CONCERT REVIEW: Ville Valo – Kælan Mikla Live at Saint Andrew’s Hall


HIM (aka His Infernal Majesty) is one of the biggest, most successful bands to come out of Finland. Love Metal is not only the name of their fourth full-length album, but it is a genre of music they invented. So, it is fair to say many were dismayed when these Finnish fellas broke up six years ago. Yet hope was rekindled when frontman Ville Valo (aka VV) announced his debut solo album in 2022. Neon Noir (Heartagram Records, read our review here) was released earlier this year and has received high praise. Now the man is on the road again sharing his new tunes and some HIM classics on his headlining world tour. Valo brought his romantic rock to Detroit and blessed Saint Andrew’s Hall with his presence. The Live Nation venue was a perfect pit stop for this tour since it is a premiere music site that caters well to hot and flashy rock bands. Our local baseball team, The Detroit Tigers, had their opening day the same evening as Valo’s big show so the streets of the city were bustling and full of hubbub. That energy spilled into the beloved hall and made the night a colorful experience.

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Roses Never Fade – Devil Dust


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Nick Fiction (aka Nick Brewer), the only remaining member from the last Roses Never Fade album, is joined by Nathan “Nate” Opposition of Ancient VVisdom fame (because now AVV have, like, distortion and stuff he clearly needs another acoustic outlet), and The Way To Light’s Austin Rathmell with the intention of producing brooding acoustic neofolk.

There is no percussion here, no other instrumentation, just a pure, minimalist strumming and vocal methodology, that endeavours to evoke a monastic, empty church feel.

Starting out with some annoying swooshing noises (and little else) that fill the whole of the five minutes (!) of opening track ‘To Valleys And Shadows’, the second Roses Never Fade album, Devil Dust (Neuropa) is clearly trying to set an ambience of reflection and prepare the listener for a melancholy moment of introspection, a mood that isn’t achieved either on the introduction, or once the album proper commences.

A pattern soon emerges as tracks directly alternate between a simple, uncomplicated acoustic picking interspersed and shrouded with embellishing motifs and backed with oh so earnest whispers, and harmony vocal songs over strumming. Unfortunately neither approach is fully effective, especially once the pattern is noted, as neither the music nor the vocal is dark or interesting enough to draw the required atmosphere. There is no being enveloped into a state of other, or past, worldliness, such as the induced meditative mental journey that Ulver’s Kveldssanger (Head Not Found) inspires.

Whether seeking to yield a particular emotive or reflective response, or simply playing unassuming songs, Devil Dust doesn’t really achieve anything. At its best, neofolk, or rather acoustic neofolk (for neofolk is more a shared ideology than any real musical consistency, of which the Cold Meat Industry and industrial/dark wave inspired works of artists like Blood Axis, Ordo Rosario Equilibrio and Amber Asylum are the more interesting and suggestive) at the very least induces emotions, sympathies and reactions. Devil Dust just happens, really, and while it’s a quite nice when it’s on, that’s it. It doesn’t emote, or inspire much beyond apathy or boredom.

4.5/10

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STEVE TOVEY