The new album from Wolcensmen, the solo Norse mysticism inspired album by Dan Capp of Winterfylleth, Songs from the Fyrgen is out today via Indie Recordings. Watch the gorgeous animated video for the track ‘Yerninge’, which will have you dreaming of winter on the fjords. Continue reading
Tag Archives: Dan Capp
Wolcensmen – Songs From The Fyrgen
The brainchild of Winterfylleth guitarist Dan Capp, Wolcensmen actually predates his time in the Mancunian Black Metal outfit by some years, and is a Folk project dedicated to a time when This Sceptred Isle was unperturbed by religion and industry. Originally released in 2016, Songs From The Fyrgen (Indie Recordings) is a reissue of Dan’s first foray into full-length territory and is a stirring and emotive one.Continue reading
EXCLUSIVE PREMIERE: Wolcensmen Streams New Single – “Sunne”
Kvlt Dark Folk artist Wolcensmen is having his album Songs from the Fyrgen re-issued by Indie Recordings on November 30th. UK guitarist Dan Capp, (Winterfylleth) delved into his fascination with old acoustic ideas he’d written since the late ’90s, inspired largely by Scandinavian bands who had pioneered the inclusion of folk and neo-classical elements. Originally released in 2016, Indie Recordings has recognized this intriguing unique, and challenging artist. The album is completely remixed and remastered and includes a bonus disc of all new songs, including a cover of Bathory’s ‘Man of Iron’. Ghost Cult is proud to share the new single ‘Sunne’ today.Continue reading
Primordial – Winterfylleth – Malthusian: Live at Sound Control
On an ever-poignant date for Manchester, and in a venue situated within a small area of the city known as ‘Little Ireland’, it seems apt for the morose, blackened death of Eireann quartet Malthusian to be laying waste. Through the bloody annoying strobe effects, impressive frontman Pauric Gallagher stood behind his bass like a colossus, his Lemmy-style stance and ferocious, deep scour complementing the blackened rasp of co-vocalist Andrew Cunningham. Brutally savage yet with added elements of crushing doom, this was a huge assault on the senses and a delicious aperitif.
Minor issues blighted the early Winterfylleth sound but old favourite ‘Ghosts of Heritage’ had the floor bouncing. Emotive new track ‘Careworn Heart’, from the band’s The Divination of Antiquity (Candlelight) opus, was led in by a beautifully taped acoustic intro; the more subtle yet crashing, almost mournful feel which displayed the new expansion and versatility of the band grasping the room in the palm of its hand. It’s this creative freedom, embodied by much of Dan Capp‘s delicate, post-style leadwork, which has propelled these local boys-next-door to hero status. Crowd favourite ‘Defending the Realm’ was greeted with unfettered joy, yet there was more an awed reverence rather than a pulsating throb for this adored outfit.
A stirring Irish lament played Primordial to the stage, whence the unmistakable figure of the painted, hooded Nemtheanga roared “Are you with us?”. Generating rapturous, impassioned crowd accompaniment, one of Metal’s truly great frontmen stared wildly and prowled like a possessed madman through the rousing ‘Where Greater Men Have Fallen’, sorely apt given tonight’s close proximity to the site of the 1819 Peterloo massacre. Fiercely expressive, yet allying the bitter anger to a dark humour, the spokesman for The Committed announced the outrageously powerful, emotive ‘Babel’s Tower’ as “my confession”; whilst the ‘skipping bullet’ guitar line of ‘As Rome Burns’ is introduced to ecstatic roars with the tagline “This is the United States of Europe – you have the right to hate who you want”. The constant wall of resonant riffs were part of the defining proof that this is no mere backing band, subtly and skilfully producing a thunderous swell of sound, the rhythm and drums a colossal thunder. Tolling bells blending with brutality, classics ‘The Coffin Ships’ and ‘Empire Falls’ were greeted like old friends and closed not merely a scintillating night, but the most passionate, moving, Herculean live performance I have ever seen.
Words by PAUL QUINN
Photos by LUKE DENHAM