‘Death and the Twilight Hours’, our third cryptal offering here, crawls with a Blakkheim-esque ominous misty creep around the moonlit haunted castle ruins, before the candelabra bring themselves to light and a cascading guitar line that is part Dissection, part Andy LaRoque continues to layer scything atmospheres, hewn from the six-razor wires ripping flesh and liminal peals from the busy part-mortal fingers, encased skeletal conductors that dance upon the decaying fretboard, ushering us to the next section of L.S.’ raspy vocals… but our decomposing ring-leader isn’t master of ceremonies for long, as soon we are embraced by the cold winds of nowhere, and a wild tapping solo that leads a baroque segue into a minor key early-Katatonia descending guitar lead passage. It is breathlessly visual, musically telling a tale with an atmosphere Sheridan le Fanu would have been proud of.