Dark Folk and Americana artist Amigo The Devil has announced his brand new album, Born Against. The album is due for on LP, CD and digital formats on 19th February 2021 via Amigo’s own label, Liars Club. Recorded at Modern Electric in Dallas with producer Beau Bedford, the album is the next chapter in the story of Amigo The Devil, aka Danny Kiranos who has built a cult following around the world and performed solo tours, concerts and at major festivals. You can pre-order the new album at hte link below.
Ghost Cult is honored to join the ranks of past, present and future Gimme Metal hosts this week as our chief, Keefy, hosts our very own “Join The Cult” special! He’ll bring you a two-hour show of killer tunes this Thursday, November 5th at 11 AM EST with our own curated playlist of awesome metal tracks from across Death Metal, Stoner Doom, Prog, Thrash, Viking, Dark Folk, Black Metal, and more! Sign up for FREE with the app or online, tune in and let’s !@#$%^& rage! Continue reading
Ghost Cult scratched one off the interview bucket list recently by chatting with Andy Gibbs of Thou! We talked all about Thou’s new collaborative album with Emma Ruth Rundle – May Our Chambers Be Full (read our review here), due out on October 30th via Sacred Bones. Andy candidly chatted about writing with Emma, long in the works and put into fruition via Walter Hoeijmakers of Roadburn, how the band and Emma complemented each other, the concepts delved into the album, working with photographer Craig Mulcahy, their hoped-for joint tour and festival plans for the album getting ruined by covid-19, the bands’ penchant for covers and slowing down on them in the future, and what the next phase of Thou music might look like. Purchase the album here and listen to our chat.
Roadburn Festival, largely due to the impetus of its main organiser and curator Walter Hoeijmakers, has often acted as a hub for all manner of interesting collaborations between artists who sit in the arty or experimental corners of the heavy music world. May Our Chambers Be Full (Sacred Bones) the new collaboration album from Emma Ruth Rundle & Thou, is the latest creation which owes a debt to the festival, conceived as it was in the wake of the two artists’ joint set at 2019’s Roadburn. Continue reading
Metal heavyweight Corey Taylor has officially made his solo debut with the release of a full record. This new space has granted him the freedom to create songs you’d never find on a Slipknot record, for better or for worse. If you follow Taylor’s career exclusively because of Slipknot, CMFT (Roadrunner) might not be worth your time. But, for fans of Stone Sour, the collection of different hard rock styles and adjacent alternative influences are sure to please. Continue reading
Twenty-five years plus into his career, Marilyn Manson continues to be an enigma, wrapped tight inside a riddle, not wishing to be fully known. By never making the same album twice with his namesake band, he continues to defy expectations, and be equally loved and hated. While his early albums are masterworks that others from the 1990s would kill to rest their reputations on. However, as the rockstar gains on years and gets further away from his early years, he has transformed into a much more interesting character than when he was freaking out pastors and scarring moms and dads.
It is easy to forget that Forever Blue is the debut album from AA Williams, such is the level of status she has already acquired since first taking to the stage only last year. In the meantime, she has garnered a huge amount of critical acclaim, released a self-titled EP, and collaborated with Mono before releasing Forever Blue.
Prisyn is an album that deals in opposites. On one hand, it is an expression of Evan Patterson’s artistic freedom, in the sense that it is quite far removed from Jaye Jayle’s previous works both in terms of sound and creative process. On the other hand, that creative process was linked to circumstances of enforced restriction and confinement. The album’s title itself – Prisyn – alludes to a ‘synthetic prison’ according to Patterson himself. The work was conceived while Patterson was on an extended tour. He began to compose music in these limited conditions using just his iPhone. Instead of fleshing out or reworking the pieces with the usual Jaye Jayle band, Patterson enlisted Ben Chisholm’s (Chelsea Wolfe) help to embellish and produce the songs. The result is an album of primarily electronic music: tense, brooding and claustrophobic. But, in the spirit of opposites, there is a counterpoint to the cold synth textures in the form of Patterson’s deep and rich voice. As he sings in the very first line of opener ‘A Cold Wind’, ‘The darkness meets the lightness / Or rather the lightness meets the darkness’. Continue reading
South African dark-folk artist Ann Jangle has shared the new video for her latest single “Ballad of Pink Cocaine” out now via Mongrel Records. The video which is directed and edited by award-winning documentary filmmaker and photographer Marius van Graan features actual footage taken on her journey interspersed with beautiful slow motion performance shots, capturing the mood of the track perfectly.
Experimental genre chameleon and artist Draagyn has shared a new single, “A Night Between Two Days”. Debuted over at BrooklynVegan and is available now on all streaming services, the avant-garde, multi-instrumentalist, and dark chanteuse conjures all kinds of dread feelings with her voice and musical skills. On the follow up to 2019’s otherworldly, 8+ minute single “Majesty,” she hops from Black Metal, prog rock, dark folk, and back again. To bring the track added life, she recruited fellow visionaries, drummer Jon Rice (Uncle Acid, Job For A Cowboy, Umbra Vitae), and bassist Corey McCormick (Promise of the Real), to further explore beyond the outer limits of conventional sound. Continue reading