CB3 (aka Charlottas Burning Trio), and expansive space-rock outfit hailing from Sweden’s Malmo, recently released their new album, Aeons and delivered another healthy dose of accessible hazy instrumental jams. This, their fourth album, which was partially funded through Kickstarter, is the band’s first with The Sign Records. It sees them continue their eclectic mix of spacy psychedelic rock sprinkled with moments of jazz and occasional stoner riffs. Continue reading
GC might have already released it’s End of Year list, but that doesn’t mean the machine stops rolling. There’s always more to review. And Swedish stoner trio Kamchatka have dropped Hoodoo Lightning (Border Music) as a last-minute Christmas present for those who dig the late-60s and 70s. Continue reading
Danish rockers D-A-D have forged a 30+ year career on ignoring trends and making record after record of good time traditional hard rock. New album A Prayer For the Loud (Napalm Records), their twelfth album overall and first in eight years, continues that trend down to the letter. Continue reading
Italian stoner-doom leaders Oreyeon recently released their new album, Ode To Oblivion, via the Heavy Psych Sounds label and have been jamming it out since it dropped. Ghost Cult streamed their album prior to release and now we are back to debut their mind-blowing new video for “Trudging To Vacuity”! Check it out! Continue reading
Bring up Italy when talking about Metal and you’re likely to conjure images of cheesy Power Metal a la Rhapsody of Fire or Arthemis, or melodic Gothic in the form of Lacuna Coil, but there’s a fair few decent Stoner and Doom bands, most notably Ufomammut, too. Another decent group is Oreyeon (previously known as Orion), whose sophomore album Ode To Oblivion (Heavy Psych Sounds) is a solid slab of spacey Doom and Stoner that doesn’t just dwell on the Black Sabbath and Kyuss tropes. Continue reading
If you’ve worn out your copy of Dopethrone (Rise Above) and have still got a hankering for a dirty heap of occult-themed Sabbath worship, you could do a lot worse than UK Doom outfit Dead Witches. Continue reading
Featuring, at various times past and present, former members of Opeth, Testament, Death, Willowtree, and Sadus, Swedish Progressive Metallers Soen are one of that rare breed of ‘supergroup’ that actually makes good music and isn’t just a disappointing ego trip. Soen have spent their career balancing Tool atmospherics and Opeth’s staccato shredding and clean moments to create a style all of their own that is full of light and shade and a back catalogue filled with quality. With their fourth album, Lotus (Silver Lining) the band have crafted their most enjoyable record yet. Continue reading
Swedish Melodeath purveyors Soilwork are a staple of the scene. Despite never having the commercial success of In Flames nor the critical acclaim that At The Gates garnered, the band is a reliable ever-present, delivering solid albums on a regular basis.
With Verkligheten (Nuclear Blast), the band’s eleventh album, Soilwork deliver another exactly what they’re good at; a mix of shredding riffs, machine gun drumming, and a penchant for bombastic clean vocals. Continue reading
We might be in the run-up to Christmas, but that doesn’t mean we have to stop rocking. Finland’s Craneium have dropped a new album that will warm the heart and dispel the winter blues.
New release The Narrow Line (Ripple Music) is the second album from this Finnish quartet. Continue reading
Djent never really took off as the next big thing, but it did spawn a few world-class bands that are probably more happy simply living under the Progressive Metal banner. And tonight London’s Shepherds Bush Empire hosts two of the scenes leading lights, Between the Buried and Me and TesseracT. Continue reading