Formed in 2010, Edinburgh thrashers Black Talon follow up their 2015 debut Endless Realities (Wasted State Records) with independently released five-track EP Existential. Sounding like a modern Scottish version of the 1980s Bay Area, this short release is replete with riffs and melodies similar to the likes of Forbidden, Testament and Dark Angel with vocals owing a debt to Vio-Lence and UK thrashmonkeys Acid Reign. Continue reading
In this edition of our Reviews Round-Up, our fearless Editor Steve Tovey takes on some new and recently released albums to see if they pass the smell test.
In the thirty-two years since the savage double gut-punch of Reign In Blood (DefJam) and Darkness Descends (Combat), the popularity and aesthetic of Thrash Metal has gone on an undulating journey, from the progressive convolutions of …And Justice For All (Vertigo), through the refining and streamlining of a Persistence of Time (Island), to a decade in the wasteland where ideas and delivery effectively choked in the dust of a seemingly redundant style. Resurrection was found in the party Thrash rebirth headed by the likes of Municipal Waste, and then the more fundamental stylings of Evile and the like. But throughout it all, the Metal underground never lost sight of the devastation that 1986 brutality – the extreme edge of Thrash espoused by Dark Angel, Kreator and Sodom – and the effectiveness of vicious riffing, feral vocals and a relentless battery brings, it’s just that nowadays it’s possible to bring the noise to a wider audience.
I think it’s fair to say that Britain does not have the greatest depth of pedigree when it comes to Thrash. While there have been a couple of notable exceptions, other than the unassailable Sabbat, Xentrix (one of my favourite bands as a teen) are still, probably, the first name on anyone’s mind when asked to discuss said niche market. Twenty years after Preston’s finest slipped quietly into the ether and, an Evile or Savage Messiah aside, very little has changed in that regards. Continue reading
My brain is still trying to process that Nightmare Logic is only Power Trip’s second full length album. While there have been splits and EPs before and after their strong debut, Manifest Decimation (both Southern Lord), the bite and urgency on Nightmare Logic would suggest a more aged group of musicians Continue reading
This past year was a huge one for music with so many bands releasing new material it was hard to keep up, even for us here at Ghost Cult. So many legacy bands, modern classic acts, and up and comers dropped new music this year, some may wish they had waited until 2017 to drop it like it’s hot. Without further ado, here are our picks for the new tunes you need in your life in 2017. Continue reading
Submitted for your approval, the year is 1991. Already a bang up year for monumental rock and metal releases, Soundgarden releases Badmotorfinger on the now defunct A&M records sets the heavy music world on its ear. Sure in the climate where Nirvana’s Nevermind was climbing the charts and Metallica’s “Black Album” was already a legit hit too. Residing right in the middle, just as the “Seattle” craze was capturing people wad Soundgarden. That Badmotorfinger would go on to be the defining moment in their career wasn’t a surprise considering their history.