continue reading


ALBUM REVIEW: Tzompantli – Tlazcaltiliztil


I love it when something new and different comes down the pipeline. Tlazcaltiliztil (20 Buck Spin), the new offering from Tzompantli brings much to the proverbial table. To start off I really dig the tribal vibe. Their approach blends some killer death metal and doom with awesome ambiance and tasty instrumentation. Continue reading


ALBUM REVIEW: Misery Index – Complete Control


Death Metal can be presented in various iterations: grimy and old school; melodic, and technical; symphonic and gothic. Each offshoot augments further exploration and daring.

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ALBUM REVIEW: Sentient Horror – Rites Of Gore


This is an adrenaline junkie’s wet dream.

The New Jersey-based necromancing death metallers Sentient Horror break bones and summon the dead on their grueling new album, Rites Of Gore (Redefining Darkness / Testimony). Continue reading


ALBUM REVIEW: Undeath – It’s Time To Rise… From The Grave


Leaning on everything from horror movies to medical science and general human nastiness, New York death metallers Undeath return with the much anticipated follow-up to their 2020 debut Lesions of a Different Kind. Using the lockdown period during the pandemic to (de)compose new material, the band pays homage to the past as well as mining from the present on murderous second full-length release It’s Time… To Rise From The Grave (Prosthetic Records).

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ALBUM REVIEW: Immolation – Acts of God


Even though Immolation have been around from the dawn of death metal, the New York four-piece have never enjoyed the same level of prominence as many of their peers. Debut album Dawn of Possession (R/C Records) is still widely regarded as one of the finest examples of the genre but the 1991 release also remains a millstone around the band’s neck, the general consensus being that, no matter how hard they try, their illustrious debut will never be bettered.

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EP REVIEW: Abysmal Dawn – Nightmare Frontier


The first cut to land on my desk this year is the new EP from Los Angeles based Abysmal Dawn, with their first new music since 2020’s Phylogenesis (Season of Mist) full-length. So, to get the new cut was killer, not to mention I’m a Season of Mist fan, so that was double awesome. With that being said though good things definitely come to those who wait. Even though this is an EP it still tears it up. With blistering displays of guitar prowess and super thick melodies these cuts are killer. The drums are insane and are almost to the point of unbelievable as far as speed and technique go, which is something I really dig. They undeniably flex their metal muscle in the tracks presented and even though there are only two OG tracks (sorry for the spoiler, but there are covers) this is definitely an awesome display of where the band is going sonically. Continue reading


EP REVIEW: Malefic Throne – Malefic Throne


Formed last year, Malefic Throne finds Morbid Angel frontman Steve Tucker joining forces with former Angelcorpse guitarist Gene Palubicki and drummer John Longstreth (also of Origin and Hate Eternal), the trio producing an eponymously titled four track EP (released via Hells Headbangers) of finest quality death metal.

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ALBUM REVIEW: Aeon – God Ends Here


While it seems strange to refer to a sound that has been around for over two decades as “modern”, it feels completely accurate to describe the sonic barrage of Aeon as Modern Death Metal. Renowned for keeping the intensity levels up – backed by a production to level small towns with its ripped, lean torso – for their fifth release Swedish violence-dealers have shown no relenting despite lockdown, No extra inches have been added to their waist-bands, and no sign of flabbiness added to their carb-free sensory assault.

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