Catton Park, United kingdom, 14 Aug 2022, Lamb of God performing on the Ronnie James Dio Stage at Bloodstock Open Air Festival Credit: Rich Price/Ghost Cult Magazine
Considering most people are already feeling like overcooked baked potatoes wrapped in tin foil, the fact that today is meant to be the hottest day of the festival really isn’t the best news. Still, that certainly doesn’t deter a healthy crowd from shaking off the hangovers and getting on with the business at hand, Baest and Lost Society both grabbing the main stage by the scruff of the neck while Sister Shotgun and Mastiff do the same on the Sophie stage.Continue reading →
Flint, Michigan, might be known for the crime, cars, and crisis. Yet this down-and-out town has more to offer than that. Music fans know it best for being home to The Machine Shop. This nationally acclaimed music venue has been hosting, supporting, and celebrating bands for twenty years. This special concert lounge has gained its reputation because of their genuine love of live music and doting on its patrons. They bring to mid-Michigan audiences an enthusiasm and care most venues don’t bother with anymore. It was a bright, spring evening last weekend when a group of goth kids formed a line outside this beloved hall’s doors. They were exposed to more sunlight than what they were probably used to, but it was worth it because the Symphonic Black Metal Titans, Cradle of filth, werein town. Continue reading →
Cradle of Filth is known for their melodic tales of gothic horror, striking fear into the hearts of their gleefully morose fan base. However, when faced with truly unfortunate circumstances, the band showed their ability to power through the darkness and give the fans the performance they so desperately craved.
The world is in disarray. Leaders are untrustworthy, people are divided over almost every issue and every day brings new adversity and disappointment. At a time when distrust outweighs optimism there is surely no better opportunity for music to provide a much-needed escape from all the despondency and pessimism. So what do you do if you happen to be UK symphonic Goth metal act Cradle of Filth? That’s right. You release an album called Existence is Futile(Nuclear Blast Records). That’ll cheer everyone right up.
Gothic Black Metal legends Cradle of Filth has shared a new single and video “Necromantic Fantasies.” The track comes from their forthcoming 13th studio album – Existence Is Futile via Nuclear Blast Records on October 22nd, 2021. Watch the video here! Continue reading →
Masters of baroque melodic extremity, it is befitting that Suffolk symphonaires Cradle of Filth has grabbed the goat by the horns with a suitably slick foray into the live stream arena. Atop a multi-layered theater stage set, ring leader Dani Filth sets the tone, holding aloft a flaming torch and emerging from a cowl straight out of one of the Undertaker’s Wrestlemania entrances, before announcing the commencement of the invocation of the unclean…Continue reading →
The reignited interest in distinctly eighties-sounding metal styles, and more specifically, the thrash revival of the 2000s, has brought with it a handful of blistering new acts, alongside a slew of respectable releases from its originators. However, as a general scene, it has also suffered from a lack of innovation and compositional creativity. Often bands of this scene are perfectly content to just emulate classic sounds long-established by Sodom, Kreator, Venom, Bathory, and Slayer. Oftentimes, I find it a dull guessing game of which thrash bands are being ripped off whenever I listen to these bands. But there are nevertheless a handful of acts that in addition to paying tribute to the old guard’s sound manage to capture that fury, excitement, and blasphemous spirit of heavy music during the proto-extreme metal era. James McBain, the singular creative force behind Hellripper, clearly loves the style of first wave black metal and Teutonic thrash but is also creative enough to blend them to create something that sounds completely fresh. The result here is The Affair of the Poisons (Peaceville Records), a sophomore effort to the more straightforward Coagulating Darkness, and a release of blackened thrash/speed metal fury that will leave you yearning even more for a destructive live experience in 2020.Continue reading →
Ghost Cult had the pleasure of spending our Halloween 2019 at HQ chatting with the legend himself, Dani Filth of Cradle of Filth by phone. Amidst a whirlwind few years of touring the world, writing, and recording a new album, Dani has brought forth the amazing complete Remix and Remaster of their 1998 landmark album Cruelty and The Beast. The resulting release – Cruelty and the Beast – Remistressed Edition, out now via Music For Nations (read the Ghost Cult full review here), is one of the finest remasters you will ever hear, totally going back to the source tapes and present the album as it was intended. Dani was happy to discuss the arduous process that took years, the reasons (mostly legal) the collection didn’t release as planned in 1998, the work he did with Scott Atkins at Grindstone Studio, his thoughts on Cruelty upon its release compared with now, the infamous story of their 1998 arrest at The Vatican, and his plans for the next Cradle album, coming soon! Cheers, Dani! Purchase the album here: https://smarturl.it/CrueltyandtheBeast
When That’s the Spirit was released in 2015, everyone who didn’t favor it immediately labeled Bring Me The Horizon soft. Those who did, called them brave—brave to leap out of their Deathcore upbringing and develop a fantastic radio-friendly but still hard record. Now with the release of amo(Sony Music / RCA) the Sheffield natives have courageously created their boldest, bravest record to date.Continue reading →